This National Film Unit documentary provides a fascinating behind-the-scenes look at the various stages of 40s film production at the relatively nascent unit, from shoot to post production. It was made to be screened continuously (thus the ‘loop’ title) at exhibition theatrettes. There’s genial interaction among the cast and crew (see backgrounder for who they are). Directed by pioneer woman director Kathleen O’Brien, the filming took place at the unit’s Darlington Road studios in Wellington, close to where Weta Workshop and Park Road Post now operate in Miramar.
Auckland Museum's Volume exhibition told the story of Kiwi pop music. It's time to turn the speakers up to 11, for NZ On Screen's biggest collection yet. Turning Up the Volume showcases NZ music and musicians. Drill down into playlists of favourite artists and topics (look for the orange labels). Plus NZOS Content Director Kathryn Quirk on NZ music on screen.
On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.
This NFU portrait of 19th Century artist Gottfried Lindauer traces his wide-ranging life, from his Bohemian origins and arrival in New Zealand in 1873, aged 35, to his death in Woodville in 1926. Lindauer’s portraits, especially of Māori in formal dress, became an iconic record of colonial era New Zealand people. A market developed for Lindauer’s work, established by his patron Henry Partridge. Lindauer’s commissions (held at Auckland Art Gallery) are respectfully filmed here; and his process is detailed, including his most famous image, Ana Rupene and Child.
Open Door is a community-based TV series where groups or individuals make a documentary about an issue that concerns them. This episode is about The Papermill - a charitable organisation based near Whangarei, where artists with intellectual disabilities create decorative paper products. Papermill Creative Director Trees van Ruth, along with parents of the disabled artists, and the artists themselves talk about this thriving small business and tourist attraction, and stress the positive impact it has on the self-esteem of its workers.
Director Stewart Main talked to artist Pat Hanly about life as painter and activist for 1998 documentary Pacific Ikon, from which this excerpt is taken. Interviewed at his Mt Eden home, Hanly discusses his painting career and inspirations — both political and personal. Also interviewed are his wife Gil, who supported him personally and financially, and children Ben, Tamsin and Amber. Like his work, Hanly is ebullient, energetic and articulate, At one point he says: "We are awaiting death with interested anticipation. Some of my best friends are dead." Hanley died in September 2004.
In this documentary for TV One, director Aileen O'Sullivan turns the camera on three sets of mother/daughter artists, and asks whether art is in the genes. Interviewing each other about their creative lives are actor Kate Harcourt and actor/acting teacher Miranda Harcourt; weaver Erenora Puketapu-Hetet and weaver/painter Veranoa Hetet (née Hauwaho); and painter Jacqueline Fahey and performer/sculptor Augusta McDonald. Frank yet loving discussions abound, like when Hetet tells her mother "sometimes you come up with silly things".
In episode two of The Big Art Trip hosts Douglas Lloyd-Jenkins and Nick Ward discover the art of crochet with sculptor Ani O’Neill and attend CAKE Collective’s roadside poster exhibition where they talk to photographer Deborah Smith. They also visit renowned sculptor Greer Twiss in his studio, talk with young multi-media artist Gerald Phillips about his music videos for band Betchadupa, drop in on painter and political activist Emily Karaka and head to Whangarei to see filmmaker Gregory King and the veteran star of his short film Junk, Rosalie Carey.
In this episode of the archive-compiled history series, Bernard Kearns focuses on the Roaring Twenties. Soldiers returning from the First World War struggle to tame the land as commodity prices fall. The Labour Party, with miners as its backbone, gains a foothold on the political scene, and the Ratana Church emerges as an alternative to more distant Māori leaders. In Dunedin, the New Zealand and South Seas International Exhibition proves a huge success and members of the Royal Family are popular visitors to our shores. But the Great Depression looms.
After kicking off with 'Poi-E' and the opening of landmark exhibition Te Māori in New York, this documentary sets out to summarise the key elements of Māori culture and history in a single hour. Narrator Don Selwyn ranges across past and (mid 80s) present: from early Māori settlement and moa-hunting, to the role of carvings in "telling countless stories". There are visits to Rotorua's Māori Arts and Crafts Institute and a Sonny Waru-led course aimed at getting youth in touch with their Māoritanga. The interviews include Napi Waaka and the late Sir James Hēnare.