Classic sci-fi series Under the Mountain follows redheaded twins with psychic powers — Rachel and Theo — as they battle the alien Wilberforces. This fourth episode sees the twins venture into the aliens' submarine lair for the first time. The lair's moody production design, the NZ Symphony Orchestra's score, and creepy transmogrifying special effects contributed to the slimy imprint the series left on a generation of Kiwi kids, haunted by the giant slugs slithering underneath Auckland's volcanoes. The award-winning series was adapted from the Maurice Gee novel.
This documentary on legendary Kiwi playwright Bruce Mason premiered soon after his death. The result is a portrait of a man who become an artist despite, as much as because of, his fellow Kiwis. There are shots of Mason performing solo classic The End of the Golden Weather on his beloved Takapuna Beach, and insights from a cast of Kiwi theatrical heavyweights. In an extended interview with The Listener's Helen Paske, Mason ranges from his works looking at Māori-Pākehā relations, to over the top reaction to controversial tele-play The Evening Paper.
In this Kaleidoscope report, Lorna Hope profiles poet, novelist and critic CK Stead as he resigns from his position as a Professor of English at Auckland University to write full time. Stead is filmed teaching, writing (at his Karekare bach), at home in Parnell, and at Frank Sargeson’s Takapuna house. He discusses his academic career, family life, walking for inspiration, and how he began writing as a teen. He also mentions his novel Smith’s Dream (adapted into 1977 feature film Sleeping Dogs), and how its themes are echoed in the 1981 Springbok Tour protests, where Stead was arrested.
Artist Tanja Thompson, aka Misery, joins her Mum Rochelle to take a magical tour of Tanja's life — from childhood and time as a graffiti artist, to the rise of her art, fashion and toy empire. In the second excerpt, Misery leaves her boutique next to Illicit Clothing in K' Road, and visits the Taipei Toy Festival to unveil her 3D characters. She also shows us animated footage inspired by them. Mark Albiston made the documentary for arts slot Artsville, after featuring Misery on his own arts show The Living Room. It won Best Arts/Festival Documentary award at the 2006 Qantas TV awards.
This documentary reviews that 1983 Royal Tour downunder by Prince Charles and Princess Diana. The tour was notable for the presence of royal baby William; images of the son and heir playing with a Buzzy Bee on the lawn of Government House in Auckland were published around the world. The royals also visit the ballet, banquet, waka, hongi, plant kauri, and see Red Checkers and firemen’s displays. Prince Charles’s duties include announcing an extra holiday for school kids and he meets younger bro Edward on his gap year (tutoring at Wanganui Collegiate).
As part of the radical 80s neoliberal reform of the public and corporate sector in New Zealand, many government-run assets were turned into state owned enterprises; some were sold off to foreign buyers. Screening on TV3, this 1991 film, written by Metro columnist Bruce Jesson, examines the controversial programme by asking “who owns this country and who controls it?”. Those answering range from businesspeople to politicians, academics, journalists, vox pops and critics of the ‘cashing-in’, from the Hamilton Jet family to UK environmentalist Teddy Goldsmith.
Set over a Christmas beach holiday in 1935, The End of the Golden Weather chronicles the friendship between a teenage boy and the wild-limbed Firpo, dreamer and social outcast. Writer/director Ian Mune spent more than 15 years "massaging" Bruce Mason's classic solo play into a movie, before assembling a dream team to bring it to the screen. The finished film captures the world view of a boy for whom fantasy, hope and disappointment intermingle. Among an impressive awards haul, 12-year-old star Stephen Fulford was recognised at America's Youth in Film Awards.
Classic sci-fi TV series Under the Mountain follows the adventures of redheaded twins with psychic powers — Rachel and Theo — on their Auckland summer holiday. They meet the mysterious Mr Jones, an alien emissary who enlists them in the battle against the evil Wilberforces, who are plotting planetary destruction. Adapted from the Maurice Gee novel, the series' fx left their slimy imprint on a generation of NZ kids, haunted by the transmogrifying Wilberforces, who changed from humans into giant slugs slithering underneath Auckland’s volcanoes.
Starting his World War II military service in the army, Jack Harold was soon transferred to the navy. He saw active service at Guadalcanal in the Solomon Islands, and was aboard minesweeper HMNZS Moa when it and sister ship HMNZS Kiwi engaged a Japanese sub, eventually sinking it after the Kiwi dropped depth charges. The Moa’s luck didn’t hold; it was sunk in a Japanese raid, taking five of its crew with it. Jack survived, and returned to action in the Pacific aboard submarine-hunting ships. Jack Harold was discharged from the Navy in 1945; he passed away on 15 April 2017.
In this children's sci-fi caper, an all-singing all-dancing gang of cronies led by 'evil Eva' (Nevan Rowe) holds Auckland to ransom for $5,000,000. As in Under the Mountain Auckland's volcanoes play a starring role, with Eva threatening to drop a nuclear bomb into the crater of Rangitoto. Who will save the city? A trio of intrepid kids and their DIY anti-gravity machine are on the case. Writers Ian Mune and Keith Aberdein give director Roger Donaldson (and a bevy of industry talent) plenty of goofy 70s fun to play with. Donaldson would shortly helm the acclaimed Smash Palace.