Chris Burt is an Auckland-based sound designer. Coming from a background in music (as a drummer in the Techtones and Stridulators, and as a sound mixer) he began in the screen industry as an assistant on 1983 movie Trial Run, and later designed the sound for classic short film Kitchen Sink. Since setting up his own studio The Inside Track in 1992, Burt has worked on dozens of projects — and won awards for his sound work on everything from In My Father's Den to TV movies Siege and Jean.
We’re just trying to help tell a story, which is why I see sound designing as an art rather than a technical exercise. Sure we do technical things to get there but ultimately we’re enhancing the story and the drama. Chris Burt in a 1998 OnFilm interview
Inspired by Witi Ihimaera's Bulibasha, Mahana saw director Lee Tamahori making his first film on local soil since a very different family tale: 1994's Once Were Warriors. Temuera Morrison stars as a 60s era farming patriarch who makes it clear his family should have absolutely nothing to do with rival family the Poatas. Then romance enters the picture, and son Simeon sets out to find out how the feud first started. The powerhouse Māori cast includes Nancy Brunning (who is included in the interview clips) and Jim Moriarty. Mahana debuted at the 2016 Berlin Film Festival, before NZ release.
This feature documentary follows All Black Richie McCaw on his 2015 quest to become the first skipper to defend the Webb Ellis Cup. Directors Justin Pemberton (The Golden Hour) and Michelle Walshe were given unprecedented access to the subject to create a portrait of McCaw the person, and chronicle the psychology of achievement in international sport. McCaw got involved as a chance to “inspire some young kids”, ending his policy of keeping “the private stuff private”. The film's opening day set a Kiwi record for a local documentary; in its first week, it beat all competition.
In the 1930s Kiwi-born pilot Jean Batten set off on a series of legendary solo flights. Jean is the tale of a charismatic, determined woman, the mother who stayed close, and the man curious to unravel the person behind the legend. At the 2017 NZ Television Awards, the ambitious telemovie made a clean sweep, including awards for Donna Malane and Paula Boock's script, director Robert Sarkies, lead actor Kate Elliott, and the design team. In the excerpt — which hints at the story's globetrotting sweep — Jean fights heat and storms while attempting to fly from England to Australia.
Waking up with a vicious hangover after a big night out, Seff (Dahnu Graham) wanders Karangahape Road in need of keys to get into his house. Seeking only his flatmate and a flat white, Seff finds himself harrassed by all about a lewd act he has no memory of. Matters are made worse by the dubious company of Jeremy, who provides a running commentary while playing constant guitar. The black comic short was made as part of the K’ Rd Stories series, which celebrate the quirks and qualms of Auckland’s most notorious, and beloved road. Warning: contains some offensive language.
When this popular TV One comedy-drama about misbehaving real estate agents debuted in 2013, it copped flak from real estate bosses for perpetuating negative stereotypes about the industry. Agent Anna follows Anna Kingston (played by Robyn Malcolm, who also came up with the series idea), whose husband has left her and their two teenage daughters. Needing work, Kingston turns to selling houses in Auckland's cutthroat market. The programme ran for two seasons. Theresa Healey (Shortland Street), Adam Gardiner (movie Hopeless) and Roy Billing (Old Scores) co-star.
This TV3 drama series follows the travails of a cop (Oscar Kightley) as he pursues justice on the mean streets of Auckland. Solo parent to a teenage daughter (following his wife’s suicide), Detective Sergeant Harry Anglesea is thrown into a murder investigation and an underworld of P and gang violence. Harry, not a stickler for the rules, marked a rare dramatic turn for Oscar Kightley. Sam Neill plays his policing buddy. NZ Herald reviewer Paul Casserly called it a “great, gritty crime show”. Harry was notable for using unsubtitled Samoan in primetime.
This first episode of this 2013 crime drama begins with a meth-fuelled bank heist gone very wrong. Harry is a Samoan-Kiwi detective (played by Oscar Kightley, a million miles away from Morningside) pursuing justice in South Auckland. Sam Neill, in his first role on a Kiwi TV series, plays Harry’s detective buddy. Off the case, Harry struggles with his teen daughter in the wake of his wife’s suicide. The Chris Dudman-directed series screened for a season on TV3. Broadcaster John Campbell tweeted: “Not remotely suitable for kids. But nor are many excellent things.”
Australian Idol winner Stan Walker made his acting debut in this hit feature, as aspiring singer Turei. Part of a whānau of Māori potato pickers from Pukekohe, he has to choose between duty to job and family (Temuera Morrison plays his hard-working Dad) and letting the music play. His dilemma takes place as reggae star Bob Marley performs in Aotearoa in 1979, offering the chance for Turei's band Small Axe to win a supporting slot at Marley's Western Springs concert. Released on Waitangi Day 2013, Tearepa Kahi's debut feature became the most successful local release of the year.
On 7 May 2009, police executing a search warrant in a Napier suburb were shot at by Jan Molenaar. Senior Constable Len Snee was killed, two officers and a neighbour injured; a 50 hour siege ensued. This adaptation of the events into a telefeature dominated the 2012 New Zealand Television Awards, winning Best One-off Drama, Script (John Banas), Performance (Mark Mitchinson as Molenaar), Supporting Actress (Miriama Smith), and Best Sound Design (Chris Burt). Hawke's Bay Today reviewer Roger Moroney said of the Mike Smith-directed drama: "They got it right".
In the five years since Sione's Wedding, the Duckrocker quartet have experienced marriage, children, Australians and the good lord. Then their minister reunites them on a quest to find Bolo (Dave Fane) — once their driver and conscience, now MIA. The sequel to the break-through PI-Kiwi hit reunites the original cast, and adds in a dodgy minister (Kirk Torrance) and a new director (Outrageous Fortune's Simon Bennett). On the burden of following Wedding, Stuff reviewer Steve Kilgallon adjudged: "seen on its own merits, it [Sione's 2] proves worth the wait".
Blue tells the story of a fallen kids’ television mascot, reduced to working as a waiter in an Asian restaurant. Blue keeps his happy face on as he serves customers food; occasionally he's recognised from his screen fame days, but mostly he's ignored. Then one day bad news arrives. The urban alienation themed film was named Best Short in the Critics' Week section of the Cannes Film Festival, after just 10 films were selected from 1250 entries. Korean-born Stephen Kang moved to New Zealand in 1993; his digital feature Desert was released in Kiwi theatres in 2011.
Part concept film, part biopic, part historical record and part comedy, Leanne Pooley’s documentary was made to mark the Topp Twins' 50th birthday. New Zealand's favourite comedic, country singing, dancing and yodeling lesbian twin sisters tell their personal story: from their 'coming out' to Jools' brush with breast cancer. The film features archive material, home movies and interviews with the Topps' alter egos. Alongside local box office success and dozens of international awards, Girls won the People’s Choice award for favourite documentary at the 2009 Toronto Film Festival.
Filmed in France, Belgium and New Zealand, The Vintner's Luck (aka A Heavenly Vintage) is a tale of growing grapes and meeting angels. Belgian actor Jeremie Renier (L'Enfant) stars as Sobran, a poor winemaker who one day encounters an angel. The two make a pact. One day each year, as Sobran's fortunes wax and wane, the angel returns to hear more about Sobran's life. Director Niki Caro adapted Elizabeth Knox's bestselling novel with help from US script consultant Joan Scheckel; the film also reunites Caro with Whale Rider discovery Keisha Castle-Hughes, who plays Sobran's wife.
Allan Wilson was the Pukekohe-raised scientist who revolutionised the study of evolutionary biology. Inspired by birds, he developed molecular approaches to 'clock' evolutionary change, and raised the hypothesis that humans evolved from one 'Eve' in Africa about 200,000 years ago. He is the only New Zealander to win a pretigious US MacArthur “genius” Award. The Listener called the film, a "shrewd insight into the man himself: the quintessential pioneering expat Kiwi individualist." It was made in partnership with UC Berkeley where Wilson was based for 35 years.
In Samoan-born director Sima Urale's first feature, two mothers from very different Aotearoa cultures find the courage to confront the secrets of the past, in order to set their sons free. Hard-working Lorna runs an old-fashioned cake shop and lives with her unemployed son. For Anita, star of an Indian cooking show, things come to a head when her son decides to meet her estranged sister Tara, who runs a no-frills curry house. Apron Strings debuted in the Discovery Section of the 2008 Toronto Film Festival. It won four Qantas awards, including for actors Jennifer Ludlam and Scott Wills.
In this six part TV One series, suburban Mum Jodie (Jodie Dorday) accidentially kills her ex-rock singer husband Brian (Shane Cortese) and is convinced by her friends to bury the body. The comedy drama was devised by Maxine Fleming and Gavin Strawhan, and produced for Eyeworks Touchdown by screen legends Julie Christie and Robin Scholes (Once Were Warriors). Scholes was onboard to develop drama at the production company renowned for its popular factual television. It was the first NZ television drama to use high definition cameras. A planned sequel was never made.
In this first episode of the six part comedy drama, a suburban Mum (Jodie Dorday from movie Via Satellite) reaches the end of her tether with her washed-up rock singer husband Brian (Shane Cortese), and he comes to the end of his life — atop a broken bong. After her three closest friends convince her she’ll face a murder rap, Jodie makes a fateful decision to dispose of the body. The show marked a move into drama for reality TV supremos Eyeworks Touchdown. "Think Sex and the City meets Desperate Housewives in an Outrageous Fortune kind of way." wrote Listener critic Diana Wichtel.
From the duo (Matt Heath and Chris Strapp) behind bad taste TV series Back of the Y, this feature follows Randy Cambell's rocket car driven mission to be "NZ’s greatest living stuntman". Gross and petrol-fuelled palaver ensues en route to a date with speedway destiny, as Cambell romances a one-legged female Evil Knievel, and fights a not-so-death defying family curse. Scott Weinberg (Cinematical) praised this low budget "cross between The Road Warrior, Mad Magazine and Jackass" as "loud, raucous and adorably stupid" when it premiered at US fest SXSW 2007.
A group of young tourists charter a yacht and go cruising in the South Pacific. In a dense fog, they come across an old, sick Greek man on a sinking boat and rescue him. They have no idea of how evil he is and how brutal their night is to become. Thanks to the special weapon he is holding, this man has the power to inhabit other people's bodies. The Ferryman approaches - he's after the old Greek as the path to the afterlife is close and there is a payment to be made.
Tattoo artist Jake Sawyer (Jason Behr, American star of Roswell) travels the world looking for ethnic designs to exploit for his art. At a tattoo expo in Singapore, he is introduced to the traditional Samoan tattoo, and falls for Sina (No. 2's Mia Blake) the beautiful cousin of tattooist Alipati. When Jake recklessly steals a Samoan tattooing tool, he unwittingly unleashes a powerful spirit that endangers everyone he touches. This inaugural Kiwi-Singaporean co-production was directed by Peter Burger and produced by Robin Scholes (Once Were Warriors).
Christchurch property developer Dave Henderson experienced bankruptcy, accusations of fraud, and 25 plus tax audits. This Kafkaesque comedy is based on his best-selling book about a five-year battle with the tax department, over a $924,000 bill. Kiwi/Scot actor Erik Thomson returned from Australia to play Henderson, while a near-unrecognisable Michael Hurst cameos as MP Rodney Hide. Lumiere reviewer Simon Sweetman praised the “superb” casting, and Thomson’s playful performance. The film is adapted and directed by screen vet Jonothan Cullinane.
In this documentary 'Naked Samoan' Oscar Kightley, and Māori radio/TV personality Nathan Rarere use DNA technology to trace their families' ancestry. They discover that their forebears originated in Taiwan before migrating to the Pacific via Vanuatu (and the Cook Islands, for those going on to Aotearoa). On the DNA trail they meet locals and find striking cultural similarities — even in Taiwan, where the indigenous people look Polynesian, and provide a haka-like welcome. The film won top honours at the International Oceania Documentary Film Festival in Tahiti.
From the late 1980s, Gretchen Albrecht's richly-coloured large abstract paintings made her reputation in New Zealand. This documentary (made for TV One's Artsville series) traces the development of Albrecht's work from her art school years, through to a developing interest in sculpture. Interspersed with commentary from family, collectors, writers, and art historians, Albretcht discusses her life, and the ideas and influences that inform her work. In the studio, her working methods are revealed as she is capturing creating new work.
Sione's Wedding is a feel-good feature comedy about four 30-something guys who must each find a girlfriend before their best friend Sione's wedding — or be left out in the cold. Through the efforts of these bumbling blokes to get the girl(s), the film brought to life the colour and humour of the urban Samoan community in Auckland, the world's largest Polynesian city. A breakthrough PI-Kiwi film, Sione's broke box office records when it opened in cinemas throughout New Zealand in March 2006. Actor Oscar Kightley co-wrote the script with James Griffin.
Tis the season to be toxic in this "distinctly Kiwi take on the f***ed up whanau" (Chris Knox, Real Groove). Broke, depressed oldest son Keri arrives home to face up to a suburban Christmas countdown and two messed up sisters, a gay brother, drunk kids, and narcoleptic parents. Director Gregory King wrests bleak comedy and holiday horrors from the tokes, tinsel and frequent toilet visits. The raw realism of his debut feature saw it selected for Toronto, Locarno, Edinburgh, and Melbourne festivals. It won best digital film and script at the 2003 NZ Film Awards.
Set in Antarctica (and partly shot there), the science fiction tale sees a researcher (Crawford Thomson) dealing with unsettling events — traumatic personal news, isolation, disquieting “anomalous electrical readings”, and warping time. As newsreader John Campbell says in an intercepted transmission: “the speed of light is changing. Well, what does that mean?”. The title is from Hone Tuwhare’s anti-nuclear themed poem of the same name, but the film was inspired by Pat Rushin short story Speed of Light. It was an official selection at Edinburgh Film Festival.
When his father dies, Paul (Matthew Macfayden), a world-weary war journalist, returns to his Central Otago hometown. He strikes up an unlikely friendship with a teenage girl (Emily Barclay). Their relationship is frowned upon and when she disappears, the community holds him responsible. The events that follow force Paul to confront a tragic incident he fled as a youth, and face dark secrets. Critically-acclaimed, In My Father's Den marked the debut of a formidable fledgling talent: it was the only feature from writer-director Brad McGann, who died of cancer in 2007.
Nominated for a Qantas Media Award, this documentary examines prejudices against Asians in New Zealand, amidst the context of burgeoning immigration (80,000 ethnic Chinese and 20,000 Koreans have arrived in NZ since 1988). Directors John Bates and Manying Ip look back at the history of Asian settlement in Aotearoa, from colonial xenophobia and the poll tax inflicted only on Chinese migrants, through ‘ching chong Chinaman’ abuse, to the present day — where 21st century migrants face struggles with discrimination, language barriers and integrating in their new home.
In this short a wandering flock of geese find harbour in a rainy day puddle. They give delight to Juliet, staring out the window of her state house until her axe-wielding neighbour approaches the birds with less sanguine intentions. She’s unimpressed when boyfriend Martin doesn’t act in order to avoid confrontation. When a family arrives looking for their pets, the neighbour shrugs off the enquiries, and it’s up to Martin to prove himself. Adapted from a story by Jo Sole, the Annalise Patterson-directed short was invited to Venice and Hof film festivals.
Youngsters Romeo, Ed, and Polly wait in two cars after dark while their parents are inside drinking. It’s a situation many Kiwis would recognise: cars without parents outside the bar or rugby club. Soon cross-car rivalry warms to budding friendship. Winning performances, and the tender mix of comedy and romance saw the tale of a Te Kaha pub carpark become an international hit. Two Cars won a boot-full of awards, launched Waititi’s career, and was the second New Zealand short to be nominated for an Academy Award. Waititi infamously feigned sleep during the 2005 ceremony.
"1-2-3, Ngāti!" This is a behind the scenes look at the Ngāti Porou East Coast Rugby team’s 2001 campaign. Beginning with a Ruatoria marae live-in, the film follows the team’s unlikely efforts to win National Provincial Championship’s 2nd Division. The classic underdog story captures grassroots rugby’s strong community ties. The secret weapon of NZ’s only iwi-founded union? "Whānau spirit". As prop Orcades Crawford says: "when you put on a sky blue jersey it’s totally different to anything else - it’s probably better than the All Blacks [jersey]!"
Eddie (Stacey Tukariri) is a 10-year-old skater who, like many a suburban dreamer, has his sights set on riding the steepest slope in town (the Bullock Track in a pre-gentrified Grey Lynn). Although his father isn't happy about it, Eddie's hero is his teen neighbour Duane: wheelchair bound after wiping out on ‘the hill’. Directed by Tainui Stephens — his first dramatic short — and written by Brett Ihaka, the young Māori odd couple story screened at the Sundance and Berlin Film Festivals. Future Mt Zion director Tearepa Kahi plays Duane, and the score is by hip hop legend DLT.
A group of skylarking young boys are out canvassing the neighbourhood at the same time as an elderly woman is losing the will to live. An unlocked front door presents an opportunity for the youths to rampage, unaware that anyone is home. The different energies of youth and old age are set on a collision course for tragedy in this confronting short film from writer-director Gregory King. Junk won gongs at the 2001 NZ Film Awards for best short and for John Chrisstoffels' cinematography. King has gone on to make features Christmas (2004) and A Song of Good (2008).
Damon Fepulea'i's directing debut follows Megan (Olivia Tennet from Maddigan's Quest), a young girl who finds herself out of her depth amongst the mangroves. While out exploring, she meets two siblings and wants to make friends, but one of them is hostile and argues over who owns a bamboo stake. Megan runs off to play alone and while trying to catch a fish using the stake as a spear, has an accident. She's full of stubborn pride as the tide rises dangerously around her. Watermark debuted at the 2002 Rotterdam Film Festival, and features classic Kiwi song ‘Blue Smoke’.
In 1951, New Zealand temporarily became a police state. Civil liberties were curtailed, freedom of speech denied, and the Government used force against its own citizens. Featuring interviews with many who were involved, this film tells the story of the infamous lockout of waterside workers, and the nationwide strike which followed. 1951 won Best Documentary at the 2002 New Zealand Television Awards, and John Bates was named Best Documentary Director.
In Michael Bennett's allegorical Cow, two old men (played by New Zealand screen legends Ian Mune and Martyn Sanderson) with Confucian beards are adrift in the ocean, a placid Friesian cow in tow. A surreal study on how quickly a minor event can evolve into something far more extreme, the film features no dialogue; rather, a guitar duet that escalates to a duel. It won Best Short Film Script at the NZ Film Awards and made land internationally: Cow was selected for festivals including Cannes (Critics' Week) and Valladolid.
Early Days Yet, directed by Shirley Horrocks, is a full-length documentary about New Zealand poet Allen Curnow, made in the last months of his life. The poet talks about his life and work, and visits the places of some of his most important poems. It includes interviews with other New Zealand poets about Curnow's significance as an advocate for New Zealand poetry. As Curnow famously mused in front of a moa skeleton displayed in Canterbury Museum: "Not I, some child, born in a marvellous year / Will learn the trick of standing upright here."
Rain begins by evoking an idyllic kiwi summer. It's a 1970s beach holiday; Mum, Dad and the kids. Picture perfect. But, as the title hints, all is not sunny at the bach. Beneath still waters Mum is drowning in drink, Dad is defeated, and 13-year-old Janey is awakening to a new kind of power. An adaptation of the novel by Kirsty Gunn novel, Rain was director Christine Jeffs' widely acclaimed debut feature. The soundtrack was composed by Neil Finn and Edmund Cake. Kevin Thomas in the LA Times acclaimed Rain as “an important feature debut”.
Described as a “tour of duty at knee height” this short film sees a bunch of boys playing war games confronting reality on a rural New Zealand ‘battlefield’. Actor turned director Murray Keane described the film as an atonement for putting a rubbish bin atop a local war memorial when he was a boy. It was nominated for Best Film and Best Script at the Nokia NZ Film Awards. The young cast includes Daniel Logan (young Boba Fett in Star Wars Episode II: Attack of the Clones) Tyler Read (Shortland Street’s Evan Cooper) and Elliot Lawless (The Bridge of Terabithia).
In this dark short film, an isolated rural idyll is spoiled when a farmhand (Craig Hall) gets ideas above his station. There will be blood in the barn as the interloper puts new meaning into dirty dairying, and upturns the lives of farmer Ken (Ross Harper), his wife (Sara Wiseman) and Ken’s simple sibling (Leighton Cardno). Director Andrew Bancroft’s earlier short Planet Man (an award-winner at Cannes) was set in a dark future; Home Kill takes the dystopia to the heartland with gothic horror glee, depicting farm life in a way that is unlikely to be endorsed by Fonterra.
This film is an account of a 13-year-old boy's shoplifting escapade. It is narrated by a teen voice (Madeleine Sami) while adult actors act out the drama as kids. What starts out as teen shenanigans (a porn stash is accrued with the five-finger discount) turns unsettling as a beating is doled out by Dad as punishment. The contrast between the naive voice and what is seen on screen - shot in hand-held close ups - is grimly memorable. An early short from Gregory King, this disquieting tale of domestic abuse was selected for NZ and Melbourne Film Festivals.
Lucinda (Danielle Cormack) lives a fairytale life with dairy farmer Rob (Karl Urban), and his 117 cows. But after a freak car accident she decides to test Rob's love for her by trying to make him angry. He passes her tests until a quilt goes missing from their bed; the price of getting it back is high. Harry Sinclair's follow-up to Topless Women Talk about their Lives is quirky and romantic, but not especially fantastical — yet it won a trio of awards at specialist fantasy film festivals overseas. The fulsome soundtrack is performed by the Moscow Symphony Orchestra.
Popstars was a key forerunner of the late 1990s reality television explosion. The series followed the creation and development of an all-girl pop band called TrueBliss (Carly Binding, Keri Harper, Joe Cotton, Megan Alatini and Erika Takacs), who went on to record several NZ chart-topping singles and a platinum-selling album. Also a hit was the series format, which sold globally and helped inspire Pop Idol/American Idol, the franchise that would dominate reality TV for years to come. These excerpts are from each episode of the series, from the second to the final.
A dark and mystery-filled drama about a 70s hippy (Danielle Cormack) who falls in love with a Vietnam vet (Kevin Smith). But has fate brought them together, only in order to drive them apart? And what exactly happened to their child? This twist-filled tale of seances, damaged people, and conflicting versions of truth marked the directorial debut of short filmmaker Christine Parker. At the 1999 New Zealand film awards, Channelling Baby was nominated in six categories, including best actress and best original screenplay. Read more about the film here.
Lawless saw Kevin Smith in one of his biggest roles: as undercover cop turned private investigator John Lawless. The character's career arc was told across three tele-movies. In this self-titled debut, Lawless struggles with divided loyalties while working for a dodgy drug lord (Joel Tobeck). Next thing, a robbery leaves Lawless framed by the good guys. This stylish Kiwi take on American crime shows won good reviews and a stash of awards, including gongs for Tobeck, co-star Angela Dotchin, director Chris Martin-Jones and best drama programme.
Director Peter Salmon's sci-fi short is set in a dystopian future where citizens spend most of their lives in virtual reality to escape the bleak Blade Runner-like offline world. Grace (Sara Wiseman, in a NZ Film Award-winning performance) is a lonely programmer looking for cyberspace love via Angelife: a fantasy-fulfillment site with "five billion connections worldwide". Disenchanted with her Adam (Rupert Cocks), her desire for real world connection, plus a chance meeting, push her into a dangerous underworld. Ray Woolf cameos as a winged Angelife agent.
The search for a NZ Spice Girls is underway in the first episode of this pioneering reality series. Manager Peter Urlich (formerly of Th' Dudes) and record company executive Mark Tierney (ex-Strawpeople) hold public auditions to find the all-girl pop group for their record deal and TV series. The good, the bad and the unfortunate are out in full force. Nearly all of the candidates are happy to proclaim their self-belief and desire for stardom, and to be subjected to the exhaustive selection process that could result in them becoming instant celebrities.
In Scarfies, five Dunedin students find themselves in a free squat, and a dark place, after taking a criminal captive in their basement. The debut feature from Robert Sarkies starts as a comic tribute to Otago student days, then turns into a psychological thriller. Outside of the two Warriors movies, Scarfies was the most successful Kiwi release of the 90s on home turf. It went on to scoop best film, director and screenplay awards at the 2000 NZ Film and TV Awards. This excerpt sees the scarfies torn between dealing with the crim and a footy match at Carisbrook.
Staunch follows the politicisation of Ariana (Once Were Warriors’ Mamaengaroa Kerr-Bell) a young Māori woman who’s run into trouble with the law. Guided by a sympathetic social worker (Tamati Patuwai) she defends herself against assault charges following a police raid on her home. The Auckland-set TV3 drama was inspired by fact, and co-written by director Keith Hunter and playwright Toa Fraser; it won multiple gongs at the 2002 NZ TV Awards. Staunch was an early screen credit for Fraser (director of feature films No. 2, Dean Spanley, and ballet doco Giselle).
Passion project The Lunatics' Ball follows an unorthodox psychologist who arrives at a psychiatric hospital and tries to use art, joy and respect to motivate his patients. First-timer Michael Thorp wrote the script partly out of worries that drug-based treatment programmes could prove more of a trap than a solution. After casting American-born oboist Russel Walder in the main role, and shooting on a shoestring, Thorp completed editing thanks to $400,000 in Film Commission funding, and help from some major industry names. The result won a jury prize at the Shanghai Film Festival.
Kiwis are often accused of not being very good at expressing their feelings. This documentary (made for TV One's Work of Art programme) offers striking evidence to the contrary, using some of our favourite love songs as proof. A roll call of New Zealand's best-known musicians and songwriters talk here candidly about love, and play some of the songs inspired by their experiences. The result is a film that shines a light on love Kiwi-style, and provides a fascinating survey of New Zealand pop music from the last 30 years along the way.
In the first of this two-part documentary about Kiwis and cars, actor Rima Te Wiata sets off on a road tour of New Zealand. Starting in the South Island, Te Wiata learns about the first bus tours to Aoraki, which were handled by the Mount Cook Motor Company. Then she travels to Westport via the infamous Hawks Crag, and hears from locals about the difficulties and dangers of transit before the introduction of cars. A trip back up the country takes Te Wiata to Northland, where the locals suggest they may have been better off when the primary mode of transport was by boat.
During a stint in prison for importing drugs, Bill Payne reinvented himself and became a writer. Payne went on to write Staunch (an acclaimed non-fiction book about gangs), short stories, a play, and two short films. Bella was the first. It follows life behind bars for Bella (Mitch Thomas), a defiantly proud transsexual and part-time tattooist, whose mere presence arouses the ire of one of the prison guards. But the guard's taunts are more complicated than they appear. The guard is played by Tim Gordon, who would later play All Blacks coach Graham Henry in telemovie The Kick.
The light-hearted but star-heavy I'll Make You Happy unapologetically showcases a group of Auckland prostitutes, united by girl power — and a general distaste for their pimp (Michael Hurst). Jodie Rimmer dons many wigs and personas as Siggy, the spunky young sex worker who fends off Hurst's pleading advances, while pulling a nerdy banker (Ian Hughes) into her plans for a game-changing heist. The eclectic soundtrack is heavy on electronica, while the cast includes Rena Owen, Jennifer Ward-Lealand, dancer Taiaroa Royal, and a one-minute cameo by Lucy Lawless.
This debut feature from director Niki Caro follows a Tokyo woman and her fiance who elope to New Zealand. A stunted beginning to their sexual relationship is overcome in a cave on an isolated West Coast beach. Shortly afterwards he drowns. She returns to a suffocating Tokyo before being drawn back to the cave. The restrained study of eroticism and grief was based on a short story by Peter Wells (itself inspired by a true story). Desire was selected for Critics' Week at Cannes (1998), and won best film at 1999's NZ Film Awards and a special jury prize for Caro.
In this second part of a documentary on Kiwis and cars, host Rita Te Wiata explores motoring in the latter half of the 20th Century. She begins in Christchurch where Ford V8s were a vehicle for post-war romance, then heads to Tahuna for beach racing. Te Wiata pockets the licence she supposedly got in part one and heads to Raglan to look at the car-enabled freedom of the 60s and 70s: surfing, fishing, caravans. While downsides are mentioned (motorways, pollution, accidents), mostly it’s a paean to petrolhead passion. The tour ends with a cruise up Queen St in a muscle car.
A breathless live action cartoon for adults and twisted children, Playing Possum follows two colourful bush critters as they chase each other along and around the length of SH1, while battling over a choice piece of road kill. Possum won the Grand Prix at the L'etrange Film Festival. Creator Peter Salmon went on to direct episodes for TV series Outrageous Fortune, Go Girls, and Offspring. In 2007 Salmon's dramatic short Fog was invited into International Critics’ Week at Cannes Film Festival.
Point Your Toes, Cushla! captures a girl's eye view of the final minutes before she goes on stage in a ballet contest — where one wrong move could be a short cut to humiliation. In this case the danger is heightened thanks to a stage mother whose idea of encouragement is constant meddling (played in scene-stealing brilliance by Alison Wall). Low on dialogue but rich in detail, this film by Simon Marler was invited to a number of overseas festivals, where it won a jury diploma in St Petersburg. It also got general release in Kiwi cinemas.
This 1997 Inside New Zealand documentary looks at the evolution of modern Māori political activism, from young 70s rebels Ngā Tamatoa, to Te Kawariki's protest at Waitangi Day in 1995. Directed by Paora Maxwell, it is framed around interviews with key figures (Syd Jackson, Hone Harawira, Ken Mair, Mike Smith, Annette Sykes, Eva Rickard, Joe Hawke). The interviewees explore events, and the kaupapa behind their activism, from thoughts on sovereignty, and the Treaty of Waitangi, through to symbolism (tree felling, land marches) and being kaitiaki of the environment.
This documentary about Māori writer Witi Ihimaera features him in conversation with filmmaker Merata Mita. Ihimaera traverses his life and writing career, emphasising the importance of family (particularly his mother and grandmother) and his overriding Māori identity. Aileen O'Sullivan's film features a star-studded assemblage of local literature — Keri Hulme, Albert Wendt, publisher Geoff Walker — and a dramatised excerpt from his novel Bulibasha ( featuring Rena Owen, Michael Hurst and Rawiri Paratene), shot roughly two decades before 2016 movie adaptation Mahana.
This documentary unearths the story of the soldiers in the New Zealand Tunneling Company, whose daring World War I raids involved digging tunnels through chalk rock, laying explosives underneath enemy lines, and countermining German tunneling efforts. The story is told through the eyes of a New Zealand woman who retraces her grandfather’s war story to Arras, France, and sees the Kiwi-tagged cavern 'city' nearly 80 years later. The company played a key role on the Western Front, and was especially recruited in NZ, made up of miners, bushmen and labourers.
In a wooden cabin on the edge of the forest, a strange young girl referred to only as 'Kid' holds court over her trapper Dad and his isolated bush family; she sits beneath the dinner table, makes animal sounds and refuses to be washed. This pitch-black fable is told through the eyes — and distinctive voice — of her sympathetic brother 'Little Man', who one night makes a fateful decision that liberates her into the wild. Filmed in gas-lit sepia by Leon Narbey, the atmospheric and award-winning film announced the directorial talents of the late Brad McGann.
Readings from the poems of James K Baxter trace the poet's life through its various New Zealand locations, and provide a biographical voice in this film by Bruce Morrison (co-written with Dr Paul Millar). Baxter's family and friends discuss the man and his work, and the readings and beautifully shot landscapes fill in the gaps. The film won Best Documentary at the 1998 Film and TV Awards. The opening montage, describing "the chugging noise of masturbation from the bedrooms of the bourgeois" of Auckland, is seminal Baxter.
A group of 20-somethings revolving around pregnant Liz (Danielle Cormack) confront a Generation X medley of 'births, deaths, and marriages' in Harry Sinclair’s debut feature, developed from the eponymous TV3 series. They experience, "the agony of failed love and ambiguous love, the agony of loneliness, the ecstasy of sex and the discovery of maturity" (Australian critic Andrew L Urban). In this excerpt from the well-received film the cast faces vexing coathangers, skirts, rubber gloves and panic attacks. NSFW caution: features actual Teutonic topless women.
This short film follows Vincent (Leighton Phair), a young Chinese-Kiwi rescued from a group of racist punks in a spacies parlour by a mysterious Asian (Gary Young), then drawn into a seedy Triad underworld. Vincent is struggling with his identity in a mixed race family. Directors Stuart McKenzie and Neil Pardington wrote the story with playwright Lynda Chanwai-Earle, drawing it from interviews with members of the Chinese community in Wellington and Christchurch. Early 90s Flying Nun bands feature on the score; DJ Mu (future Fat Freddys Drop frontman) cameos as a punk.
Heartland host Gary McCormick hunkers down in the Catlins ("New Zealand the way it used to be"), the wild southern coast stretching between Invercargill and Balclutha. After watching the action at school sports day, he discovers a rural community revolving around family, church and pub. Interviewees include a Metallica-loving teenager who has just bought his second car, for cruising; and spoon collector Kitty 'Granny' Burgess. He also visits a rugged Long Point farm to check out rare yellow-eyed penguins (hoiho), who look very punk during moulting season.
This documentary is a hallucinogenic exploration of the allure of the foot and the cult of the shoe. What other item of clothing carries the promise of such pleasure or pain? A podiatrist, a ballerina, a cross dresser, a mistress, an academic, a transexual, a femme fatale and a couple of shoe salesmen journey into the depths of their soles. Selected for Venice Film Festival in 1996, Footage was an award-winning excursion into documentary making for feature director Niki Caro.
In this full-length Heartland episode, Gary McCormick heads south to the port town of Lyttelton, where some say you can't claim to be local unless you've been in town all your life. There he looks around a freighter and finds time to talk to a smorgasboard of passionate locals, some of whom wish yuppies from Christchurch would stay home. He visits ex-Seaman's Union President Bill 'Pincher' Martin, who recalls the tense days of the 1951 lockout. Meanwhile cameraman Matt Bowkett captures some evocative footage from the surrounding hills, and among the action of a busy port.
Peter Jackson’s fifth feature is a playful blend of comedy, thriller and supernatural horror and was an effective Hollywood calling card for Weta FX. Frank Bannister (Michael J Fox) resides in Fairwater, where he runs a supernatural scam. Aided by some spectral consorts, he engineers hauntings and “exorcises” the ghosts for a fee. When a genuine spook starts knocking off the locals, the FBI suspects Frank is the culprit. To clear his name, Frank must deal to the real perpetrator – none other than the Grim Reaper ...
Actor Miranda Harcourt directs an ode to her broadcaster father Peter in this short documentary. The film emerges from vocal chords (via an endoscope) and uses the tools of her father’s trade as a starting point for a free-ranging meditation on repression, shell shock and family ghosts. Peter’s wartime job involved vetting messages home from the troops to check that the soldier hadn’t been killed. Post-war, Peter was dumb-struck for a year, at a time when people didn’t “talk about their deeper feelings”. Voiceover won Best Short at the 1997 NZ Film and TV Awards.
This documentary comprehensively plots NZ's progress from enthusiastic supporter of the atomic bomb in the 1940s to proudly nuclear free by the late 1980s. New Zealand — the birthplace of "father of the atom" Ernest Rutherford — willingly participated in British tests at Christmas Island in the 1950s (and looked eagerly for uranium in the Buller Gorge) but as testing increased in the Pacific, Prime Ministers Holyoake, Kirk and Lange voiced opposition — and Moruroa, nuclear ship visit protests and the Rainbow Warrior bombing fuelled the anti-nuclear cause.
Made for TV ONE’s Montana Sunday Theatre slot, this award-winning one-off drama stars Peter Elliott as a disgraced lawyer, who may or may not have a gambling problem. A down-on-his-luck reporter (Mark Clare) on the trail of the story finds there is more to it than meets the eye, and decides to scam the scammer, with dangerous consequences. Writer/director Jonothan Cullinane went on to make the feature film We’re Here to Help.
First Hand was a series of mid 1990s documentaries made for TVNZ. Newbie filmmakers were armed with consumer cameras, aiming to capture “natural human behaviour” with the new technology and minimal crew. This edition, directed by David Ambler, profiles 23-year-old Newstalk ZB late-night talkback host Mike Yardley, and introduces regular callers from his nationwide audience of 150,000: service station worker Lucas channels Oprah, Petone radio poet George rhymes about detached organs, and Merle dances to an organist. Radio veteran Marcus Lush narrates.
A plain tale about the swollen secretions of suburban love. In middle class Auckland vulnerable passions break the surface as Laura (Meryl Main from Highwater) aggressively pursues love and acceptance, finding something very like it right next door. For director Niki Caro this one-hour drama was a watershed in her career. It was her ultimate drama production before embarking on a feature film career; it screened as part of the Montana Theatre series on TV One in 1995. Plain Tastes features Marton Csokas and Kate Harcourt. Producer Owen Hughes writes about Plain Tastes here.
"It was the beginning of the end of the world..." Award-winning actor Tim Balme (Braindead) narrates this rain-lashed tale of being trapped in a world where all the women have disappeared. The film noir stylings, Blade Runner climate and tough-talking dialogue come to the fore when Balme encounters a beautiful woman with an attitude (Balme's real-life partner Katie Wolfe), and finds desire playing tricks with his mind. Planet Man was judged best short film in the Critics' Week section of the 1996 Cannes Film Festival.
Occasional Heartland host Kerre Woodham visits the annual Easter races at Riverton in Southland. Riverton is New Zealand's second oldest town, and the close knit locals have a big passion for horse-racing. Woodham talks to owners, trainers (one of them at his freezing works job), jockeys and punters, as well as the judges of 'Best Dressed Lady at the Races', who are looking for a nice line in matching hats, bags, shoes and gloves. The documentary contains some good examples of the Southland rolled 'r' from some of the locals who are interviewed.
The Aupōuri Peninsula - in Maui's legend, the tail of the fish - runs along the top of the North Island, edged on one side by Ninety Mile Beach. In Te Hapua, the most northerly community on the mainland, Gary McCormick helps out at the marae as preparations begin for a cultural festival for the district's primary schools. The students will perform kapa haka, Dalmatian dances and take-offs of Shortland Street. This Heartland episode evocatively melds footage of children practising and performing, with oyster farmers catching fish for the hangi.
Dave Dobbyn in Concert is weighed strongly towards songs from Twist, the 1994 album that NZ Herald writer Graham Reid described as "breathtaking in its daring, ambition and reach". Dobbyn performs alongside a band which includes Twist producer Neil Finn. Although the offkilter soundscapes of the album are necessarily cut back on stage, Twist's strong musical bones remain clear. 'It Dawned on Me' showcases the curly-haired one in especially fine voice, while hit single 'Language' works wonders when stripped back to Dobbyn, Finn and twin acoustic guitars.
Anne and Gordon left high school unable to read or write to a basic level. This documentary follows their progress with the Auckland Adult Literacy Scheme, and culminates with the pair sitting the written and oral exam for their drivers' licence. Anne found innovative ways around the kids' bedtime stories, but froze when it came to filling in forms. Gordon has been driving illegally for years; he wants to ace his drivers' test and finds an acceptance within the Adult Literacy Scheme he never did at school. The First Hand series has a stripped back style, using small cameras and crews.
"Bluff'll be here forever." Heartland host Kerre McIvor (nee Woodham) heads south to the port town of Bluff for the 65th wedding anniversary of Fred and Myrtle Flutey, and visits their famous paua shell museum (after their death, the Flutey's paua collection was relocated in 2008 to Canterbury Museum). As well as taking part in the celebrations and learning the secrets of a happy marriage, Woodham talks to local fishermen, women rugby players and long time residents, including the memorable Sylvia Templeton-Warner.
In this full-length episode, Heartland visits the heart of the North Island: the Waimarino district at the foot of Mount Ruapehu. Host Gary McCormick hits town in time for the yearly Waimarino Easter Hunt. In Ohakune he talks to a policeman about a strange case of streaking near the town's famously oversized carrot, visits an equally overized collection of salt and pepper shakers, then sets off on an early morning pig hunt. Vegetarians be warned: many expired members of the animal kingdom make guest appearances.
This show was possibly the most controversial edition of the Heartland series. Gary visits the sometimes maligned working class dormitory suburb, and hits sports fields, local homes and Tupperware parties. In this full-length episode he meets everyone from cheerful league coaches and builders remembering the challenges of getting supplies up the hill, to the woman many would not forget: Chloe Reeves, with her squeaking voice, distinctive fashion sense and tiger slippers. There is also a fleeting glimpse of future All Black Piri Weepu holding a school road safety lollipop.
This short film marked the directorial debut of actor Michael Hurst. It screened at the 1994 Cannes Film Festival in a showcase of Kiwi shorts. The title comes from country music legend Hank Williams; more Americana staples — strangers, trains, road trips — are relocated to 1953 New Zealand. The marriage of a salesman and his wife has ended in tears. With skilful use of flashbacks, Hurst follows their respective paths with some mysterious travelling companions: Hank Williams and a railways inspector. A passing interest in Kiwi rail history will add context to the conclusion.
Whale Rider director Niki Caro’s fourth short film is comprised of six vignettes — each focusing on a different elderly man. With minimal supporting cast (Joel Tobeck has a cameo as a competence-challenged waiter), the men talk mainly to themselves or the camera. Shot on Super 8mm (with graphics from an overhead projector), Old Bastards attempts to “subvert our kindly and slightly condescending view of old men”; its dark alternative view instead paints the aging male as vigorously intolerant, lecherous, impotent, trapped or just lost.
Ever wondered why artist Peter Peryer photographed himself holding a chicken? This documentary provides the answer. Directed by Greg Stitt (Just Me and Mario), it traces the path of one of New Zealand's most significant, and intriguing, art photographers — from "crucified Christ to laughing Buddha" — through Catholic themes, to a more minimalist approach. Also showcased are some of Peryer's captivating images: the "bodies of work, families of photos, and images that rhyme". The photographer passed away on 18 November 2018.
In this documentary for TV One, director Aileen O'Sullivan turns the camera on three sets of mother/daughter artists, and asks whether art is in the genes. Interviewing each other about their creative lives are actor Kate Harcourt and actor/acting teacher Miranda Harcourt; weaver Erenora Puketapu-Hetet and weaver/painter Veranoa Hetet (née Hauwaho); and painter Jacqueline Fahey and performer/sculptor Augusta McDonald. Frank yet loving discussions abound, like when Hetet tells her mother "sometimes you come up with silly things".
Set in a world where animal is vegetable and the creepy crawlies are just that, this short film showcases the trippy talents of animators Joe Wylie (Kiwi classics Te Rerenga Wairua, Bride of Frankenstein) and John Robertson (internationally lauded for his commercials work). Following a nightwatchman whose meddling kicks evolution into overdrive at the pesticide factory, the film injects a chirruping, clanking ambient score into a petri dish of Naked Lunch, The Fly and and some B-movie black comedy. It was selected for France's Annecy Animation Festival in 1993.
In this full-length Heartland episode, Gary McCormick travels to the Hokianga in Northland, where he attends the annual rowing regatta in the town of Horeke. Locals compete in ironman (swimming, running and... woodchopping), before McCormick delves into the region’s logging past and sees local bone carvers at work. He also visits the Motuti Marae, then drives on to Panguru where he interviews local resident and Māori land march leader Dame Whina Cooper. The programme (gently) reflects on Māori and Pākehā race relations in the area.
Director John Bates' 1993 documentary examines the life and work of photographer Robin Morrison, who captured iconic images of everyday New Zealand life and landscape. Part biography, part travelogue, the film goes on the road with Morrison to revisit some of his best-loved locations. Stunningly shot by Stuart Dryburgh (The Piano) before Morrison died on 12 March 1993, Sense of Place won Best Documentary at the 1994 New Zealand Film and Television awards, and a certificate of merit at the 37th San Francisco International Film Festival.
Sam Neill narrates this documentary plotting the career of one of Aotearoa's most successful bands: from formation by Mike Chunn, Phil Judd and Tim Finn at Auckland University in 1971 to their demise in 1984, when Neil Finn walked away. The major players talk freely about good times and bad — art rock, the wayward genius of Judd (including a rare interview), Noel Crombie’s spoon playing and costume design, hard times in England and the punk backlash, the big pop hits after Neil joined, Tim’s solo album, an obsession with paper darts, and the pre-gig ritual of One For One.
While beachcombing, April (Hester Joyce) discovers an injured man and claims him as her own. She must keep him a secret, and alive, in a makeshift community called Paradise. But Paradise is under threat and the other residents are slowly moving on. Fiercely protective of the broken man in her bed, April cannot leave, nor can she stay. For April there is nowhere to go but up. Directed by Niki Caro (Whale Rider), Sure To Rise competed for the Palme d’Or at the 1994 Cannes Film Festival. Producer Owen Hughes writes here about where the film's rise led its director.
Jack Lovelock won New Zealand’s first Olympic athletics gold medal. He did so in spectacular fashion, winning the 1500 metres at the 1936 Berlin Olympics. In front of Hitler and 110,000 spectators, the famous ‘Lovelock kick’ unfurled into NZ’s sporting and collective consciousness: from Timaru to Oxford, to Berlin triumph. Yet Lovelock was an enigmatic achiever. In this short film, the race — the supremely judged apex of a sporting career — is contrasted with his mysterious and tragic death, in front of a train on the New York subway in 1949.
At any one time between mid 1942 and mid 1944, between 15,000 and 45,000 US servicemen were camped in NZ preparing for, and recovering from, war in the Pacific. The marines brought colour and drama to the austerity of home front life. Fifty years later this TV documentary used interviews, reenactments and archive material to explore the “American invasion”. Sonja Davies recalls a Wellington street fight kicked off by a racist insult directed at Māori, and her wartime pregnancy and romance (1,500 marriages ensued from “when the Americans were here”).
Miles (Joel Tobeck) is 16. His family are falling apart and he's got a crush on his cousin. An imminent royal visit offends his mother's political sensibilities and his father is spending time with a female neighbour. Christmas is coming and the twins have murder on their minds. Director Niki (Whale Rider) Caro's survey of the everyday eccentricities of family was nominated for best TV drama scipt and director at the 1994 NZ Film and TV Awards. The film was one of three half-hour dramas commissioned by TVNZ under the series title Another Country. Producer Owen Hughes writes about it here.
Actor and casting legend Diana Rowan (who discovered both Anna Paquin and Keisha Castle-Hughes) turns her hand to writing and directing, with this darkly comic half-hour television drama based on an original story by Shonagh Koea. Veteran actor Helen Moulder (Fallout) gives a stand-out performance as a recently widowed woman, who arrives at a novel solution to well-meaning but hideous friends and family. The Wall is dedicated to director of photography Bayly Watson, who passed away soon after working on it.
Heartland was a long-running series where, in each episode, affable presenter Gary McCormick explored a Kiwi community. Location and local legend are relayed as McCormick (or occasionally Annie Whittle, Maggie Barry, or Kerre McIvor) interacts with the natives, most famously, tiger slipper-shod Chloe of Wainuiomata. The popular, award-winning series, was inspired by a collaboration — Raglan by the Sea — between McCormick and director Bruce Morrison; it connected mostly-urban Kiwis with faraway corners of the country, and a homely sense of shared identity.
Donogh Rees stars as Jo, a wife on the brink of madness, in this short film from Christine Parker (Channelling Baby). Struggling to deal with raw meat in the kitchen, Jo lapses into a dream-state and fantasies about fronting a girl group (featuring backing singers costumed as the Virgin Mary, a dominatrix and a Barbie doll). Flashbacks show her partner James (Alistair Browning) arriving home drunk; she goes alone to a dinner party where the host asks about his absence. The story is based on Waiting for Jim, a short story by author Frances Cherry.
This kidult thriller features Martin Henderson (in his screen debut) and Hamish McFarlane (fresh from The Navigator) with a script by Margaret Mahy. Brothers and sisters Emma and Zane, and Kelsey and Morgan are friends, with their own clubhouse and secret society. Their lives change when Zane and Emma witness a jeweller’s shop robbery, and Morgan and Kelsey see two men escape their crashed car after a police chase. The friends find themselves plunged into a world of intrigue, questionable Special Branch agents and a mysterious fire eater and magician.
This Richard Riddiford-directed comedic thriller plays out in pre-crash 80s Auckland with the CBD skyline changing daily, brick-sized phones, shadowy corporations on the rise and the share market on everyone's lips. With a second harbour crossing due to be announced, a telephone operator (future events maestro Mike Mizrahi) and a waitress moonlighting as a dominatrix (Lucy Sheehan) become ensnared in a web of corporate greed and blackmail. Chris Knox contributes the soundtrack, and extensive outdoor sequences include a memorable chase scene at Kelly Tarlton’s.
Created by actor/writer Jonathan Hardy, comedy series Porters was based around a group of porters working in a big city hospital. This episode features an early screen appearance by Rima Te Wiata (Hunt for the Wilderpeople); she guest stars as a worried nurse who calls on junior porter Peter (Stephen Judd from Bridge to Nowhere), after hearing some strange noises on the night shift. An encounter in the mortuary awaits. The episode also includes appearances by fellow porters George Henare, Peter Bland and Bill Johnson, with Roy Billing playing their long-suffering boss.
This Richard Riddiford-directed relationship drama explores the restless homecoming of a Kiwi from her OE. Monica (Judy McIntosh) returns from Europe to sculptor Nick (Peter Hayden), who has stayed behind in Waiuku. She goads him into a road trip north, searching for connection to him and home. At a Dargaville pub they meet Riki (Rawiri Paratene), a charismatic poet who has left the city to find his Ngapuhi roots. Monica is intrigued by Riki's bond to his people and the land, which widens a rift between her and Nick. Caution: this excerpt contains bath tub sax.
In 1986 Footrot Flats: The Dog's (Tail) Tale and its theme song ‘Slice of Heaven’ were huge hits in New Zealand and Australia. The adaptation of Murray Ball's beloved Footrot Flats comic strip marked Aotearoa's first animated feature. There were a lot of big questions to answer: Will Wal become an All Black? Will Cooch recover his stolen stag? Will the Dog win your hearts and funny bones? Punters answered at the box office. This John Toon-shot trailer doubled as a promo for the Dave Dobbyn-Herbs song, and smartly leveraged both. Tony Hiles writes about the film's making here.
Just after midnight on November 18, 1982, Neil Roberts, a 22-year old anarchist, exploded a bag of gelignite outside the Whanganui police computer centre, killing himself instantly. In this short film, director William Keddell uses a fictional character — Eric, a young man awoken in bed at the exact moment of detonation — to take a psychological road-trip exploring the events leading up to what is arguably NZ’s most famous case of homegrown political terrorism. Real-life friends and associates of Roberts make cameo appearances in supporting roles.
Rosemary (Annie Whittle) is a photographer, mother and middle-distance runner. A project photographing the rare yellow-eyed penguin sends her to a remote Otago cottage. Despite menacing happenings, she refuses to be intimidated. Then events escalate, sending her running for help in the race of her life. Bird-watching, stranger danger and feminist film theory line up for a time trial in Melanie Read's first movie, for which 20 of the 29-strong production crew were women. Marathon champ Allison Roe — who trained Whittle off-screen — makes a brief cameo.