Steve Roche is one third of Plan 9, a musical collective whose CV of soundtracks includes 20 plus features and over 130 hours of television. Roche first played with David Donaldson and Janet Roddick in celebrated band Six Volts. Since then they have won multiple soundtrack awards, and worked on everything from Forgotten Silver to What We Do in the Shadows. Roche also plays in bands Thrashing Marlin and The Labcoats.
Editor and director Dell King’s plans to be a filmmaker faced a challenge when she discovered that the Government’s National Film Unit had closed its doors to women directors. Instead King began her long screen career as a negative cutter, and later worked as editor or sound editor on a run of documentaries and features, including the classics Ngati and Vigil.
Barbara Darragh's screen costumes have been worn by ghosts, prostitutes, Māori warriors and Tainuia Kid Billy T James. An award-winner for The Dead Lands, River Queen and The End of the Golden Weather, Darragh's CV includes TV shows Under the Mountain and Greenstone, plus more than a dozen other features. She also runs Auckland costume hire company Across the Board.
Composer Stephen McCurdy's screen music has crossed the gamut — from jazz, chamber pieces, rock, and pop, to the faux Peggy Lee song which opened each episode of 80s soap Gloss. McCurdy won NZ Film Awards for his scores to Came a Hot Friday and The End of the Golden Weather.
Andy Anderson began drumming and singing as a Hutt Valley teenager. Since then his diverse trans-Tasman performing career has included playing in rock bands, starring as Sweeney Todd and the Pirate King on-stage — plus more than 50 acting roles on-screen, often playing rogues and diamonds in the rough, in shows from Roche, Gloss and Marlin Bay, to The Sullivans.
Writer Debra Daley’s first TV script, Universal Drive, was adapted from her short story about growing up in the car culture of West Auckland. She went on to write for Gloss and Open House, and create “money and greed” TV thriller The Shadow Trader. She later published novel The Strange Letter Z (1995) and worked as an assessor for the NZ Film Commission. Daley divides her time between London, France and Ireland.
Miranda Harcourt's career has seen many notable excursions into screen work — from finding early fame on beloved soap Gloss to ambitious big screen drama For Good, which she acted in and helped produce. In 2017 she made fantasy The Changeover, with her husband Stuart McKenzie. As an acting coach, Harcourt has worked with everyone from Melanie Lynskey to Nicole Kidman.
Finola Dwyer, ONZM, began as an editor. After cutting Country Calendar and movie Trial Run, she was encouraged by Larry Parr to become a producer. Three films and a number of TV programmes later, Dwyer began her producing career anew in London in the early 90s. Her work in England stretches from acclaimed Beatles feature Backbeat to Oscar-nominated dramas An Education and Brooklyn.
Phillip Gordon began his screen career with 70s soap Close to Home, then won fame in the mid 80s with two different roles: playing conman Cyril Kidman in hit period comedy Came a Hot Friday, and starring in Wellington-set TV series Inside Straight. He went on to act on both sides of the Tasman.
Wayne Tourell is a prime contender for having the longest CV of any director in local television. Tourell began as an actor and presenter. The multiple Feltex award-winner has gone on to direct documentaries (Landmarks, Moriori), drink driving campaigns, teen movie Bonjour Timothy — not to mention episodes of Mortimer’s Patch, Shortland Street, Gloss and his beloved legal drama Hanlon.