"E tu stand proud, kia kaha say it loud", Dean Hapeta's lyrics typify the socio-political messages in NZ's early rap music. The four elements of hip hop: breakdancing, graffiti, DJ-ing and rap are examined through interviews with key players in the hip hop scene (including King Kapisi, Che Fu, Upper Hutt Posse). A recurring theme in the Sima Urale-directed documentary is that local hip hop artists are less interested in the "girls, booze and bling" school of hip hop, and more interested in using their art to make a political statement.
The Aotearoa Hip Hop Summit held in Auckland 2001, was the biggest hip hop event ever staged in New Zealand. This documentary showcases the hottest names in the four elements of NZ hip hop: break dancers, graf artists, MCs and DJs. Featuring international acts from Germany and Australia, with Ken Swift representing old skool break dancing from New York and Tha Liks from Los Angeles. Local acts include Che Fu, Te Kupu, King Kapisi, P Money and DJ Sir-Vere. Presenters are Hayden Hare and Trent Helmbright.
Shot in sepia tones with barely a level camera angle on offer, the video for 3 The Hard Way’s single has classic hip hop video written all over it. A cruise around Auckland in the back of a convertible culminates in a guest verse from Bobbylon of Hallelujah Picassos. Back at home, a rugby-loving audience assembles for the song’s second half. The unforgettable hook is inspired by 10cc hit 'Dreadlock Holiday', which proved lucrative for the English band when there were issues around clearing the rights. This was one of the earliest NZ On Air-funded videos for a song that reached number one.
“Unlike Siamese twins who are joined at the hip, we’re joined at the hip-hop…” This 1992 single was the opening track from MC OJ and Rhythm Slave’s What Can We Say? album, released on Murray Cammick’s Southside Records. The duo rap that “we won’t stop until we get enough”, and the hyperactive black and white video captures the youthful energy of the then teenage pair. There’s Converse trainers, turntables, breakdancing, a sinuous silhouette, a ballerina, a hip hop wedding, a massive pillow fight — and some giant trousers that MC and OJ jointly inhabit.
This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.
Rip it Up editor and hip hop supremo, Philip Bell (DJ Sir-Vere) drops his Top 10 selection of Aotearoa hip hop music videos. The clips mark the evolution of an indigenous style, from the politically conscious (Dam Native, King Kapisi) to the internationalists (Scribe, Savage). It includes iconic, award-winning efforts from directors Chris Graham, Jonathan King, and more.
Hip Hop-eration chronicles a mission to bust some moves, and demonstrate that ageing need not be a barrier to joy. The stars of this documentary are a group of self-deprecating, young at heart Waiheke Islanders — some in their 90s — who head to Las Vegas to compete in the World Hip Hop Championships. Hip Hop-eration won Moa awards for Best Documentary and Documentary Director, plus rave reviews from Metro, The Dominion Post and the Herald's Francesca Rudkin; Rudkin called the film heartwarming:"full of laughs, colourful characters and Kiwi attitude".
This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
November 2014 marks 25 years since New Zealand TV’s third channel began broadcasting. This 25th birthday sampler pack looks back at iconic drama (Outrageous Fortune), upstart news shows (Nightline), fresh youth programming (Ice TV, Being Eve) and comedy high watermarks (bro’Town, Jaquie Brown, 7 Days). As the launch slogan said "come home to the feeling!"
Auckland Museum's Volume exhibition told the story of Kiwi pop music. It's time to turn the speakers up to 11, for NZ On Screen's biggest collection yet. Turning Up the Volume showcases NZ music and musicians. Drill down into playlists of favourite artists and topics (look for the orange labels). Plus NZOS Content Director Kathryn Quirk on NZ music on screen.