On land, sea and in the air, this fifth series of Memories of Service covers many of the major moments of twentieth century conflicts, in the words of those who were there. Men and women relive the formative times of their lives, be it facing the enemy, treating the injured or taking on jobs back home, left vacant by the men who went to fight. Produced by director David Blyth and Hibiscus Coast Community RSA Museum curator Patricia Stroud, the interviews are a valuable record of those who served. The individual interviews will be added  added to NZ On Screen soon.

After a long flight in a C-130 Hercules, Dez Harrison arrived in Vietnam on the fifth of May 1967. As he puts it, when you’re young and green it’s all an adventure. Serving in 161 Field battery, Harrison says he was blessed with good leadership from non-commissioned officers who were mainly veterans of Korea and Malaya. As the memories rattle off, he has plenty of praise for the Americans in Vietnam, but less so for his Australian comrades. Stories of leave in Saigon and Singapore provide fond memories, but the reception back in New Zealand at the end of his service is less happy.

This episode from the 11th season of the award-winning show sees presenters Te Ori Paki and Ria Hall and company makeover a unique marae: Rongomaraeroa-o-nga-hau e wha. The marae in Waiouru serves members of the NZ Army — aka Ngāti Tūmatauenga — and the local community. Capturing the role of taha Māori in the Defence Force, the makeover enlists 140 new Army recruits, locals, whānau, hapu, ex-military personnel from all over New Zealand, and Victoria Cross recipient Willie Apiata. This season saw Marae DIY shift from Māori Television to TV3.

This Army recruiting film was made while New Zealand was still involved in the Vietnam War. While its emphasis is on the various trades, such as carpentry, engineering and radio operation, which can be learned in the army, it doesn't shy away from the purely military aspects. Soldiers are trained in unarmed combat, parachuting and jungle warfare. Exercises at the Waiouru Army Camp involving armoured support are also featured. Women are included, but in 1966 they fulfil roles in signals and nursing to free up men for combat duties.

This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in this introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".

Joan Daniel was excited to learn she was going overseas as a volunteer nurse in World War II — her mother less so. But it was the beginning of a three year adventure for Joan, as she recounts in this interview. First it took her to Egypt. The cases there were mainly related to ordinary illnesses, and there was time for sightseeing and fun too. Tragedy struck though, when three nurses were killed in a traffic accident. From the Middle East she was sent to Italy and a hospital close to Cassino. The patients now were casualties of war: the wounded, the shell-shocked and the dying. 

At 101 Arthur Asher offers a remarkable account of his experiences in World War II. Dates and events come easily to mind as he narrates his time in the North African desert war and Greece. Caught up in the gruelling battle at Bel Hamid near Tobruk, Asher was later wounded by an exploding mine. A stay in a convalescent camp felt more like being in prison to Asher, who went on to fight the German advance in Greece, shooting down a spotter plane in the process. Back in North Africa, he was hit by a car, ending his war with a broken leg and jaw. Asher died on 19 May 2017.

This edition of the NFU magazine series first travels to Waiouru to observe the NZ Army’s elite Special Air Service, in the year it was established. The soldiers undergo bush exercises, an obstacle course and a mock ambush, training for deployment to Malaya. Then it’s up to Auckland Zoo to meet husky litters destined for an Antarctic Adventure with Hillary and the Trans-Antarctic Expedition (the dogs are related to Captain Scott’s huskies). And finally, it’s further north to go shark fishing for “a day on the Kaipara” in a segment directed by Maurice Shadbolt.

It’s sometimes called the forgotten war, but Korea lives bright in the mind of Maurice Gasson.  Volunteering at 21, Gasson found himself on the freezing battlefields of Korea as part of an artillery battery. Poorly equipped, the Kiwi soldiers swapped bottles of whisky with their American counterparts for sleeping bags and blankets. Conditions improved, but the fighting intensified. Gasson took part in the three-day Battle of Kapyong, a key episode of the conflict. His stories are chilling and some of his experiences are reflected through his poetry.

When Vince Pierson’s old comrades tried to track him down, years after the Korean War, they couldn’t find him. Pierson had taken another surname when he joined up, to disguise the fact that at 19, he was underage. As a gunner attached to HQ, he was with the New Zealand artillery supporting Australian and Canadian infantry at the Battle of Kapyong. Pierson belies his 85 years with sharp recall and vivid stories of people and places. He shows as much empathy for the Koreans as for his comrades, while describing battling intense cold and stifling heat — and the other side.