This 1961 edition of Pictorial Parade visits Western Samoa shortly before it gains independence from New Zealand. Locals are seen voting in the May referendum, where a huge majority voted to self-rule. Surgeon Ioane Okesene and his large family feature in this newsreel; daughter Karaponi is filmed marrying her Kiwi partner Bill McGrath in Apia. (Trivia fact: Rugby legend Michael Jones' mother, Maina Jones, is among the wedding guests.) Western Samoa's close ties to Aotearoa are highlighted, with stories of locals moving downunder to study, such as medical student Margaret Stehlin.
Written by Fiona Samuel and produced by Ginette McDonald, Face Value is a series of monologues by three women with very different stories to tell, but who share a quest for inner happiness. In House Rules, the inimitable Davina Whitehouse gives a poignant performance as Miss Judd, a housekeeper of 22 years who is forced to reassess her life and situation after her employer’s death. Propriety at all costs is the rule of the day. House Rules is another example of Samuel’s ability to create memorable and subtly complex female characters.
Shirley Horrocks' documentary profiles the life, work and influence of pioneering PI writer Albert Wendt (1973's Sons for the Return Home was the first novel published in English by a Samoan). The film accompanies the writer to various locations in the Pacific and addresses his Samoa upbringing, his education in New Zealand and his work as writer and teacher; and discusses the contemporary explosion of Pacific arts. "I belong to Oceania — or, at least, I am rooted in a fertile part of it and it nourishes my spirit, helps to define me, and feeds my imagination."
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
Jeremy Wells made his broadcasting debut on student radio station 95bFM, reading the news on Mikey Havoc’s breakfast show. The pair teamed up again for Havoc, a talk and music show on the fledgling MTV, before hosting travelogue/social commentary shows Havoc and Newsboy's Sell-Out Tour, and Havoc's Luxury Suites and Conference Facility on TVNZ. Wells then worked with producer/director Paul Casserly to produce seven seasons of the media satire show Eating Media Lunch, which won Best Comedy Programme at the Qantas Film and Television Awards in 2008. He also presented the satirical series The Unauthorised History Of New Zealand in 2005, and an episode of Intrepid Journeys in 2007.
Brendhan Lovegrove's comedy has been described as "verging on the psychotic side". He appeared on TV's A Night at the Classic and all eight series of Pulp Comedy. Lovegrove discusses his career in this Funny As interview, including: How he and friend Jason Hoyte (later half of comedy act Sugar and Spice) used to sit on a bench at school when they were eight years old, and make other students laugh Deciding that he wanted to do stand-up after watching an "electric" performance by Alan Brough Feeling blessed that one of his early stand-up gigs "bombed", as it made him work harder Moving to the United Kingdom, and performing at comedy clubs like Jongleurs and The Glee Club Taking a "long time" to feel confident on camera— his first TV appearance (on A Bit After Ten) was "terrible"
Jonathan Brugh and Jason Hoyte were once the shirtless, high energy, tights wearing 90s comedy duo Sugar and Spice. Here the pair reminisce about having fun on stage, thriving on failing and more...including: Being introduced through mutual friend Brendhan Lovegrove, and immediately hitting it off Feeling exhilarated after their second ever gig was a "hideous failure", with the audience throwing ice at them "Pretending" to be comedians by wearing no clothes and being messy, because they didn't know how to make jokes Performing on comedy show Pulp Comedy for the first time using baked beans and shaving cream Hoyte recalling the "tremendous thrill" of acting in TV comedy Seven Periods with Mr Gormsby — "I still get teachers coming up to me and telling me how much they love Gormsby" Brugh's joy in working and improvising on hit movie What We Do in the Shadows — including the beloved scene where his character Deacon showcases his erotic dancing skills
This documentary looks at the new right ideology that transformed public education in the 80s and 90s and the schism it caused with teachers. Interviews with parents, teachers and unionists are cut together with archive footage of treasury officials and politicians advocating that schools be run as businesses. There are vexed board of trustees' meetings, an infamous deal between Avondale College and Pepsi, and teachers take their opposition from the classroom to the streets. The film is the third in Alister Barry's series critical of neo-liberal reform in NZ.
Pioneering current affairs reporter Dairne Shanahan brought social issues like abortion, transsexuality and poverty into the national conversation. Her credits include documentary Women in Power - Indira Gandhi, and current affairs shows Gallery, Close Up, Sunday and 60 Minutes in New Zealand, The Mike Willesee Show in Australia and W5 in Canada.
This episode of TV2’s 1980 weekly after school show features performances by resident band Kairo (covering the Doobie Brothers) and the Montgomery Sisters. In the field, Tracy Barr joins naval frigate HMNZS Waikato as it sails from Devonport Naval Base, under the Auckland Harbour Bridge and up the Waitemata Harbour to collect ammunition at Point Kauri, and then heads out to sea for gunnery practice. On board, Tracy chats to the captain, a chef and a laundryman (who irons 150 shirts every day) — the results of the exercise seem to be a military secret.