This short documentary follows refugee Mitchell Pham from a Vietnam War prison camp to a new home in New Zealand. Director Sally Tran — a 2013 Killer Films Internship Scholarship recipient — uses an interview with Pham as an adult, and live action mixed with animation to recreate the harrowing childhood journey. DIY more than CGI, the animation process was based on Vietnamese folded paper-craft. Requiring 20 volunteers, the 10,000 animated pieces of paper (and a rich score from The Sound Room) provide suggestive weight to Pham’s story of survival and courage.
More than 100,000 New Zealanders served overseas in World War l. Over 18,000 died; at least 40,000 more were wounded. Campaigns involving Kiwis, from Gallipoli to the Western Front, were identity-forming, and the war's effects on society were deep. The World War l Collection is an evolving onscreen remembrance. Military expert Chris Pugsley writes about the collection here.
Open Door is a unique form of community-based television that allows groups or individuals to apply to make a documentary programme about an issue that concerns them. This episode focuses on Burundian refugees living in New Zealand and the importance of reuniting families separated by ethnic conflict in their home country. A number of refugees share their stories and explain the way their lives have changed since coming to New Zealand and the efforts they go to bringing other family members here.
This 1944 newsreel documents arrivals at a Wellington wharf from the Middle East: New Zealand soldiers and Polish children. For the refugees it was the conclusion of an epic wartime survival tale: an exodus from Poland via Siberian labour camps, to being greeted by Prime Minister Peter Fraser in NZ. The Poles then take the train past waving crowds to their new home: a camp in Pahīatua. Twenty years later the children were revisited in Kathleen O’Brien’s classic 1966 documentary The Story of Seven-Hundred Polish Children.
This 1967 documentary tells the story of 734 Polish children who were adopted by New Zealand in 1944 as WWII refugees. Moving interviews, filmed 20 years later, document their harrowing exodus from Poland: via Siberian labour camps, malnutrition and death, to being greeted by PM Peter Fraser on arrival in NZ. From traumatic beginnings the film chronicles new lives (as builders, doctors, educators, and mothers) and ends with a family beach picnic. Made for television, this was one of the last productions directed by pioneering woman filmmaker Kathleen O'Brien.
Harold Beven reckons he’s the luckiest man to serve in the Second World War. Born in a village east of London, he saw plenty of action in the (UK) Royal Navy, but by his own admission, never got his feet wet. Joining up as soon as possible after the outbreak of war, Beven served in almost all the naval theatres. As a Chief Petty Officer, he was involved in the evacuations of Greece and Crete — and later the allied invasions of Sicily and Italy — as well as the D-Day invasion of France. At the age of 96, Beven remembers entire conversations as if it was yesterday.
This film tells the story of a group of Afghani refugees rescued from the high seas off Australia by the freighter, Tampa. It follows the fate of several boys who were given the chance of a fresh start in New Zealand. Deftly blending observational sequences and historical footage, Pacific Solution examines the socio-politicial context of a growing worldwide refugee crisis. It was filmed in Afghanistan, Pakistan, Iran, Australia, Nauru and New Zealand. Pacific Solution was screened by TVNZ and at festivals internationally.
Amadi is a Rwandan refugee struggling with his new life in New Zealand. Alone, patronised in his menial job (he’s called “Africa” by a workmate), and anxious about rescuing his family from his war-torn ‘home’; he forms an unlikely connection with the prickly lady living next door. Directed by 2009 Spada New Filmmaker of the Year, Zia Mandviwalla, Amadi joined Eating Sausage, Clean Linen, and Cannes-selected Night Shift to form a quartet of Mandviwalla-made shorts exploring cross-cultural collision. It screened at Melbourne and Hawaii international film festivals.
In this 2007 short, a young refugee boy is smuggled out of an unnamed European country. When he realises he and his companion are victims of people trafficking, he faces an untenable choice. Cargo was produced as director Leo Woodhead’s graduating film while completing a masters in film at Auckland University. A collaboration with Czech cinematographer Martin Priess led to a student exchange with FAMU in Prague and saw the film shot in the Czech Republic. It premiered at Venice Film Festival, before a successful (London, Tribeca, Telluride) festival run.
Shoes is a refugee's story told with rhythm and shoes. A woman seeking shelter in a new country arrives at a railway station troubled by turbulent thoughts of her past. Walking past a shop window, she sees some familiar-looking, worn-out shoes which trigger more memories. Pairs of dancing shoes eloquently recreate her journey from dance hall to war zone. Directed by Sally Rodwell, founding member of alternative theatre troupe Red Mole, Shoes screened at international festivals including Montreal and Hof.