Reporter, musician and most importantly music fan, Dylan Taite can be fairly claimed as the man who brought some of the most left field musical talent to prime-time TV. Some of his interviews are legendary — others, like his sit-down with reggae legend Bob Marley, historically important. All were done with an eye for invention, a sharp turn of phrase and a touch of eccentricity that made his reports a must-see for music fans.
Former Spot On presenter Ian Taylor, CNZM, is the founder of computer graphics company Animation Research Limited. ARL made its name providing real-time sports graphics at the 1992 America's Cup, and has gone on to apply their technology to golf, cricket, tennis and Formula One car-racing around the globe.
Neil Stichbury trained as a photographer. After a short stint directing for TV3 and Communicado, he began a busy decade making commercials with Republic Films partner Simon Mark Brown. His partnership with director Luke Nola resulted in a run of kids shows, including Let’s Get Inventin’, whose escapades spawned multiple seasons and overseas sales. Stichbury is now developing further screen projects.
Kim Gabara's long Kiwi television career began in the late 60s. He went on to create and direct a run of children's programmes, including the iconic It is I, Count Homogenized and puppet series Woolly Valley.
Actor and writer William Brandt was born to confuse. He has acted in films about writers, produced docos, and written novels about the film industry (The Book of the Film of the Story of My Life). Brandt began in acting, starring in comedy User Friendly and TV movie Undercover, and romancing Janet Frame in Angel at my Table. His reinvention as a writer began with 1992 play Verbatim, and includes episodes of Shortland Street.
After producing her first short film for Niki Caro, Rachel Jean worked alongside veteran producer Owen Hughes on a host of documentaries, plus the occasional drama. Later Jean went solo, producing TV series Secret Agent Men, and The Market. After time as TV3’s Head of Drama and Comedy, she became Head of Development at South Pacific Pictures.
Since relocating from the United Kingdom, Peter Roberts has made his mark in New Zealand as an editor. Roberts found his editing niche at TVNZ, before a prolific freelance career saw him cutting a string of documentaries, shorts, and features — including award-winning drama The Dark Horse. In 2013 he became the first editor to be elected President of the Directors and Editors Guild of New Zealand.
Owen Hughes segued directly from university to a job at independent production company Pacific Films. Since establishing his own company Frame Up Films in 1977, Hughes has gone on to produce 40 plus documentaries and many dramas. Along the way he has nurtured the talents of a number of directors early in their careers, including Niki Caro, Fiona Samuel and Jessica Hobbs.