Mortal Engines is set in a post-apocalyptic world where cities roam the landscape, devouring everything in their path. Tom (Robert Sheehan, from TV's Misfits) lives in London, a 'predator' city built on digger-like tracks. After encountering a mysterious fugitive with murder in mind, he finds himself touching bare earth for the first time. Showcasing the eye-opening imagery of Weta Digital, Mortal Engines is based on a book by Brit Philip Reeve. It marks the first feature directed by Christian Rivers (short film Feeder). The Weta veteran began as a storyboard artist for Peter Jackson.
The second episode of this 1992 celebration of New Zealand rugby looks at the period from 1925 - 1956, as depression and war affected the national game. Scrum rules changed — outlawing the wing forward position, pioneered by the Kiwis — and NZ found itself chasing the pack: the no-longer-invincible All Blacks regularly came out losers playing against South Africa. The Springbok was finally felled in a series by the Kiwis in 1956 (played at home in front of huge, manic crowds). All Black Peter Jones famously summed it up the achievement post match: “I’m absolutely buggered”.
Hello Sailor's time in the sun saw them spending time in Ponsonby, LA and Sydney, becoming a legendary live act, and releasing an iconic debut album. This collection features documentary Sailor's Voyage, founder member Harry Lyon's account of the birth of the band, and tracks from Hello Sailor, both together and apart. Some of the solo songs were incorporated into the group's live set after they reunited. Included are 'Blue Lady', 'New Tattoo' and 'Gutter Black’, later reborn on TV's Outrageous Fortune.
'No 8 wire' Kiwi ingenuity is defined by problem solving from few resources (No 8 wire is fencing wire that can be adapted to many uses, an ability that was particularly handy for isolated NZ settlers). Embodied in heroes from Richard Pearse to PJ, Kiwi ingenuity is a quality dear to our national sense of self. It has been memorably celebrated, and sometimes satirised, on screen.
Don McGlashan has played drums, horns, guitars and PVC pipes, created memorable songs with Blam Blam Blam, The Mutton Birds and as a solo artist, and won a run of awards for his soundtrack work. As Nick Bollinger puts it in this backgrounder, his songs are good for occasions big and small.
After being spotted by television producer Christopher Bourn at the 1966 Loxene Golden Disc Awards, Maria Dallas was asked to star in series Golden Girl, grooving and bopping through country and crossover numbers. On a WNTV-1 stairway to nowhere set, she duets on Loxene winner ‘Tumblin’ Down’ with the song’s writer Jay Epae. Her other four numbers include ‘Rustle Your Bustle’ (by Kiwi Sam Freedman), and ‘Engine Engine No 9’. Guests The Dallas Four make their TV debut with a version of doo-wop classic ‘Stay’. The band went on to provide backing vocals for pop show Happen Inn.
This 1948 documentary follows 24 hours of work on the railways. It was directed for the National Film Unit by Margaret Thomson, arguably New Zealand’s first female film director. The film shows the engines and commuter trains preparing to leave Wellington, and the overnight train arriving from Auckland. Workers toil on the railway lines above the remote Waimakariri Gorge, and the town of Otira gets ready for a dance. The final shots are of an engine coming through the dawn and back to the city. Selwyn Toogood (It's in the Bag) narrates.
In the late 1980s, Kiwi John Britten developed and built a revolutionary racing motorcycle. He pursued his dream all the way to Daytona International Speedway in Florida. In 1991 the underdog inventor came second against the biggest and richest manufacturers in the world. Britten: Backyard Visionary documents the maverick motorcycle designer as he and his crew rush to create an even better bike for the next Daytona. After arriving in Florida, another all-nighter is required to fix an untested vehicle with many major innovations. Costa Botes writes about the documentary here.
This classic wartime newsreel profiles the coal mining towns of Westland. It compares the town of Rūnanga, where mining has brought prosperity and a strong community life, with Denniston, which is set in rocky, inhospitable land high up a West Coast mountainside. Its tone is patriotic: “Here then are the men who feed New Zealand with the raw material of industrial prosperity ... They work in the darkness of the mines, buried away from the fresh splendours of the air above them.” The Weekly Reviews were screened in cinemas 1942 - 1950.
“For three days, Wellington, New Zealand will become the Monte Carlo of the South Pacific”. Monaco Monza Macao Wellington follows a champion saloon car team (BMW Schnitzer M3) racing in 1989's Nissan Mobil 500 Wellington street race. From their arrival from Macao, to crashes, dramatic victory and a Coromandel wind-down, the documentary goes behind the scenes of a race team on the international circuit. Features interviews with team manager Charlie Lamm, drivers (Emanuele Pirro, Roberto Ravaglia), and a young Jude Dobson as interviewer.