The founding member of Oscar-winning special effects house Weta Digital, George Port laboured for seven months solo on the digital effects for Peter Jackson’s Heavenly Creatures. He went on to found Auckland effects company PRPVFX, which has supplied special effects for Xena: Warrior Princess, Rain of the Children and Green Lantern.
Former Spot On presenter Ian Taylor, CNZM, is the founder of computer graphics company Animation Research Limited. ARL made its name providing real-time sports graphics at the 1992 America's Cup, and has gone on to apply their technology to golf, cricket, tennis and Formula One car-racing around the globe.
Andrew Adamson, NZOM, began his career at Auckland computer animation company The Mouse that Roared. After moving to the States and working in visual effects, he won fame in 2001 after co-directing Shrek, the first film to win an Academy Award for best animated feature. Adamson has returned home to shoot the first two installments of the Chronicles of Narnia, followed by Lloyd Jones novel Mister Pip.
Glenn Standring is a writer/director with a background in animation and computer graphics. His 1996 short Lenny Minute was accepted into competition at Cannes. To date his feature films have been southern gothic takes on the occult/horror genres. He also provided the script for historical action tale The Dead Lands, directed in 2014 by No. 2 talent Toa Fraser.
Oliver Hilbert began lecturing at Auckland’s Media Design School in 2009. Hilbert has worked in visual effects for over 15 years, including animating computer models for the British arm of former games heavyweight Midway, on their popular Wheelman games. He has produced a number of Design School shorts, and wrote, directed and edited Cocked Up and Escargore, usually working with a team of students. Short films that he's been involved in — including Das Tub and Accidents, Blunders, and Calamities — have picked up awards both in New Zealand, and as far afield as the United States, Germany and Spain.
Dorthe Scheffmann’s varied behind the scenes roles have helped ensure that many classic Kiwi movies managed to finish their shoots, without falling apart in the process. In 1996 she competed at the Cannes Film Festival with The Beach, the first short film she directed. Her first feature was released in 2018: ensemble drama Vermilion starring actor Jennifer Ward-Lealand.
The idea that New Zealanders often take for granted the depth of talent in the local screen industry is well illustrated by the career of Flux Animation founder Brent Chambers. Most Kiwis would have seen at least one example of his prolific output, yet few would be able to put a face or a name to his work. Chambers was tireless in building a competitive and viable international business, with a distinct local identity.
Veteran animator Euan Frizzell brought his artist's hands to almost every form of the genre, from traditional cartoons to stop motion to computer generated animation. Along the way, he animated stories by local legends Margaret Mahy and Lynley Dodd, and directed and animated for Bugs Bunny, Road Runner and Fred Flintstone. Frizzell died on 23 September 2012.
James Cunningham made a name for himself after creating a run of stylish CGI-animated shorts — from 1997‘s Delf, and Cannes-selected Infection, through to acclaimed WWI tale Poppy. Now teaching 3D animation at Auckland’s Media Design School, Cunningham is also directing live action shorts, while developing a CGI feature with producing partner Paul Swadel.
A pioneer of computer-generated imagery in New Zealand, John Sheils helped conjure angry cave trolls, flying buzzy bees and herds of roaming TV sets. Time as a camera operator fueled his interest in images unconstrained by gravity or nature. Sheils went on to work on The Fellowship of the Ring, Perfect Creature, Spartacus, and a run of video games and adverts — plus Red Scream, NZ’s first CG short film.