In Haka Māori myth is re-told through a series of stirring haka performances. Men stomp, invoke, and do pūkana (tongue out, eyes wide) amidst spitting mud and fire and ... in Paremoremo Prison and under a motorway. These scenes are intercut with archive imagery of post-pākehā Māori life, from first contact to Maori Battalion, urban drift and protest. The film is a tribute to the raw power, and art, of haka. Ultimately the Once Were Warriors-like message "is positive because of the fierce, irresistible pride of the performances." Peter Calder, (NZ Herald, 1989).
This film documents the influential 1979 New Zealand tour of a black theatre group from London arts centre Keskidee. They visit marae, perform at The Gluepot, prisons and youth centres; meet gang members, Ratana ministers and a young Tame Iti; and korero about roots and fights for rights. The made-for-TV film was directed by Merata Mita and Martyn Sanderson. On the tour Sanderson met his future wife, Kenyan actor Wanjiku Kairie. Tour instigator Denis O’Reilly argued in 2009 that the doco is “full of insights at a time of huge social and cultural shifts in Aotearoa.”
Launched in 1992, Marae is the longest running Māori current affairs programme. It aims to keep its audience in touch with the issues — political or otherwise — that affect Māori, and explain kauapa Māori from a Māori perspective. The Marae Digipoll is seen as a respected barometer of matters Māori. Marae was relaunched briefly in October 2010 as Marae Investigates, presented by Scotty Morrison and Jodi Ihaka Marae (and later Miriama Kamo) . Screening on TV One, Marae is presented half in english and half in te reoi. It is now made by company Pango Productions.
Allan Martin, OBE, worked as a television executive on both sides of the Tasman, but had his roots in programme making. He began making TV in England in the early 60s. Returning home, he developed influential programmes for the NZBC in Compass and Town and Around. Headhunted by the ABC in Australia, he returned to NZ in 1975 to set up the new second channel, and later became Director-General of TVNZ.
After starting his filmmaking career at the National Film Unit, cinematographer John Blick has shot many iconic Kiwi commercials, done extended time in Asia and the United States — and worked alongside everyone from Brian Brake and Peter Jackson (The Frighteners), to Skippy the Bush Kangaroo.
Journalist Mark Jennings joined new channel TV3 in 1989, to set up its South Island news operation. After becoming TV3's news chief in 1995, he won wide respect as a calm hand, competing against TVNZ's bigger budgets and arguing that news presenters ought to have journalism experience. By the time his resignation was announced in 2016, Jennings had become one of the longest serving heads of news in NZ TV history.
Though best known as a sports writer and radio DJ, Phil Gifford’s long career has also seen a number of noteworthy screen encounters — including top-selling rugby videos, an acclaimed feature film and sketch-writing for late legend Billy T James.
The trio of documentaries surrounding the religious community of Gloriavale generated huge TV ratings. Amanda Evans is the director and producer behind this mini-TV phenomenon. In her 30 year career she has produced and/ or directed documentaries, reality series and iconic Kiwi kids and arts shows.
Malcolm Kemp's expertise at covering live events took him from New Zealand to the sports department of the BBC. The one time head of entertainment at TVNZ masterminded TV coverage of concerts, Top Town competitions, elections, World Expo and the Commonwealth Games.
Alongside a radio career spanning more than half a century, Barry Holland, NZOM, has done numerous presenting jobs on television. Since starting his broadcasting career at Radio 1ZB in the early 60s, he has commentated the Olympic Games and the America’s Cup, and been the face of classic Kiwi TV series like On The Mat and Top Town.