This episode of C4's music series Homegrown Profiles features hip-hop star Che Fu, who began his music career with high school band The Lowdown Dirty Blues Band, which later evolved into 90s chart-toppers Supergroove. Che Fu talks about his messy split from Supergroove, and how the huge success of the single 'Chains' (with DLT) wasn't enjoyable because he was still upset by what had happened with the band. He also talks about the making of his three solo albums. Since this documentary was made in 2005, Che Fu and Supergroove have reconciled for reunion gigs.

Napier raised hip hop producer Darryl Thomson (DLT) is thought to be the first person to 'scratch' on a New Zealand produced record. At 16 he was inspired by a Life article about rap and breakdancing. He was a founding member of influential Kiwi hip hop groups Upper Hutt Posse and Dam Native. In 1996 he collaborated with Che Fu, who had recently left the band Supergroove. The result was single 'Chains', which topped the Kiwi charts, won three NZ Music Awards including Best Single, and kick-started Che Fu's solo career. These days DLT runs workshops on creating art and making beats, and is a father.    

Part Māori, part Niuean hip hop/reggae star Che Fu made his name in Supergroove as Che Ness, then became a successful solo artist. One hip hop show billed him as Che-Fu, a take on kung-fu; the name stuck. Weeks after leaving Supergroove, ‘Chains' — a collaboration with DLT — spent five weeks at number one. Debut album 2b S.Pacific (1997) spawned three more chart-toppers and went double platinum, then unheard of in local urban music. Alongside further solo releases, Che Fu has performed with King Kapisi as Hedlok, and with Supergroove. In 2009 he was named a Member of the NZ Order of Merit.

Rip it Up editor and hip hop supremo, Philip Bell (DJ Sir-Vere) drops his Top 10 selection of Aotearoa hip hop music videos. The clips mark the evolution of an indigenous style, from the politically conscious (Dam Native, King Kapisi) to the internationalists (Scribe, Savage). It includes iconic, award-winning efforts from directors Chris Graham, Jonathan King, and more.

This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade  — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.  

This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.

On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.   

It's the holidays: time to let your hair down, have a swim, give in to your appetite...and have a boogie. From Kings to The Clean, from 'Ten Guitars' to 'Trippin', let NZ On Screen supply the music, with this epic playlist of classic Kiwi party songs. In the backgrounder, music fan and publicity maestro Nicky Harrop takes us through the tracks, before bidding adieu to NZ On Screen.

Che Fu’s influential debut album 2b S.Pacific (1998) melded Pasifika with reggae, soul and hip hop, to create a unique musical home brew. The first single 'Scene III' went to number four on the local charts, and this follow-up (a double A-side, paired with 'Machine Talk') got to the top in October 1998. Cinematographer Duncan Cole (Born to Dance) directs the music video, which sees a pair of Fu personas (street and club?) facing cameras in a film studio, while singing about making "the planet shake". Later Che Fu adds some comedy to a breakdance battle.

The video for this hymn to the joys of co-operation from Che Fu’s third album Beneath the Radar had its origins in the shot of him dressed like a Japanese warrior on the cover of his previous album The Navigator. Director and animator Shane Mason and artist Gary Yong (aka Enforce1) from The Cut Collective set out to provide a back story for that image. Taking inspiration from anime and old samurai films, they placed Che Fu in a post apocalyptic world with a band of guerrillas on a mission to reactivate music towers closed down by an evil overlord.