Peter Jackson has gone from shy fanboy to master of his craft; from Pukerua Bay to Wellywood. With six journeys into Middle-earth now behind him, he has few peers in the realm of large scale filmmaking. Led by early 'behind the scenes' docos this collection pays tribute to PJ's journey, from re-making King Kong in his backyard to err ... re-making King Kong in his backyard. 

Animated plasticine. Talking chickens. Dancing Cossacks. Plus old favourites bro'Town, Hairy Maclary and Footrot Flats. From Len Lye to Gollum, feast on the talents of Kiwi animators. In his backgrounder to the Animation Collection, NZ On Screen's Ian Pryor provides handy pathways through the frogs, dogs and stop motion shenanigans. 

Low-tech legend Chris Knox is an accomplished musician, cartoonist, critic, filmmaker, and jandal wearer. As this collection demonstrates, his genius takes flight in the DIY aesthetic of his music videos. As Flying Nun founder Roger Shepherd says in his backgrounder, “this is a unique and important collection of work perfectly illustrating what is possible with the barest of resources and a free-wheeling imagination”. Russell Brown adds his view here. Alongside music videos, the collection also includes interviews with Knox and profiles of bands Toy Love and Tall Dwarfs.

Four shorts in one, starring the claymation character who represents "the bad-tempered little knot we all have inside." Decaff originally debuted in two short videos. Funded by grants and a student loan, this 35mm film adds two new stories to remakes of the originals. Decaff made a strong impact on the short film scene, gained a cult audience and the character co-hosted TV show Short Cuts, a showcase for Kiwi shorts. Decaff's creator Greg Page, drummer, artist and music video-maker is the director behind horror film The Locals. 

Alone in his cell, a deeply disturbed old man delivers a psychotic monologue, and reveals an alarming secret in this darkly funny claymation short from the workshop of Tom Reilly. Reilly made his first claymation short in 2001 and is one of just a few New Zealand animators using this technique. Three more shorts and a children's TV series won him the SPADA New Filmmaker of the Year Award in 2003. He is now directing live action TV and commercials and his documentary on a wesitie misfit car-yard operator — Gordonia — was released to positive reviews in 2010.

As a trench coat-clad protagonist enters the room, the jazzy soundtrack and copious shadows promise a claymation exercise in film noir. But the room advertised in director Barry Prescott’s first short film is no ordinary rental. It soon becomes apparent that a more unusual threat is responsible for the lack of furnishings and tenants — and it threatens the man and his oversized revolver. Television has been accused of rotting brains, but this short takes the allegation to the next level. Unfurnished Room for Rent screened at the Palm Springs and Seattle film festivals.

Biscuits dance, food flies, dead chickens walk ... come closing time, the shelves of a dairy come to life. Four years in the making, this showcase of stop motion effects is based loosely on a classic poem by Goethe. The lively Indian-tinged soundtrack is inspired by the poem's most famous retelling: the Disney classic Fantasia, in the Sorcerer's Apprentice sequence where Mickey Mouse battles magical broomsticks. The music is handled by John Psathas, who later composed for the 2004 Olympic Games in Athens. 

This was one of two short promos that screened in cinemas to celebrate 100 years of New Zealand film. A stop motion plasticine figure morphs from one classic Kiwi film moment to another. Director Greg Page starts with National Film Unit newsreels, before jumping to the renaissance of Kiwi film that began in the late 1970s. Included are Goodbye Pork Pie, An Angel at My Table and Braindead. The promos (John O'Shea directed the other) were funded by the NZ Film Commission with support from Kodak, the Film Unit and the Film Archive (now Ngā Taonga Sound & Vision). 

Ovine raconteurs Robert and Sheepy made their short film debut in 2001, thanks to the stop motion magic of Guy Capper. Capper and Jemaine (Flight of the Conchords) Clement's comical duo — one loquacious, one laconic — stood out from the flock amidst 100s of entries in the trans-Tasman Nescafe Short Film Awards, sharing first prize in 2001. Further occasional installments of The Pen were made over the next decade and shown online, and in 2010 Robert and Sheepy’s woolly wisdom was brought to TV audiences as a segment in sketch show Radiradirah.  

Showcasing the droll dialogue between Conchord Jemaine Clement and animator Guy Capper, this is one of a series of comedic shorts in which two sheep drink beer at the baa and spin yarns about the issues that really matter eg. how to express your ire when a bovine companion compares your face to a talking pie. Capper and Clement's Robert and Sheepy duo first debuted in short film The Pen in 2001. An Australasian Nescafe Short Film Award helped spur further episodes, then regular appearances on 2010 comedy show Radiradirah, from which this sketch is drawn.