This 1950 edition of the Weekly Review series welcomes the touring British Lions rugby team in Wellington, where speeches are given on the wharf. It was the first post-war tour by the Lions (notable for the debut of their iconic red jerseys — not able to be discerned in this black and white reel!). Then it’s down to Canterbury Museum to explore displays of moa bones, cave paintings and the relics of the moa hunters. Finally it’s up to the farthest north to visit Te Rerenga Wairua, for a look at life keeping the ‘lonely lighthouse’ at Cape Reinga Station.
Early Days Yet, directed by Shirley Horrocks, is a full-length documentary about New Zealand poet Allen Curnow, made in the last months of his life. The poet talks about his life and work, and visits the places of some of his most important poems. It includes interviews with other New Zealand poets about Curnow's significance as an advocate for New Zealand poetry. As Curnow famously mused in front of a moa skeleton displayed in Canterbury Museum: "Not I, some child, born in a marvellous year / Will learn the trick of standing upright here."
This Touchdown reality series puts a Kiwi family in the shoes of a family of 1852 English immigrants to Canterbury. The challenge for the Huttons is to see if they have the 'pioneer spirit' and can live with colonial clothing, housing and food for 10 weeks. From a gentler, non-competitive era of reality TV, this first episode sees the Owaka family of six (including baby Neil) experience six days of life on a settler ship – seasickness, food rations, restrictive clothing and bedding and chamber pots – while relaying their personal reflections to the camera.
"Bluff'll be here forever." Heartland host Kerre McIvor (nee Woodham) heads south to the port town of Bluff for the 65th wedding anniversary of Fred and Myrtle Flutey, and visits their famous paua shell museum (after their death, the Flutey's paua collection was relocated in 2008 to Canterbury Museum). As well as taking part in the celebrations and learning the secrets of a happy marriage, Woodham talks to local fishermen, women rugby players and long time residents, including the memorable Sylvia Templeton-Warner.
Idiosyncratic TV host Marcus Lush — continuing his ratings-winning collaboration with Jam TV — goes further off the rails and further south in this five-part series about the history, environment and wildlife of Antarctica. In this short excerpt Lush disrobes for the camera to experience a Scott Base three-minute shower. He also interviews the Curator of Antarctic History at Canterbury Museum who contextualises Captain Scott's 1912 expedition to the Pole that departed from Lyttelton harbour as being "very similar to blasting off to the moon from Hagley Park".
Television experience with the BBC helped David Pumphrey win a job in Kiwi television, soon after he returned to New Zealand in 1959. He went on to produce children's shows, live broadcasts, and Montage — forerunner to magazine show Town and Around. Pumphrey also worked on the first TV broadcasts by celebrity cook Graham Kerr, and directed for high profile current affairs shows Compass and Gallery.
Kiwi Chris Dudman studied film at Ilam and London’s Royal College of Art; his graduation short was nominated for a student Oscar. After working on arts documentaries in the UK, Dudman returned to NZ in 1995. Since then he has directed drama shows (the high-rating Harry), documentaries (The Day that Changed My Life), attention-grabbing shorts (Choice Night), and a number of high profile ads for his company Robber’s Dog.
After writing for children's staples Play School and What Now Fiona McKenzie was a journalist on CTV, before training as a director at South Pacific Pictures. As a freelancer she has directed a variety of TV shows — from comedy (Letter to Blanchy, Comedy Central) to non-fiction (Epitaph, The Way We Were). During a 12-year stint in South Canterbury, McKenzie taught screen production and made films for local museums and galleries; she also directed movie romance The China Cup (2009), which won extended runs in local cinemas. These days living in Christchurch, she continues to make films for varied clients.
Flip & Two Twisters is Shirley Horrocks' documentary about New Zealand-born artist Len Lye. Motion maestro Lye's international reputation rests on his work as a filmmaker and kinetic sculptor, and his lively contributions to the London and New York avant-garde. The documentary explores Lye's career and ideas, with the help of historical footage and excerpts from his films. It includes footage of Lye in typically exuberant form outlining his process, introduces many of his kinetic works, and documents how some of his most ambitious plans are being realised in New Zealand.
The late Margaret Thomson is arguably the first New Zealand woman to have directed films. Thomson spent much of her film career working in England, plus two years back in New Zealand at the National Film Unit. Her NFU short Railway Worker (1948) is regarded as a classic.