Named after the exaggerated facial expressions performed in a haka, this long-running children's series emphasises the energy of contemporary youth culture. Made by company Cinco Cine, Pūkana was pioneering in Māori language programming for kids. This 2015 episode sees the crew of reporters stunt driving, skydiving, camping, kayaking, bungy jumping, and hanging out with a tarantula. The crew includes past Homai te Pakipaki champ Pikiteora Mura-Hitai, and veteran Pūkana presenter Tiara Tāwera, who is about to follow Mātai Smith and switch to directing on the show.
This collection celebrates Kiwi comedy on TV: the caricatures, piss-takes, and sitcoms that have cracked us up, and pulled the wool over our eyes for over five decades. From turkeys in gumboots and Fred Dagg, to Billy T, bro'Town and Jaquie Brown. As Diana Wichtel reflects, watching the evolution of native telly laughs is, "a rich and ridiculous, if often painful, pleasure."
This 1969 film promotes the attractions, industry and history of “contemporary Rotorua”, from the Arawa canoe to forestry, from mud pool hangi to the Ward baths (“heavenly for hangovers”). The score is jazz, and the narration is flavoured by the impressive baritone of opera singer Inia Te Wiata (father of actress Rima), who gushes about geysers and Rotorua’s evolution from sleepy tourist backwater to modern city and conference centre. Also featured: kapa haka, meter maids in traditional Māori dress, and a rendition of classic song ‘Me He Manu Rere’ in a meeting house jive.
This edition of the 1976 adventure series documents a pioneering attempt to fly over Aoraki-Mount Cook by hot air balloon. RNZAF squadron leader Roly Parsons had made the first balloon crossing of Cook Strait the previous year. Director Pamela Meekings-Stewart captures his preparations to take on perilous winds and high altitudes. A first attempt with newbie co-pilot Rolf Dennler sets an altitude record, but crashes near Fox Glacier township, before Parsons pulls on his gold flight jacket for a final attempt at the challenge. Julian Dickon (Pukemanu) wrote the script.
Lana Coc-Kroft and her all female Extreme Team swing, fall and paddle their way through this episode from their primetime, extreme sports TV series. There's a guest appearance from actor Kevin Smith who enthusiastically investigates bridge swinging with Jayne Mitchell (near Masterton). Lana forgets her fear of heights for long enough to take a tandem sky dive and check out the sport of sky surfing — and Emma Barry and Katrina Misa keep their feet much closer to the ground, but get them wet, on a canoe safari down the Whanganui River.
Mātai Smith began his screen career reporting on Marae. He was a long-running host of pioneering te reo children's show Pūkana and later co-hosted breakfast TV staple Good Morning (where he introduced te reo, and was hypnotised). Smith fronted popular Māori TV talent quest Homai Te Pakipaki, winning Best Presenter at the 2012 NZ TV Awards. He is currently Native Affairs’ Australian correspondent.
Why is New Zealand's landscape and flora and fauna so unique? In four-part series Moa's Ark, renowned English naturalist David Bellamy, with his impassioned enthusiasm and trademark beard (of "old man's beard must go" fame) goes on a journey to discover the answer. Directed and produced by Peter Hayden, this 1990 TV series was produced by Television New Zealand's award-winning Natural History Unit (now independent production company NHNZ). Read more about the series here.
Lynton Diggle spent almost 25 years working as a director and cameraman for the government's National Film Unit, before launching his own company. Along the way, he filmed in Antarctica and the waters of Lake Taupō, captured major salvage operations at sea, and worked alongside legendary director David Lean (Lawrence of Arabia). Diggle passed away on 23 November 2018.
Since relocating from the United Kingdom, Peter Roberts has made his mark in New Zealand as an editor. Roberts found his editing niche at TVNZ, before a prolific freelance career saw him cutting a string of documentaries, shorts, and features — including award-winning drama The Dark Horse. In 2013 he became the first editor to be elected President of the Directors and Editors Guild of New Zealand.
Derek Morton is one of those happily unsung industry all-rounders who has tried a little of everything: from documentaries and children's TV to underground films, doing time as a cameraman, editor, writer, producer and director (from commercials and docos, to trucking drama Roche), as well as running his own production company.