Scriptwriter Jane Galletly entered the New Zealand television industry at a time when women writers were few and far between. Long drawn to the everyday lives of working people, she has devised and written award-winning drama (Moynihan, Pioneer Women), and worked on hours of classic soap, from Close to Home to EastEnders.
Clare O'Leary is a politically-motivated, award-winning documentary filmmaker. Her documentaries, made in Australia and New Zealand, aim to give a voice to those who are seldom heard.
New Zealand’s first left-wing documentary filmmaker, Cecil Holmes achieved notoriety in the late 1940s through the highly publicised exposure of his communist activity as a Public Service Association (PSA) delegate in the National Film Unit. He went on to become a significant film director in Australia.Image credit: Alexander Turnbull Library, 1/2-023573; F (detail)
Wayne Tourell is a prime contender for having the longest CV of any director in local television. Tourell began as an actor and presenter. The multiple Feltex award-winner has gone on to direct documentaries (Landmarks, Moriori), drink driving campaigns, teen movie Bonjour Timothy — not to mention episodes of Mortimer’s Patch, Shortland Street, Gloss and his beloved legal drama Hanlon.
Finola Dwyer, ONZM, began as an editor. After cutting Country Calendar and movie Trial Run, she was encouraged by Larry Parr to become a producer. Three films and a number of TV programmes later, Dwyer began her producing career anew in London in the early 90s. Her work in England stretches from acclaimed Beatles feature Backbeat to Oscar-nominated dramas An Education and Brooklyn.