This video marked the directing debut of the multi-talented Chris Knox. Capturing the energy of The Clean's legendary first single, the clip memorably broke with local music promo standards (lip-synching, filming inside a studio etc) and set the template for Knox’s cheap but effective DIY method. He shot the band walking (and lying) on the street using a borrowed 16mm camera, set at a slow frame rate. He also played around with negative reversal film, to obtain some of the more distinctive images. 'Tally Ho' got to number 19 in the local charts; the band were "shocked and delighted".

Record label Flying Nun is synonymous with Kiwi indie music, and with autonomous DIY, bottom-of-the-world creativity. This collection celebrates the label's ethos as manifested in the music videos. Selected by label founder Roger Shepherd: "A general style may have loosely evolved ... but it was simply due to limited budgets and correspondingly unlimited imaginations."

Low-tech legend Chris Knox is an accomplished musician, cartoonist, critic, filmmaker, and jandal wearer. As this collection demonstrates, his genius takes flight in the DIY aesthetic of his music videos. As Flying Nun founder Roger Shepherd says in his backgrounder, “this is a unique and important collection of work perfectly illustrating what is possible with the barest of resources and a free-wheeling imagination”. Russell Brown adds his view here. Alongside music videos, the collection also includes interviews with Knox and profiles of bands Toy Love and Tall Dwarfs.

It's the holidays: time to let your hair down, have a swim, give in to your appetite...and have a boogie. From Kings to The Clean, from 'Ten Guitars' to 'Trippin', let NZ On Screen supply the music, with this epic playlist of classic Kiwi party songs. In the backgrounder, music fan and publicity maestro Nicky Harrop takes us through the tracks, before bidding adieu to NZ On Screen.

This 1982 Radio with Pictures report surveys the Dunedin music scene, and the bands who are starting to be grouped together under the label ‘the Dunedin Sound’. Critic Roy Colbert discusses the influence of punk pioneers The Enemy and Toy Love, and the benefits of being outside fashion. A roster of future Flying Nun notables are interviewed, including David Kilgour, Shayne Carter, and Jeff Batts (The Stones). Martin Phillipps is psychedelic, and Chris Knox dissects the new bands’ guitar-playing style (without using the word "jangly"!). And then there’s Mother Goose.

This documentary tells the story of the legendary Flying Nun music label up to its 21st birthday. The label became associated with the 'Dunedin Sound': a catch-all term for a sprawl of DIY, post-punk, warped, jangly guitar-pop. The Guardian: "[it's] as if being on the other side of the world meant the music was played upside down". Features interviews with founder Roger Shepherd and many key players, the spats and the glory. The label's influence on the US indie scene is noted, and Pavement's Stephen Malkmus covers The Verlaines' 'Death and the Maiden'. 

The Clean's debut single, 'Tally Ho!', was recorded for $60 and was key in establishing legendary jangly guitar label Flying Nun. It sailed into the New Zealand Top 20, and EP Boodle Boodle Boodle made the Top 5. The pioneering "indie-godfathers" are cited as formative influences on Pavement, and a swag of US alternative bands swayed by the southern charms of their fuzzy low-fi guitar-pop. The Dunedin punk rockers (the Kilgour bros, Robert Scott) have reunited intermittently, and most recently recorded 2009 album Mister Pop.