Peter Jackson's love affair with moviemaking and special effects was ignited by seeing the original King Kong (1933) as a child. Jackson's Kiwi-shot remake takes one of cinema's most iconic monster movies, retains the 30s setting and iconic New York finale, and toughens up the "beauty" (Naomi Watts). The film also transforms the male (non-ape) lead from lunkhead to sensitive playwright (Adrien Brody). Exhilarating, Oscar-winning CGI brings the great ape to life, alongside rampaging dinosaurs, and oversized wētā inexplicably absent from the maligned 1976 remake.
New Zealand’s first CGI short film gives “eyes on the road” a new meaning as a pair of eyeballs drive to a mind-bending purgatory. A collaboration between visual effects man John Sheils and his brother Michael, Scream was shot in early 1991; finally 25 minutes of footage was “brutally” edited down to three, and fulsomely scored by John Gibson. The sly ‘based on true events’ title-card nods to the makers’ ambitions to “treat animation like live action.” In 1994 it screened in NZ cinemas as opener to the ILM wizardry of Jim Carrey hit The Mask, followed by a number of overseas festivals.
A helmet cam records the claustrophobic reactions of a rookie mercenary (Elliot Travers) as an interplanetary combat raid goes wrong in Ferand Peek's debut short. Peek produced the one-shot DIY Gravity in Wellington over five years. Audio was recorded first, then Travers (shot in a special rig), then CGI effects were forged with the help of Miramar/Weta filmmaking crew. The result was touted by io9 doyen Annalee Newitz: “All we see of the world around him are reflections in his helmet, and yet the suspense is incredible. Plus, the story [is] surprisingly moving.”
Valley of the Stereos is a comic face-off that starts tinny, but gleefully escalates to bass heavy, as a not-so-zen hippy (Danny Mulheron) gets caught up in a vale-blasting battle with the noisy bogan next door (Murray Keane). Made by many key Peter Jackson collaborators, the near-wordless pump up the volume tale was directed by George Port, shortly before he became founding member of Jackson's famed effects-house Weta Digital. Ironically Weta's computer-generated miracles would help render the stop motion imagery seen in the finale largely a thing of the past.
Peter Jackson’s fifth feature is a playful blend of comedy, thriller and supernatural horror and was an effective Hollywood calling card for Weta FX. Frank Bannister (Michael J Fox) resides in Fairwater, where he runs a supernatural scam. Aided by some spectral consorts, he engineers hauntings and “exorcises” the ghosts for a fee. When a genuine spook starts knocking off the locals, the FBI suspects Frank is the culprit. To clear his name, Frank must deal to the real perpetrator – none other than the Grim Reaper ...
James Cunningham made a name for himself after creating a run of stylish CGI-animated shorts — from 1997‘s Delf, and Cannes-selected Infection, through to acclaimed WWI tale Poppy. Now teaching 3D animation at Auckland’s Media Design School, Cunningham is also directing live action shorts, while developing a CGI feature with producing partner Paul Swadel.
Sandy Houston's career in animation and visual effects has involved 70 plus movie projects — including animated classic Watership Down, visual effects landmark Jurassic Park, and Oscar-winners The Return of the King and King Kong. Along the way she has been on hand to watch computers become key tools in creating screen illusion.
A pioneer of computer-generated imagery in New Zealand, John Sheils helped conjure angry cave trolls, flying buzzy bees and herds of roaming TV sets. Time as a camera operator fueled his interest in images unconstrained by gravity or nature. Sheils went on to work on The Fellowship of the Ring, Perfect Creature, Spartacus, and a run of video games and adverts — plus Red Scream, NZ’s first CG short film.
Veteran animator Euan Frizzell brought his artist's hands to almost every form of the genre, from traditional cartoons to stop motion to computer generated animation. Along the way, he animated stories by local legends Margaret Mahy and Lynley Dodd, and directed and animated for Bugs Bunny, Road Runner and Fred Flintstone. Frizzell died on 23 September 2012.