Nearly two decades before Mighty Boosh comes this loopy confection. With its missing visage line "I left my face, in outer space" you know this is going to be one trippy song — and the wild and spacey video is totally in keeping with the track. There’s UFO imagery and all sorts of other mad things thrown in, including a dinosaur skeleton and a vacuum cleaner played like a guitar. And it must be one of the few music videos to feature a band member wearing a peggy squares crochet poncho. The clip won Best Music Video at the 1993 NZ Music Awards.
A fresh-faced Hugh Sundae interviews New Zealand’s own punk renaissance man Chris Knox, in this 2002 episode from TV2’s late night music show Space. Sundae quizzes Knox about a soon to be aired documentary celebrating Kiwi music label Flying Nun’s 21st birthday; Knox seems bemused (or abashed) that the documentary’s "first 20 minutes" focusses on him. Sundae knows the documentary well — he narrated it. Knox is at his mercurial best, batting off questions about his prolific output and berating the studio audience for applauding tales of "violence and anger”.
Ambitious kids' sci fi series Space Knights pitched the King Arthur myth into a zany universe of Knights of the Round Space Station, Vader-esque villains, rainbow rocket exhaust, and laser lance jousting. The distinctive look of this early South Pacific Pictures series — like a picture book come to life — was led by cartoonist Chris Slane who achieved it by using actors in life-size puppet suits and blue screen effects. In this excerpt, the evil Mordread creates an android Trojan horse to infiltrate Castle Spacelot. The 'Space Junk' theme song is by Dave Dobbyn.
Galaxies away from images of tar-addled lungs on cigarette packets, this film offers an unusual public health message about smoking. Set to rhyming couplets, the plasticine hero tries out to see if he has the right stuff to fly a rocket to Venus. There he battles the demon Nicotine, and (long before Avatar’) convinces Venusians to destroy their tobacco trees. Shot in 35mm by pioneering animator Fred O’Neill, Space Flight was made for theatrical release. For reasons unknown the Health Department, who commissioned it, didn't want the film to go on general release.
This short film presents Dave, a tramper at a South Island high country tarn, with a chance to make his mark on the map. But will the stars (and satellites) align to realise his ingenious idea? Made by director and editor Rajneel Singh, Blank Spaces was one of five finalists in 'Your Big Break': a 2010 filmmaking contest run by Tourism New Zealand that gave the finalists a chance to have their script realised with the help of producer Barrie Osborne (The Matrix, The Lord of the Rings). The brief was to "capture the spirit of 100% Pure New Zealand — the youngest country on earth".
The Hooks’ blissed out mum (Madeleine Sami) has a vision of a Reiki studio in her basement, displacing the twins’ practice room in this eighth episode of animated series Aroha Bridge, based on Jessica Hansell’s comic strip Hook Ups. After answering an ad, the twins end up sharing rehearsal space with pretentious synth outfit the Rugged Sharks, but their music is not quite as crap as it first seemed, leading Kowhai to consider ripping them off. Hansell aka musician Coco Solid and Rizvan Tu’itahi star as a band from the ‘burbs dreaming of the big time.
Ambitious Jonathan Gunson-created children's series Space Knights pitched the King Arthur myth into a zany sci fi universe of Knights of the Round Space Station, Vader-esque villains, and laser lance jousting. The distinctive look of this early South Pacific Pictures series — like a picture book come to life — was developed by Listener cartoonist Chris Slane, and achieved by using actors in life-size puppet suits and blue screen effects. The series was 22 half hour episodes and screened internationally. The memorable 'Space Junk' theme song was by Dave Dobbyn.
Taro planter Lui’s grief for his dead wife is blighting his life and crops. A widow, Malia, is bound by anger to the grave of her abusive husband, as the rising sea slowly drowns it. When Lui and Malia meet by chance, he’s provided with a path from his hurt. Filmed in Samoan on the island of Upolu, and directed by Samoan-born Tusi Tamasese, the short is a fable-like meditation on communion, cooking and sacred places. It was selected for the Clermont-Ferrand and Hawaii film festivals, and was the precursor to Tamasese’s Venice-selected debut feature, The Orator.
This National Film Unit production records the making of four large-scale sculptures for a 1971 international symposium to commemorate Auckland City’s centennial. Helen Escobedo (Mexico) nodded to the skyline’s masts and cranes with Signals in Parnell Rose Garden; Opened Stone by Hiroaki Ueda (Japan) was balanced near Auckland Art Gallery for 35 years; and American Fred Loopstra's Homage to Will still ploughs Victoria Park. A central city scrap metal work by Canadian Tom Burrows was removed in 1977, perhaps achieving his stated aim: to “disturb” its viewers!
In this 1992 Wild South documentary, pioneering underwater photographers Wade and Jan Doak investigate how fish have evolved over 400 million years on the Northland coast. They explore ocean dwellers off the Poor Knights Islands, where myriad nimble life forms thrive — from radar-like sensory systems and kaleidoscopic colouring, to the intricacies of jaw and fin shape. The Doaks conduct novel experiments to showcase them on camera in this Natural History New Zealand production. This episode was narrated by nature documentary filmmaker Peter Hayden.