This 1972 documentary captures the pulse of Chinese in New Zealand — "a close-knit, traditionally minded community" concentrated in the cities. Reporter Geoff Walker briefly charts the history of Chinese immigrants, and racist policies spanning 50 years. Jock Hoe criticises New Zealand's immigration policy towards Chinese, and says older Chinese are walking more proudly as China stands on its feet again. Young Chinese-Kiwis reveal that romance with Europeans is possible, but uncommon. Also interviewed: businessman Thomas Doo and future writer Helene Wong.
Thanks to BBC sketch show Not the Nine O'Clock News, Rowan Atkinson was a BAFTA-winning comedy star when he toured New Zealand back in 1983. Atkinson and Kiwi reporter Chas Toogood hatched a plan to turn the clichéd celebrity interview on its head, by Toogood never actually getting to interview his quarry. Atkinson shot each scene just once. The piece was done for regional news show Top Half in an Auckland hotel, near the end of a Kiwi tour. Atkinson's show Blackadder had debuted just two months previously. He would go on to star as Mr Bean and Johnny English.
The Cul de Sac presents an apocalyptic world where the adults have disappeared. In this first episode, Rose (Greta Gregory) realises something is very wrong when she leaves home. Meanwhile at the local high school, dictator in the making Doni (Simon Mead) refuses to let anyone inside the building. Rose's sister (Molly Leishman) is in danger of having a medical emergency, Jack (Riverdale's KJ Apa) proves he isn't completely useless, and a dog goes rabid. Created by Stephen J Campbell (Amazing Extraordinary Friends), the sci-fi adventure spanned three seasons.
This excerpt from the acclaimed miniseries about Kiwi mountaineer and philanthropist Sir Edmund Hillary includes his 1930s childhood in sleepy Tuakau, and scenes from the 1940s, when his desire to join the war effort clashes with the beliefs of his pacifist father. Ed's young life is sketched in three chapters: a stolen library book ignites a passion for the mountains, teenage Ed experiences the grandeur of Mt Ruapehu, and adult Ed (played for the remainder of the series by Andrew Munro) grows restless with life as a beekeeper while being labelled a coward for his family's war stance.
This excerpt from arts show The Edge looks at the early days of Weta, the Wellington effects company which would win Oscars for King Kong and Avatar. Dressed in a Tintin T-shirt, Peter Jackson talks about the effects being crafted for Heavenly Creatures, and forecasts a future where filmmaking will go digital. Richard Taylor — later head of Weta Workshop — crafts a sea creature for another project; George Port guides viewers through the basics of digital effects. At this point Port was Weta's only digital effects expert. He worked on Heavenly Creatures for seven months straight.
Two tadpole-like creatures with enormous eyes chase each other around, to a driving techno soundtrack. Then these digitally-animated characters find themselves plunged into a different reality - one where a single wrong move could mean they exist in only two dimensions. After completing this mind-warping mini-rollercoaster ride, creator James Cunningham and producing partner Paul Swadel worked together on bank robbery tale Infection, which won invitation to the Cannes Film Festival.
Musician and movie fan Chris Knox reviews Heavenly Creatures in this excerpt from 1990s arts show The Edge. Knox calls Peter Jackson's film about real life friends and murderers Juliet Hulme and Pauline Parker "brave and often astonishing". He praises Jackson's use of special effects for evoking the teenagers' heightened state of mind, but suspects that during other scenes a more naturalistic approach would have helped the characters. The clips from the Oscar-nominated movie include some of Weta's earliest digital effects, and Peter Jackson's cameo outside a cinema.
Annie Goldson’s documentary examines the story of Kim Dotcom, the German-born hacker turned internet mogul who is holed up in a New Zealand mansion fighting extradition to the United States. In the US he’s wanted for alleged infringement of copyright laws committed by Megaupload, the online storage hub he founded. Goldson mines archive material (including the NZ police raid of his mansion) and interviews, to explore intellectual property, privacy, profit and piracy in the digital age. The film won rave reviews after its world premiere at multimedia festival South by Southwest.
In Poppy two Kiwi soldiers discover a baby in a muddy WWI trench. For Paddy it will lead to redemption amidst the hell of war. From a David Coyle script — based on his great-grandfather’s war story — Poppy was another successful computer-animation collaboration between producer Paul Swadel and director James Cunningham (Infection, Delf). CGI evokes a bleak Western Front landscape on which the (motion-captured) human drama unfolds. Cunningham spent over 4500 hours making Poppy; the result was acclaim at Siggraph, and invites to Telluride and SXSW festivals.
This low-budget feature fishtails after a Mum and her teenage kids, kicking around the far north one sleepy summer. Store Santa holiday jobs, teen romance, purloined cars, pet possums, and pot deals fill out the small town shenanigans plotline. Ray Woolf plays an undercover cop, and Calvin Tuteao is a kauri-hugging suitor. Director Peter Tait (who acted in Kitchen Sink) wrote the film to showcase the charisma of kids he was teaching at Taipa College. Made for under $20,000, the film “was bigger than Titanic” at Oruru’s Swamp Palace cinema and community hall.