In writer/director Max Currie’s debut feature, a magician conjures his greatest illusion – a little boy – to try to help return happiness to his wife and family after the loss of their son. But the trick falls apart when a child abduction hunt closes in on them. Everything We Loved was funded through the NZ Film Commission’s Escalator film scheme, and produced by Tom Hern (The Dark Horse, I’m Not Harry Jenson) and Luke Robinson. It was chosen for the ‘New Voices/New Visions’ section of the Palm Springs Film Festival and premieres locally at the 2014 International Film Festival.
Of the four performers on this episode of Pulp Comedy, Sam Wills arguably makes the most lasting impression. His fast-talking magic show is a far cry from his mute act The Boy With Tape On His Face (aka Tape Face), which later became a sensation via TV's America’s Got Talent. Although his Pulp Comedy performance is a lot more vocal than the one that would make his reputation, his quirky use of props is familiar. Elsewhere on the show Mike Loder has a dangerous encounter with a wētā, Vaughan King talks beds, and host Paul Ego gets in trouble trying to order a coffee.
Sam Wills started out performing as a child magician, and in 2016 found himself on the America’s Got Talent stage as Tape Face.
Before he became a chart-topping singer, Benny Tipene was a hopeful entrant on the first New Zealand series of global talent show The X Factor. For his audition in front of the panel of judges — including singers Stan Walker, Ruby Frost and Daniel Bedingfield — Tipene works his understated, folky magic on Outkast's 2003 party hit, 'Hey Ya'. It more than does the trick. Tipene would eventually come third; but he impressed enough to get signed by Sony Music and released a platinum selling solo album in 2013.
Stalin’s Sickle takes Kiwi suburban paranoia to unexpected places as nine-year-old Daniel imagines his neighbour is feared Russian dictator Joseph Stalin. Set amidst 1962 Cold War conservatism, Daniel spots the south seas’ Stalin at church, spies on him to confirm his suspicions and schemes to send him on his way. But Daniel’s civil defence plan goes awry, leaving him with a worse threat to deal with. Based on the short story by Michael Morrissey, the Costa Botes-directed film won the Grand Jury Prize at Clermont-Ferrand Short Film Festival.
A dark and mystery-filled drama about a 70s hippy (Danielle Cormack) who falls in love with a Vietnam vet (Kevin Smith). But has fate brought them together, only in order to drive them apart? And what exactly happened to their child? This twist-filled tale of seances, damaged people, and conflicting versions of truth marked the directorial debut of short filmmaker Christine Parker. At the 1999 New Zealand film awards, Channelling Baby was nominated in six categories, including best actress and best original screenplay. Read more about the film here.
Although Ginette McDonald's career is most associated with the gormless, vowel-mangling girl-from-the-suburbs: Lynn of Tawa, she is a woman of many parts. Alongside an extensive acting and presenting career, her work as producer and director spans three decades, and includes Shark in the Park, Peppermint Twist, and kidult series The Fire-Raiser.
Ian Watkin's long acting career saw him playing mad doctors, priests, axe-wielding stepfathers, and American presidents. Part of the legendary Blerta troupe which toured Australasia in the 1970s, Watkin went on to appearances in everything from Beyond Reasonable Doubt and an iconic Crunchie bar commercial, to presenting Miss Universe New Zealand. He passed away in May 2016.
Paul Casserly won a Qantas TV Award in 2009 for directing upstart satirical show Eating Media Lunch. The show ran for six years on TVNZ. Casserly continued his creative partnership with presenter Jeremy Wells on The Unauthorised History of New Zealand and Birdland. Casserly has also directed music programmes for Neil Finn and Bic Runga, and videos for Greg Johnson, Tim Finn, and his own group Strawpeople.