Inspired by an epiphany at the Waitangi Treaty grounds in 2000, and after learning New Zealand’s founding document was actually several pieces of paper, comedian Mike King went on a quest to learn the stories behind Te Tiriti O Waitangi. King traces the 1840 path of the nine sheets as it accrued its 540 signatures, meets Māori and Pākehā descendants of those involved, and connects with his Māori heritage. The 10-part series screened on Māori Television. Dominion Post critic Linda Burgess acclaimed it as “dignified, conciliatory, informative ...”
Shot on location in Wellington, often after dark, Inside Straight helped usher in a new era of Kiwi TV dramas, far from the rural backblocks. This Minder-esque portrait of Wellington’s underworld was inspired by writer Keith Aberdein’s experiences as a taxi-driver and all night cafe worker. Phillip Gordon (soon to win fame as a conman in Came a Hot Friday) stars as the former fisherman, learning the ways of the city from veteran taxi driver Roy Billing. A solid but unspectacular rater over 10 episodes, the show was scuttled by the launch of trucker’s tale Roche.
With its mix of quirky characters, lush scenery, and medical drama, Mercy Peak proved to be a winning formula. Produced by John Laing for South Pacific Pictures, and starring a host of NZ acting talent (Tim Balme, Jeffrey Thomas, Renato Bartolomei, et al), Mercy Peak follows the highs and lows of Dr Nicky Somerville (Sara Wiseman), who leaves the big city after discovering her partner’s infidelity. Taking up her new role at the hospital in the tiny town of Bassett, Nicky soon learns that life is full of complexities no matter the population.
In this two-part documentary celebrating 100 years of cars in New Zealand, actor Rima Te Wiata (Hunt for the Wilderpeople) sets out to find out what makes motoring such a beloved Kiwi pastime. Part one sees her looking at the early impact of cars, with interviewees reminiscing about the first time they saw a motor vehicle and the changes they brought about. Part two fast forwards into the second half of the 1900s: Te Wiata admires the freedom that cars brought in the 60s and 70s, learns about the Ford V8s of postwar New Zealand, and takes a cruise in a muscle car.
This series aimed to introduce and encourage young Kiwis into the outdoors. Fronted by legendary climber Graeme Dingle, and based at Turangi's Sir Edmund Hillary Outdoor Pursuits Centre (co-founded by Dingle in 1973), it was produced for the Department of Education. The activities, from climbing Mt Ruapehu to rafting and bushcraft, represent the confidence-building philosophy of the centre: "to provide opportunities for New Zealanders, in particular youth and those disadvantaged in some way, to learn and grow through exposure to a range of adventurous activities."
After turning "Jeez Wayne" into a national catchphrase with the sketch show A Week of It, comedy duo David McPhail and Jon Gadsby (plus third writer AK Grant) followed with McPhail & Gadsby, which aired on TVNZ for seven seasons — plus a reprise in 1998 and 1999. After a sometimes controversial debut season in which each episode was devoted to a specific theme (religion, sex etc), the show settled into a steady diet of political satire, spoofs and impersonations of public figures — including McPhail's famous caricature of PM Robert 'Piggy' Muldoon.
This children's post-apocalyptic fantasy series follows a circus troupe, Maddigan's Fantasia on their quest to save the world's only remaining city, Solis. The show was created by children's writer Margaret Mahy, developed for television by writers Gavin Strawhan and Rachel Lang for South Pacific Pictures, who produced the 13 x 30min series for TV3. Award-winning and successfully exported, it marked a debut lead performance from Rose McIver (future Tinker Bell in US TV show Once Upon a Time) acting with Michael Hurst, Peter Daube, Tim Balme and Danielle Cormack.
Launched on 5 April 1976, this television series heralded a new age in Kiwi screen drama. Indie talents Roger Donaldson and Ian Mune based their tales of success and failure on New Zealand short stories, after managing to negotiate funding from various government sources. Then the pair took the series to Europe, proving there was strong overseas demand for Kiwi stories. Winners & Losers became a perennial in local classrooms. In the backgrounders, Mune recalls the show's origins. There are also pieces on its place in local screen history, and its restoration in 2018.
Tangata Whenua was a groundbreaking six-part documentary series that screened (remarkably in primetime) in 1974. Each episode chronicled a different iwi and included interviews by historian Michael King with kaumātua. These remain a priceless historical record. The Feltex Award-winning script was by King and director Barry Barclay. The NZBC said the series had "possibly done more towards helping the European understand the Māori people, their traditions and way of life, than anything else previously shown on television". Paul Diamond writes about Tangata Whenua here.
A flagbearer for Māori storytelling on primetime television, E Tipu e Rea (Grow up tender young shoot) was a series of 30 minute dramas touching on a range of Māori experiences of the Pākehā world — from rural horse-back riding and eeling, to urban hostility and cultural estrangement. It marked the first anthology of Māori television plays, and the first TV production to use predominantly Māori personnel. E Tipu e Rea's mandate and achievement was to tell Māori stories in a Māori way.