John Knowles has held many leadership roles in broadcasting, and worked around the world. Ask Knowles to name his highlight and he’s very clear — being TVNZ's Head of Sport at precisely the right time. In 1979 he was one of the only television reporters to visit Antartica, to report on the Mount Erebus disaster.
Alongside a radio career spanning more than half a century, Barry Holland, NZOM, has done numerous presenting jobs on television. Since starting his broadcasting career at Radio 1ZB in the early 60s, he has commentated the Olympic Games and the America’s Cup, and been the face of classic Kiwi TV series like On The Mat and Top Town.
Colleen Hodge began her television career in the mid 1970s as a researcher on documentary series Encounter and Perspective. She was a co-founder of independent research company Bluestockings, which worked on the Feltex Award-winning Gallipoli: The New Zealand Story. After time on contract with various television departments, she formed her own production company, and began producing documentaries.
There were times when the career of longtime National Film Unit director David Sims could have been cut short. Having survived close encounters with steam locomotives in mountainous terrain, he narrowly escaped being blown up, drowned and burnt alive at sea. Even filming a planned set-up on location had its hazards, as he found when his call of “action!” sent exploding rocks whistling by perilously close overhead.
Sydney-born Ross Chambers spent much of his career in New Zealand, honing sound and pictures for a variety of movies, plus the occasional television show. Along the way he edited Geoff Murphy's first feature Wild Man and worked as a sound editor on Kiwi classics Utu and Vigil.
A cameraman with over 50 years experience, Michael O’Connor joined the NZ Broadcasting Corporation as a trainee straight from high school. O'Connor went on to shoot some of New Zealand's most iconic dramas, from Under the Mountain to 1980s cop show Mortimer's Patch. His documentary work includes popular series Heartland and Epitaph, and directing Dalvanius, about singer Dalvanius Prime.
With a CV that includes everything from judges to Amazon queens, Alison Bruce has often been cast as the strong unsmiling type. Yet two of her biggest screen roles completely break that mould: the fraudulent but well-meaning fortune teller in 2001 feature Magik and Rose, and the eccentric mother in award-winning series Being Eve.
Australian-raised Melanie Rodriga (née Read) moved to New Zealand in 1977, and worked as an editor. After adapting Keri Hulme story Hooks and Feelers, she wrote and directed feminist thriller Trial Run in 1983. In 1988 Rodriga was a best director finalist for pioneering TV drama The Marching Girls. Rodriga now lectures in film at Perth’s Murdoch University and continues to make and develop films.
Former Fair Go presenter Kevin Milne ranks as one of New Zealand television's longest-serving reporters. After joining the Fair Go team in 1984, he presented or co-presented the show from 1993 until 2010. Milne has also appeared on TVNZ lifestyle shows Production Line, Then Again, Holiday and Kev Can Do.
An ideas man who campaigned for a Government film body, Stanhope Andrews would become the National Film Unit's first manager. Andrews commanded the Unit for a decade. Along the way he oversaw dramatic expansion, set up regular newsreel Weekly Review, and opened the door to filmmakers of both genders.