Having grown up in a musical family, Esther Stephens found it hard to decide between music or acting. So she did both. After training in performing and screen arts, she won an ongoing role as fashionista Olivia Duff in Go Girls. Since then, Stephens has had major parts in WWI drama When We Go to War and Westside. On stage, she won acclaim as suffragette Kate Sheppard in musical That Bloody Woman.
Canterbury University graduate Miriama Kamo began in broadcasting at National Radio. She moved onscreen to report for late 90s arts show Backch@t, and won two Qantas Media Awards for a two-parter on Porirua Hospital during her first stint at current affairs show Sunday. Kamo co-anchored coverage of the 2010 Christchurch quake aftermath, and has presented 20/20, Marae and lifestyle show Kiwi Living.
Journalist, director and producer Rob Harley has won many awards in a career spanning four decades. He was a high profile investigative reporter on TVNZ’s flagship news and current affairs shows Frontline, Assignment and Sunday from 1990 to 2003, before moving into independent programme making.
Anzac Wallace made one of the most memorable debuts in New Zealand cinema when he starred as avenging guerilla leader Te Wheke in classic Māori Western Utu. The former trade union delegate followed it with movies The Silent One (1984) and Mauri (1988) and pioneering Māori TV series E Tipu E Rea. He passed away on 8 April 2019.
Award-winning documentary maker Peta Carey has framed subjects from a Kiwi buddha to Fiordland waterfalls, Pacific atolls to paragliders. She cut her teeth as a presenter on kids show Spot On, then began directing current affairs. Genetic research examination Lifting of the Makutu won her a 2006 NZ Screen Award. Carey runs Watershed Films, and has written feature stories for North & South and The Listener.
Producer and Co-President of SPADA (the Screen Production and Development Association), Richard Fletcher has worked on Vincent Ward's River Queen, and helped arrange foreign finance for movies The Strength of Water and Under the Mountain. Fletcher is Managing Director of production company Libertine Pictures.
Cyril Morton's career began in the 1920s, during New Zealand's first sustained burst of filmmaking. Morton helped create Government filmmaking body the National Film Unit. The former cameraman was later second-in-command at the Unit for 13 years, until retiring in 1963. Morton passed away in 1986.
Maurice Gee, who was named an Arts Foundation icon in 2003, is one of New Zealand's most acclaimed writers. His work for the screen includes creating 80s kidult series The Fire-Raiser and The Champion. Gee's novels have also inspired a number of adaptations, notably classic sci-fi series Under the Mountain and movie In My Father's Den.
Mātai Smith began his screen career reporting on Marae. He was a long-running host of pioneering te reo children's show Pūkana and later co-hosted breakfast TV staple Good Morning (where he introduced te reo, and was hypnotised). Smith fronted popular Māori TV talent quest Homai Te Pakipaki, winning Best Presenter at the 2012 NZ TV Awards. He is currently Native Affairs’ Australian correspondent.
Before Simon Morris became resident film reviewer and arts presenter for Radio New Zealand, he had a freelance television career encompassing scriptwriting, reporting and directing. He wrote for high-rating soaps like Close to Home, City Life and Shortland Street, directed classic music videos and was a key part of the Radio with Pictures team.