Māori Television hit the airwaves on 28 March 2004. This collection demonstrates how the network has staked its place as Aotearoa's indigenous broadcaster. The kete is overflowing with tasty morsels — from comedy, waiata, hunting and language learning, to award-winning coverage of Anzac Day. Māori Television HOD of Content Development Nevak Rogers backgrounds some MTS highlights here, while Tainui Stephens unravels the history of Māori on television here: choose from te reo and English versions of each backgrounder.
The night before his granddaughter's birthday, a man who likes having a flutter on the horses (Utu star Anzac Wallace) has a "dream". But which horse is he meant to bet on this time? Raniera gets help from his wife (Erihapeti Ngata) and the local community, to understand what the dream might mean. This edition of the pioneering Māori drama series marked Rawiri Paratene's debut as director. Patricia Grace based the screenplay on her story 'The Dream'; Temuera Morrison has a small role. Viewers can choose whether to watch the episode in Te Reo or in English.
A teenage boy (Lance Wharewaka) should be at school, but instead learns about the bush and the old days from his ailing grand uncle (Bill Tawhai). The friendship prepares the boy with the necessary skills for life. Written by poet Hone Tuwhare, Eel marked the drama directing debut of TV3 newsreader and Wild South presenter Joanna Paul."He [Bill] brought a mana with him and has such irreplaceable Māori knowledge," said Paul, who remembered him discussing "how he used bobs to catch eels. He remembers using flax — you can't buy knowledge like that."
A rural raised woman (Dianne Renolds) reconnects with her half sister (Rena Owen) in the city, and learns some hard life lessons. Roimata was the first film directed by then unknown writer Riwia Brown. Brown was initially reluctant to direct the adaptation of her play but, encouraged by producer Larry Parr, she decided that with only one Māori woman director in New Zealand (Merata Mita) there was a need to develop the talent of Māori women in the industry. Brown later wrote the screenplay for Once Were Warriors. Screen legend Ramai Hayward also features.
A teenage boy's unorthodox relationship with his father (Wi Kuki Kaa) is explored as he learns about hypocrisy in this E Tipu e Rea edition, written by Bruce Stewart and starring Faifua Amiga as Thunderbox Junior. After establishing a reputation as a highly successful director of commercials, this was Lee (Once Were Warriors) Tamahori's first attempt at the helm of a longer drama. "You tend to get a bit of experience making people laugh when you direct commercials,' he said. "One thing I'm sure of is that people like to laugh at themselves."
In a nod to his theatre training, Whale Rider actor Rawiri Paratene (then better known as a presenter on Play School) unveils three stories to a marae audience. A bored schoolboy (Faifua Amiga) banters with a sarcastic teacher; a musical number features a prostitute (Rena Owen) and her client; and a young girl and her grandfather prepare and wait for the body of her father at the pā. This was the first screen drama directed by Don Selwyn, who argued "what Rawiri is saying in his script is that there are lots of things Māori which are left out of the education system."
A flagbearer for Māori storytelling on primetime television, E Tipu e Rea (Grow up tender young shoot) was a series of 30 minute dramas touching on a range of Māori experiences of the Pākehā world — from rural horse-back riding and eeling, to urban hostility and cultural estrangement. It marked the first anthology of Māori television plays, and the first TV production to use predominantly Māori personnel. E Tipu e Rea's mandate and achievement was to tell Māori stories in a Māori way.
This collection celebrates the onscreen legacy of Sir Edmund Hillary — from triumphs of endurance (first atop Everest, tractors to the South Pole, boats up the Ganges) and a lifetime of humanitarian work, to priceless adventures in the NZ outdoors. Tom Scott and Mark Sainsbury — Ed’s TV biographers-turned-mates — offer their own memories of the man.
'L'Amour est l'Enfant de la Liberte' became a major 70s smash after it won television talent quest Studio One. Composed by Shade Smith, and sung by his twin brother Gerard, it topped the charts for six weeks in 1971, and became a fixture on Kiwi radio and TV. Sales of over 30,000 copies made it one of the biggest selling local songs of the era. Here, the band revisit freedom’s love child 14 years after birth, with a short rendition for a variety show at Wellington's Michael Fowler Centre. The show was made to mark 25 years of television in New Zealand.
Poi E: The Story of Our Song tells the story behind one of New Zealand’s most iconic pop songs. Led by Dalvanius Prime, the Patea Māori Club single was released soon after the closure of the town’s freezing works. Conquering disinterest from record labels and radio, Poi E became New Zealand's highest selling single in 1984. Written and directed by Tearepa Kahi (Mt Zion), the "warm, funny, touching" documentary (NZ Herald) features interviews with those involved, and famous fans (eg Taika Waititi). Poi E won applause after premiering at the opening of the 2016 Auckland Film Festival.