Four-part series Standing in the Sunshine charted the journey of Kiwi women over a century from September 1893, when New Zealand became the first country to grant women the right to vote in parliamentary elections. This third episode, directed by Melanie Rodriga, looks at women over a century of work — plus education, equal pay, family, art, and Māori life. Interviews are mixed with archive material – including a mid-80s 'girls can do anything' promotion – and reenactments of quotes by Kiwi feminist pioneers. Writer Sandra Coney also authored a tie-in book for the series.

As part of the radical 80s neoliberal reform of the public and corporate sector in New Zealand, many government-run assets were turned into state owned enterprises; some were sold off to foreign buyers. Screening on TV3, this 1991 film, written by Metro columnist Bruce Jesson, examines the controversial programme by asking “who owns this country and who controls it?”. Those answering range from businesspeople to politicians, academics, journalists, vox pops and critics of the ‘cashing-in’, from the Hamilton Jet family to UK environmentalist Teddy Goldsmith.

John Clarke created an unofficial Kiwi national anthem when his alter ego Fred Dagg first released 'We Don’t Know How Lucky We Are' in 1975, simultaneously celebrating and poking fun at national pride. This video is a 1998 update of the song, instigated by TV's SportsCafe. Times change, but the recipe remains the same: "good clean ball and for God's sakes feed your backs!" Alongside a roll call of celebrities, politicians and sports stars — Sean Fitzpatrick, Chris Cairns, Zinzan Brooke — Clarke spreads the grateful gospel at the United Nations. 

Open Door was a unique form of community-based television that allowed groups or individuals to apply to make a documentary programme about an issue – be it family, social, sexual, political, religious, that involves or concerns them. Production company Morningside Productions, then worked with TV3 to select the 10 best proposals. The programmes were made using the expertise and equipment of the production team, but with participants taking editorial control. Funded by New Zealand On Air and broadcast on TV3, Open Door ran for 12 seasons. 

Paul Holmes signed off editions of his weeknightly current affairs show with "Those were our people today, and that's Holmes tonight". 'Our people' in this 1997 Christmas special — presented from the roof of TVNZ — include seemingly everyone deemed worthy of news in 1997: from surgery survivors, to stowaways (the notoriously laconic Ingham twins) and All Blacks. Reporter Jim Mora finds politicians bustling for cheery airtime; Tom Scott recalls where he was when Princess Di died; and international celebs (from the Spice Girls to Kylie) send wishes downunder.

Based on a UK reality format, Dancing with the Stars sees a line-up of celebrities paired with a professional dance partner, and put through ballroom dance routines. Judges and a public vote eliminate a pair each week. A five time winner of best programme in its category, the show played for five hit seasons on TVNZ, hosted by Jason Gunn and Candy Lane. In 2015 it was relaunched by Great Southern TV for TV3; Dominic Bowden and Sharyn Casey hosted. Dai Henwood and Casey presented the seventh series in 2018. Winners have included Norm Hewitt and and Suzanne Paul.

This extraordinary moment in New Zealand political history occurred during the 2014 election campaign. Kim Dotcom, a colourful German-born file-sharing mogul exiled in NZ, had helped form a political party — Internet Mana — to “disrupt” the campaign. The party’s 24 August launch went awry when Dotcom fled from reporters keen to follow up a remark made during his speech (he hinted he could hack Prime Minister John Key’s credit rating). Internet Mana press secretary Pam Corkery infamously berated reporters, calling TV3's Brook Sabin a “puffed up little s**t.”

Growing up in one of New Zealand’s many convent schools before they were reordered by the Second Vatican Council in the 1960s, was an experience many found tough. This documentary explores the stories of the girls who endured the nuns’ strict rule, including interviews with Ginette McDonald, Moana Maniapoto and painter Jacqueline Fahey, plus some of the nuns themselves. They discuss discipline, education, their thoughts on becoming nuns and how despite all the rules, they wouldn’t have changed it for the world.