This 1978 National Film Unit documentary chronicles the daily lives of New Zealanders in various places: factory, beach, hospital, oil rig, country town, sheep farm, market garden, Auckland produce market, art gallery and primary school. Narration-free, the film features montages of stills by photographer Ans Westra. The impression is of New Zealand as a busy nation of makers and growers, alongside singing ‘Oma Rapiti’ at the bach and visiting the art gallery. Terry towelling, walk shorts, and denim shirts are date stamps. The script is by onetime Variety film reviewer Mike Nicolaidi.
This archival compendium of Kiwi newsreaders in the hot seat compresses 21 years of footage into four minutes. Sixties BBC-style newsreader Bill Toft tells viewers about a court trial involving pirate station Radio Hauraki; Philip Sherry covers the 1970 shooting of four students at Ohio's Kent State University; and pioneering female newsreader Jennie Goodwin talks weather matters, using graphics and a roller-door style arrangement that now looks sweetly low-tech. The footage also includes the late Angela D'Audney, and long-serving news team Richard Long and Judy Bailey.
This 1981 Koha documentary, 'No Ordinary Bloke' — poet Hone Tuwhare — reflects on his life and influences in a wide-ranging interview by Selwyn Muru. He recites poems and is shown walking around his Dunedin haunts, where he was living at the time. Tuwhare recounts his early life as a railway workshop apprentice and tells of the workshop library that opened his eyes to the world. Later he’s shown with mate and artist Ralph Hotere and discusses, with emotion, the nature of Māori relationships with the land in light of the then-proposed Aramoana aluminium smelter.
Auckland artist Richard Killeen is profiled in this 1983 episode of a series about notable painters and sculptors made for TVNZ. Killeen moved from realism in his early paintings to working with more abstract shapes. By the late 70s, he had abandoned canvas and frame altogether — cutting shapes out of aluminium and grouping them in works somewhere between painting and sculpture. Killeen talks about the evolution of his work, his process and inspirations, and the importance of his environment in suburban Epsom.
Manapōuri hydroelectric power station is New Zealand’s largest. This 1970 NFU film — made for the Electricity Department — follows workers clearing a path for power through epic Fiordland mountains and rainforest, building roads and power pylons, and stringing a cable along the “hard and dirty” 30 miles to the aluminium smelter at Bluff. Sixteen men were killed constructing ‘the line’ before power was first generated in 1969. At the same time the scheme generated mass protests (the ‘Save Manapōuri’ campaign) at the proposal to raise Lake Manapōuri's level.