This second season Big Art Trip episode opens in Wairarapa with hosts Fiona McDonald and Douglas Lloyd-Jenkins marvelling at sculptor Harry Watson’s carved statuettes. In Masterton they visit the Aratoi Museum and drop in on painter Robin White, who discusses her paintings, talks about the years she spent in Kiribati, and about the World War II POW camp in Featherston. In Wellington they catch up with first series' co-host, screenwriter Nick Ward, visit toast mosaic artist Maurice Bennett, watch Katherine Smyth throw a pot, and meet composer John Psathas.
Sam Hunt is New Zealand’s best known and most visible contemporary poet; and, in an archive excerpt from this feature length documentary, Ginette McDonald calls him “the most impersonated man in New Zealand”. Director Tim Rose, who has known Hunt since he was a boy, decided too little was known about him beyond his flamboyant, public persona. So Rose spent four years making this documentary — mixing a wealth of archive material with interviews with Hunt, and those who know him best, and new footage of him reading his work and performing with David Kilgour.
To celebrate NZ's unique natural taonga, Peter Hayden has curated a highlights collection from three decades of NHNZ productions. Aotearoa's landforms and its magnificent menagerie of natural oddities - birds, insects, trees like nowhere else on the planet - are showcased in 15 award-winning titles. From Discovery Channel and David Bellamy, to Wild South and Our World classics.
They are hailed as recording pioneers for their electronic experimentation but the Skeptics are still mostly remembered for the controversy that surrounded their macabre 1987 abattoir-splatter music clip, AFFCO. Formed in 1979 by Palmerston North high school students, David D'Ath and Robin Gauld, with friends Nick Roughan and Don White, the group quickly developed a reputation for musical mayhem. After the release of their first album in 1985, Gauld left the band to be replaced by The Gordons' John Halvorsen.
Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings. The Sound of Seeing served early notice on Williams' editing talents, his love of music, and his dislike of narration. It was also one of the first independently-made titles screened on Kiwi television. Composer/author Robin Maconie later wrote pioneering electronic music.
Lisa Chatfield began producing shorts and commercials after studying television at the NZ Broadcasting School. Her first feature, Dunedin tale Scarfies, was a solid hit. After time at companies Working Title Australia and Eyeworks, she joined the NZ Film Commission in 2009, and later rose to become Head of Production and Development. In 2016 Chatfield moved to Pūkeko Pictures, as Head of Scripted Development.
Dorothy McKegg’s acting and singing talent took her from Palmerston North to London while she was still a teen. Back home, her acting career encompassed theatre work at Mercury, Downstage and Circa, and memorable screen roles in Carry Me Back, Middle Age Spread and Matrons of Honour.
By 2001 Russell Crowe was an international star, thanks to award-winning performances in The Insider, Gladiator and A Beautiful Mind. Born in New Zealand and raised on both sides of the Tasman, the Oscar winner continues to act in feature films, and in 2014 made his movie directing debut with Aussie hit The Water Diviner. Once known as Auckland singer Russ le Roq, Crowe also sings in band The Ordinary Fear of God.
Alongside partner Shane Loader, Andrea Bosshard makes and distributes films through indie filmmaking initiative Torchlight Films. Dominion Post critic Graeme Tuckett called the pair's second feature Hook, Line and Sinker “likeable, admirable and hugely enjoyable”. Third feature The Great Maiden's Blush was released to acclaim — and awards — in 2016.
Keith Aberdein is probably best known for playing the small-town policeman who arouses Bruno Lawrence's ire, in Kiwi screen classic Smash Palace. But his screen work covers almost every angle: from journalism and directing, to writing scripts for some of the most ambitious television dramas of the 70s.