Kiwi telly showed it could do sly as well as it could show the shearing of a sheep when, in a 1968 Wellington edition of regional news show Town and Around, reporter Erin Sinclair investigated an innovative farmer whose turkeys were shod in gumboots. The legendary hoax apparently fooled two executives from Skellerup who flew to Whanganui to secure a contract to manufacture the boots' lining. The wool-pulling is often wrongly remembered as a Country Calendar spoof — but that show’s first hoodwinker (a fence-plucking musical farmer) was nearly a decade away.
Forget who shot JR or what was under the hatch ... where were you when Thingee's eye popped out, 'O' was for 'awesome', or Bob "stormed out of the bracken like a yeti" to bop Rod in the 'Tumble in Taupō'? From Wainuiomata to Guatemala this Top 10 presents the most viewed clips from the previous NZ On Screen Legendary Moments collections (in descending order).
This collection celebrates Kiwi comedy on TV: the caricatures, piss-takes, and sitcoms that have cracked us up, and pulled the wool over our eyes for over five decades. From turkeys in gumboots and Fred Dagg, to Billy T, bro'Town and Jaquie Brown. As Diana Wichtel reflects, watching the evolution of native telly laughs is, "a rich and ridiculous, if often painful, pleasure."
This collection celebrates all things equine on New Zealand screens. Since the early days of the colony, horses have been everything from nation builders (Cobb & Co) to national heroes (Phar Lap, Charisma) to companions (Black Beauty) to heartland icons. Whether work horse, war horse, wild horse, or show pony, horses have become a key part of this (Kiwi) way of life.
This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
One October night In 1938 Orson Welles famously fooled radio listeners into believing that the United States was under attack from martians. New Zealand’s War of the Worlds moment arguably came in 1995, when directors Costa Botes and Peter Jackson unleashed moviemaker Colin McKenzie on an audience of unsuspecting patriots. Forgotten Silver joined a sly tradition of on screen Kiwi leg-pulling: from turkeys in gumboots and John Clarke as a rock star, to fence-playing farmer musicians, phallic molluscs and Māori porn stars.
This star-studded short features Kiwi icon Colin ‘Pinetree’ Meads, plus Melanie Lynskey (Heavenly Creatures), 7 Days comics Dai Henwood and Steve Wrigley, Olympic shot putter Valerie Adams and All Black first five Beauden Barrett. The celebs reflect on a radical reboot of beloved Red Band gumboots by Denise L'Estrange-Corbet, from fashion label World. A deadpan Meads is alarmed by this affront to farming fashion. Co-produced by Millie Lynskey (sister of Melanie), the film took away the Viewer's Choice award at the local arm of short film event Tropfest.
In this 1987 Radio with Pictures excerpt, visiting English singer Billy Bragg performs a song in the Victoria University Student Union Hall. The Bard of Barking is intercut with Wellington street scenes: pensioners, punks, and pigeon feeding in a pre-bus lane Manners Mall. Taken from album Workers Playtime (1988), Bragg’s Valentine’s Day song is far from a Hallmark card, with droll rhyming couplets telling of a bruised, but defiant lover: “For the girl with the hour glass figure time runs out very fast / We used to want the same things but that's all in the past.”
In director Grant Lahood's 2013 Tropfest NZ entry a young boy takes Kiwi ingenuity to the next level by creatively adapting his gumboots to net sporting victory. But it’s a risky move. Sprung marks a return for Lahood to his dialogue free short film beginnings (eg. Cannes award-winner The Singing Trophy, and his debut Snail’s Pace). Like those shorts, Sprung has a devilish sense of humour, and a crisply edited contest of wills. The ode to the courage of the young and the unpredictability of science was scored by veteran film and TV composers Plan 9.
Hayley Robertson picked up Best Actress at Tropfest 2013 for her role as a mysterious young woman in this thoughtful short drama set in a bus stop somewhere in rural New Zealand. In gumboots and flannel shirt, her character arrives at the stop to find a confident well-dressed young law student, turning over a $20 bill in his hand. Passing time while waiting, she challenges him to a game; the playing of which slowly reveals their differing approaches to life, and the ourcome leads to the film’s shocking conclusion. Director Nick Garrett also composed the score.