Comedian (and rooster) Oscar Kightley fronts this 2013 beginner’s guide to the Chinese zodiac. His mission: to explore the 12 oriental star signs. As the Kiwi population heads towards one in six being of Asian origin, Kightley surveys a cavalcade of contemporary Kiwi personalities for their views on stargazing, from his Harry co-star Sam Neill to lawyer Mai Chen. This excerpt is a potted history of the oriental zodiac, aided by animation; then it's enter the dragon. Made for TV3’s Inside New Zealand documentary strand it was directed by bro’Town creator Elizabeth Mitchell.
Open Home was a 90s series looking at New Zealand homes and the people making, designing and living in them. This episode from the third season ranges from deconstructionism to DIY. Builder (and future Dunedin mayor) David Cull checks out a Northland glasshouse designed by Nigel Cook, before visiting the renovated Australian farmhouse and digital recording studio of Dragon band member Todd Hunter. Susan Wood tries translating the architectural theory of deconstructionism with the help of Auckland architects, including Mark Wigley.
In this documentary, writer and satirist Peter Hawes crosses the Bombay Hills border in his Morris van to record his take on mid 1980s Auckland. Pocked with as many puns as Auckland has volcanic craters, Hawes' profile is a sprawling, breezy look at New Zealand's largest city: from a Chase Corporation high rise to shearing sheep in Cornwall Park; from Eden Park to Bastion Point. Interviews (with politicians, sportspeople, gossip columnists, strip club fashion designers) are mixed with skits covering jogging, bridge building, shipwrecks, multiculturalism and sewers.
In this episode of the Jon Gadsby written rural sitcom, the locals at The Rabbiter’s Rest pub attempt to take an overzealous young constable down a peg. Michael Haigh (Gliding On) has yet another of his police roles as the worldly wise local sergeant. No appearance from Gadsby in this episode, but David Telford plays the genial proprietor, Doreen the barmaid reprises the role Annie Whittle made famous in A Week of It, and Billy T James is among the regulars propping up the bar. The humour is gentle; some of the jokes are shaggier than the local sheep flock at shearing time.
National MP Melissa Lee first made her name presenting award-winning television series Asia Downunder. Lee started on the show in 1994 and worked on 600 episodes, a number of them as producer. She became New Zealand's first Korean MP in 2008, and was later named Parliamentary Private Secretary for Ethnic Communities.
Known for his stylish reinventions of familiar genres, Scott Reynolds followed successful short A Game with No Rules, with rave reviews and a host of awards for his debut feature, serial killer tale The Ugly. Two further movies — Heaven and When Strangers Appear — have followed.
Leanne Saunders’ eye for talent has resulted in producer credits on six features: box office hits Hunt for the Wilderpeople and Born to Dance, Nazi horror The Devil’s Rock, and dramas Desert, The Weight of Elephants and Christmas. She also executive produced a run of successful shorts. In 2016 Saunders was appointed Head of Production and Development at the NZ Film Commission.
Lee Tamahori worked his way up the filmmaking ranks, before debuting as a feature director with 1994's Once Were Warriors. The portrait of a violent marriage became the most successful film in Kiwi history, and won international acclaim. Between Warriors and 2016's Mahana, Tamahori has worked mainly overseas, where he has directed everything from The Sopranos to 007 blockbuster Die Another Day.
Roger Hall began writing and acting on television in the late 1960s. In 1976 his debut play Glide Time became a sellout. Later Hall turned this satire of bureaucrats into Gliding On, arguably New Zealand's most successful sitcom to date. Play Middle Aged Spread became a film in 1979. Hall went on to write marital comedy Conjugal Rights for English television. He remains the country's most successful playwright.
Television producer Philip Smith made his name with a stable of internationally-successful sports programmes. These days, as head of production company Great Southern Film and Television, he has been expanding from comic shows like Eating Media Lunch into other fields — including reality shows (Rescue 1), Moa-nominated telemovie The Kick and 2008 movie Apron Strings.