This collection, launched to honour 10 years of NZ Fashion Week, celebrates Kiwi fashion on screen. From TV showpieces (B&H, Corbans) to docos on designers; Gloss to archive gold, from Swannies to Split Enz, taniko to foot fetish ... take a stroll down the catwalk of our sartorial screen past. Beauties include ex-Miss Universe Lorraine Downes and a teenage Rachel Hunter.
Before X Factor there was New Faces, before Masterchef ... Graham Kerr, before Country Calendar there was ... er, Country Calendar. This collection picks the screen gems from the decade that gave Kiwi pop culture, "miniskirts, teenagers — and television." Peter Sinclair, Sandy Edmonds, Howard Morrison, and Ray Columbus star. Do your mod's nod and C'mon!
This Alister Barry-directed documentary is about the National Party and the 2005 election; it was made in conjunction with Nicky Hager’s book written from leaked party e-mails. Barry follows novice MP, and then leader, Don Brash through a hyper-charged era in NZ politics as National attempts to reconcile a political agenda with electability, and to unseat Helen Clark’s Labour government. Speechwriters, advertising agencies, pollsters and party donors all feature, as do Brash’s infamous Orewa speeches, Exclusive Brethren “attack” pamphlets and Iwi/Kiwi billboards.
A graffiti artist (Ropata Matthews) gets sprung by the cops while tagging. But his younger brother ends up being the fall guy and at the receiving end of long arm of the law. The hero heads into the Tamaki night, and with spray can and marker signs his views on politics (including on one of the infamous Iwi/Kiwi billboards from the 2005 National Party campaign). Ultimately he’ll need more than words to repay his brother. Co-written with Savage, the film was the first dramatic short directed by actor Tearepa Kahi (Mt Zion). It was invited to play at the Berlin and Clermont-Ferrand Film Festivals.
The tagline runs: "The story of unemployment in New Zealand" and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, "as a new poverty-stricken underclass developed".
Historian Michael King's opus was a bridge between Māori and Pākehā; he turned Aotearoa's history into an unprecedented publishing bestseller. History Man traces King's own past, to understand the man and his passion for his work. This doco was commissioned only weeks before King and his wife were tragically killed in a car accident. Nevertheless it is a detailed portrait of a much loved and missed New Zealander. It is another collaboration from this producer/director team, whose subjects include Michael Houstoun, Ian Mune and Barry Crump.
Director Greg Stitt's 50min short sees actor Mark Hadlow playing Kevin: a pie cart worker obsessed with the singer Mario Lanza. Kevin's idolatry turns into an identity crisis as operatic-scale fantasising clashes with his meek disposition. Further complications arise from a friendship with his brash punk neighbour, and from stage fright ahead of a fundraiser for Kev's Lanza fan club (Lanza also had a noteworthy teenage fan club in Heavenly Creatures). Will Kev get his Susan Boyle moment? The black comedy was written with Scarecrow scribe Michael Heath.
The Strip centres around 30-something Melissa (Luanne Gordon), who sheds a legal career to set up a male strip revue. Created by Alan Brash, The Strip played to a certain demographic's desire for ogling naked men (warmed up by 1987 play Ladies Night and 1997 film The Full Monty), but with a focus on female characters, as Melissa juggles business with raising a teenage daughter. Taking cues from Ally McBeal (with fantasy sequences to match) the Gibson Group tale of g-strings, feminism and red light romance screened for two series on TV3 and sold internationally.
In James Cunningham’s award-winning short a mutant three-fingered hand attempts a brash virtual heist, seeking to wipe a student loan debt in a government databank. The “digital action thriller” was a third collaboration between Cunningham and producer Paul Swadel. Infection’s fast-paced action, humour, and (then) state-of-the-art 3D CGI rendering (punctured eyeballs, hypodermic needles) was in confident contrast to the realist Kiwi short film tradition. Infection won selection in competition at Cannes, Sundance, and numerous other international festivals.
"Once a band has made it here in Godzone, the big question is: where to now?". As presenter Karyn Hay put it back in 1981, there was only one answer — Australia. RWP reporter Simon Morris headed to Sydney to meet Kiwi musos who'd made it (Marc Hunter, on hiatus from Dragon), and those trying (Sharon O’Neill, Dave McArtney, Mi-Sex's Kevin Stanton, Barry Saunders from The Tigers). Hunter muses on Sydney brashness versus NZ introspection, O’Neill shyly promotes 'Maybe' to Molly Meldrum, and expat music producer Peter Dawkins explains what makes a hit.