Sharply contrasting lives in the South-West feature in this episode of director Geoff Steven's USA road trip. Cosmetics millionaire Mary Kay Ash talks about her empire from her pink, Liberace-inspired Dallas mansion; while business efficiency guru Michael George seeks to make American industry more competitive. Meanwhile, in the New Mexico desert, Pueblo Indians attempt to reconcile ancient traditions with the nuclear arms industry that employs them; and, in El Paso, a second generation Mexican-American border guard intercepts illegal immigrants.
This 2001 Mercury Lane episode is based around pieces on author Maurice Shadbolt, and OMC producer Alan Jansson. With Shadbolt ailing from Alzheimer’s, Michelle Bracey surveys his life as an “unauthorised author” (Shadbolt would die in 2004). Next Colin Hogg reveals Jansson as the “invisible pop star” behind OMC hit ‘How Bizarre’ and more. The show is bookended by readings from Kiwi poets: Hone Tuwhare riffs on Miles Davis, Fleur Adcock reads the saucy Bed and Breakfast, and Alistair Te Ariki Campbell mourns a brother who fought for the Māori Battalion.
This Lookout special follows colourful property tycoon Bob Jones hustling on the 1984 campaign trail, and talking up his newly-formed New Zealand Party. The outspoken advocate for free market liberalisation drew crowds at halls across New Zealand. The Rocky theme music shamelessly plays as boxing fan Jones approaches the rostrum. The party was ultimately short-lived and won no seats, but achieved its goal of denying National a third term by splitting the vote. The documentary includes scenes of the libertarian attempting to dictate how television media filmed him.
After a surprising opening, this short film from James Solomon unravels an edgy tale about a couple playing power games in the bedroom — games where the lines between stimulation and insult are not always easy to define. Josh McKenzie (who played Dan Carter in The Kick, and the slimy millionaire in Filthy Rich) is the man tying up his girlfriend (played by Morgan Albrecht, who also takes centre stage in Put Your Hands Together, Please, another of the K' Rd Stories). Then he gets told he is not doing a very good job of it. Warning: contains offensive language.
This late 80s game show features couples attempting to accrue time credits through answering a series of questions; aiming to play off for prizes (eg. the required household appliances and a holiday to “exotic Tahiti”). Hosted by Paul Henry — his TV debut — Every Second's gentle pace is decades removed from the accelerating insistency of Millionaire or Weakest Link. Henry fronts with more groaning Granddad jokes than the bumptious cheek he’d later become notorious for, but early warning signs are there, disguised in a formidable 80s suit and white loafers.
OMC began life as the Otara Millionaires Club featuring brothers Pauly and Phil Fuemana. They were included on the ground-breaking Proud compilation of South Auckland music. By 1995 OMC was a vehicle for Pauly and producer Alan Jansson. Their single ‘How Bizarre’ was one of the most successful releases ever by a New Zealand artist. Written by Fuemana and Jansson (and produced by Jansson) it topped the charts in five countries (and was Top 10 in eight others). Fuemana couldn’t follow up that success, although he attempted a comeback in 2007. He died in January 2010.
"My name is Mr Larry Woods and they call me Mr Sunshine." This 2016 Loading Doc offers a mini portrait of the colourful shoeshine man famous for spreading goodwill and cheer on Auckland’s streets. The documentary charts Wood’s journey from chauffeur-driven millionaire making headlines for his lush lifestyle, to street-working ambassador pushing the creed of “just being nice”. Directed by Eldon Booth in stylish monochrome, the documentary was shared by Atlantic and Aeon magazines and website Short of the Week, and screened at England's Sheffield Doc/Fest.
This late 80s game show features couples attempting to build time credits by answering a series of questions. The prices include household appliances and a holiday to “exotic Tahiti”. Hosted by Paul Henry — in his TV debut — Every Second's’ gentle pace is decades removed from the accelerating insistency of Who Wants to be a Millionaire or Weakest Link. Henry fronts with more groaning Granddad jokes than the PC-baiting cheek he’d later become famous for, but early warning signs are there, disguised in a formidable 80s suit and white loafers.
As a high schooler, Melanie Lynskey came to international attention in her first screen role, playing Pauline Parker in Peter Jackson’s Oscar-nominated feature film Heavenly Creatures. Since then, the New Plymouth-born, Los Angeles-based actress has gone on to work with many of Hollywood’s biggest names, playing Drew Barrymore’s step-sister in Ever After, Matt Damon’s wife in The Informant, and George Clooney’s sister in Up in the Air. She has also had a scene-stealing guest role as Rose on the Emmy Award-winning sitcom Two and a Half Men. Lynskey has returned to New Zealand to star in feature films Snakeskin and Show of Hands.
In his third interview for Funny As, comedian and 7 Days presenter Jeremy Corbett discusses more singular comedic pursuits, including his extensive career in radio and TV. On top of mentioning how his university degree ran a “distant third” to DJing on Radio Massey and the capping revue, he talks about: Being part of the team that established Energy FM in New Plymouth — including Steven Joyce in his pre-MP days — and being the only one to leave early and miss out on becoming a millionaire Spending 18 years as breakfast host on More FM, then losing interest when radio became homogenised: the “oh I put the coloureds in with the whites in the washing machine, have you ever done that? Text us” moment The awkward moment where he played a tasteless parody song to singer John Mayer in a radio interview Memories of a comedy pilot with Paul Holmes and Mike Hosking, which turned into “a pissing contest between the two of them to be either the most knowledgeable or funniest” 7 Days being his "dream show”, the importance of the writers' room, and getting goosebumps watching the first show go to air Changing a te reo comedy routine on The Project, after taking on board feedback that the routine was “not particularly woke” — and the challenge of delivering the routine in Māori