Jon Neilson and Bob Parker host the 13th annual Young Farmer of the Year final, broadcast live from Trillos nightclub in Auckland in 1981. The show includes pre-recorded items showing the seven finalists on their farms, as well as competing in the "rural activities" part of the contest, which consists of such tests as hanging a gate, changing a tyre, and determining defects in sheep carcasses. The presentation of the "cloak of knowledge" to the winning farmer at the end of the night is delightfully cheesy.
A pocket survey of the diversity of Kiwi farming circa 1952, this film serves as a booster’s reminder that thanks to self-reliance and research, New Zealand ranks as “one of the world’s great farming countries”. Cameraman Brian Brake captures arresting high contrast imagery: cattle move in silhouette against the sky; dust-caked fertiliser trucks emerge from clouds of lime; shirtless WWII veterans load silage onto harvesters. Meanwhile an upbeat, nationalistic voiceover pays homage to the holy trinity of good pasture, stock and climate.
The Farmers' Santa Parade is an iconic event in the lead-up to Christmas. Here, New Zealand's biggest Santa Parade is seen through the eyes of seven-year-old Sally. This is the 52nd annual parade, and the crowds pack Auckland's CBD to experience the excitement. The behind the scenes preparations include decorating floats, character dress ups, and a helicopter monitoring traffic and parking. As the parade winds its way through the streets, Sally waits for her big moment with the big red man himself — Santa Claus.
In this episode of her TV3 series for pre-schoolers, Suzy Cato creates a farm in her garden and uses songs, stories and animations to introduce a variety of animals. Chickens cluck, a mother pig and her three piglets bathe in mud, frogs catch flies with their tongues — and one of the chickens strays into the family of frogs and has to be returned home. Meanwhile, a baby bird hatches but can't immediately find its mother, the sock puppet family is seen in all of its extended glory and Suzy keeps proceedings moving with her ebullient friendliness.
Part One looks at lesbian relationships - how different are they? A light-hearted romp through subjects such as butch and femme, monogamy, lesbian bed death, and raising children. Two gay farmers feature next, and talk about farming in the Waikato, and their jobs as horse trainer and shearer. Part Three takes us inside Mt Eden Prison where we meet a lesbian prison officer. She talks about working in this tough, testosterone-filled environment and reveals how observing men living in these conditions has made her a more compassionate person.
This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
'No 8 wire' Kiwi ingenuity is defined by problem solving from few resources (No 8 wire is fencing wire that can be adapted to many uses, an ability that was particularly handy for isolated NZ settlers). Embodied in heroes from Richard Pearse to PJ, Kiwi ingenuity is a quality dear to our national sense of self. It has been memorably celebrated, and sometimes satirised, on screen.
The late Frank Torley was a Kiwi television legend, forever known as that Country Calendar guy - he variously narrated, directed, produced, and reported for the show over more than 40 years. But Torley hadn’t always been Mr Rural. He also spent time as a newsreader, Top Town presenter, documentary maker (including an early doco on AIDs), and producing religious programmes.
Packed with creatures and landscapes that quite simply boggle the mind, the Nature Collection showcases New Zealand's impressive menagerie of nature and wildlife films. Many of the titles were made by powerhouse company NHNZ, which began around 1977 as the Natural History Unit, a small, southern outpost of state television. In this backgrounder, Peter Hayden — who had a hand in more than a few of these classic films — guides viewers through just what the Nature Collection has to offer.
Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.