This short film follows a freshly-arrived Korean immigrant, trapped in suburban Auckland while her husband Kim works. Su Jung befriends her neighbours, who take her to their weekly swimming lessons, where she finds release in the water. But when swimming affects the cooking of dinner, Kim is piqued. For 2009 Spada New Filmmaker of the Year Zia Mandviwalla, Eating Sausage was the first in a quartet of shorts exploring cross-cultural collisions (Clean Linen, Amadi and Cannes-selected Night Shift). It was selected for the London and Pusan Film Festivals.
It's the holidays: time to let your hair down, have a swim, give in to your appetite...and have a boogie. From Kings to The Clean, from 'Ten Guitars' to 'Trippin', let NZ On Screen supply the music, with this epic playlist of classic Kiwi party songs. In the backgrounder, music fan and publicity maestro Nicky Harrop takes us through the tracks, before bidding adieu to NZ On Screen.
Geoff Murphy (Utu) directed this freewheeling adaptation of the Māori legend of Uenuku and his affair with mist maiden Hinepūkohurangi. The story of love, betrayal, and redemption was the first Māori myth adapted for TV — and the first TV drama performed entirely in te reo. The Listener softened viewers by printing a translation before it aired. Filmed at the Waimarama base of Murphy and cinematographer Alun Bollinger, Uenuku was produced by company Peach Wemyss Astor for the NZ Broadcasting Corporation — a rare independently produced TV drama in the 1970s.
The Italian Job meets cheap jugs and a student union gig in this early heist tale from Geoff Murphy (Goodbye Pork Pie). The plot follows some university students — short on exam fees and beer money — and their scheme to crack a campus safe. Murphy enlisted $4000 and a bevy of mates (including Bruno Lawrence in one of his earliest screen roles), and made it over nine months of weekends. It sold to local television (as well as the ABC in Australia). Its deliberately low key, naturalistic acting stood in stark contrast to the stage-influenced television dramas of the time.
Before the Blerta bus and Goodbye Pork Pie's yellow mini hit the road, some friends with more energy than cash dressed up as mad doctors and criminals, and began making films. This freeform short about running late is an early product of varied schemers who were key in the Kiwi film renaissance. Geoff Murphy plays the man in a hurry, and Bruno Lawrence is Dr Brunowski. Originally screened with live music, here it’s jazzed up with new opening credits and a 2012 soundtrack, led by Murphy on vocals. The result is an unbottling of youthful filmmaking pep. Warning: final credits not to be trusted.
Wild Man is the missing link between 1970s musical legends Blerta, and the burgeoning of Blerta trumpeter Geoff Murphy as a director whose talents knew few bounds. The Blerta ensemble relocated to the mud-soaked West Coast to create this tale of pioneer con men and silent movie style pratfalls. Bruno Lawrence and Ian Watkin arrange a fight — and betting — in each town they arrive in, while Bruno channels his inner wild man from under a leopard skin. Wild Man was released in cinemas alongside John Clarke and Geoff Murphy’s Fred Dagg comedy Dagg Day Afternoon.
Hastings-bred former All Black Josh Kronfeld returns to the 'fruitbowl' of New Zealand to meet immigrants, in this series celebrating diversity. Adversity and sadness are key themes in this episode; an Indian "untouchable" caste family face being separated, after the parents overstayed, while Bosnian rapper Genocide draws on his war-ravaged childhood for inspiration. On a lighter note, Zimbawee-born Sandy Densem creates art using a mollusc shell design popular in her home country, and a South African family keeps tradition alive by making and selling boerewors (sausages) at markets.
Subtitled ‘a conversation with my grandfather’, this animated short sees Joel Kefali (director of the music video for Lorde’s ‘Royal’) documenting memories of his Turkish 'Baba' arriving in 1951 Auckland. Sausage rolls, dances and the death penalty are animated via cut-out shapes, and scored to Baba’s colourful pidgin phrasing — “go to the hell!”. Noel Murray of US website The Dissolve praised the “ample artistry” of Kefali’s familial tribute. Baba was a part of Loading Docs: a series of low budget three-minute long films made for online release.
In this family-friendly feature, Santa (Finnish actor Kari Väänänen) does a runner to a beach in Aotearoa days before his big night of the year, fed up with bureaucracy and brats. It falls to two Kiwi kids to get him out of the southern sun, and back to global gift giving. Director Tony Simpson (Kiwi Flyer) pitches the North Pole native against Kiwi biosecurity and a bickering camping family (including Step Dave's Sia Trockenheim). Sunday Star Times critic James Croot praised the trio of writers for delivering "a rare 21st century effort that evokes the memory of the great kidult dramedies."
This first episode of this much-loved kids series explores all things to do with lighthouses. It begins with a visit to Nugget Point; then things get eclectic. Earnest informational TV is interspersed with psychedelic graphics, cartoons, a sea shanty ("I want to marry a lighthouse keeper"), and funky lighthouse-themed songs. We meet Don (a lighthouse stamp collector); uncover the mysteries of how a ship fits into a bottle; and the three young presenters deconstruct their attempts at painting lighthouses, including a fine abstract effort from co-presenter Ray Millard. Classic.