Producer and Co-President of SPADA (the Screen Production and Development Association), Richard Fletcher has worked on Vincent Ward's River Queen, and helped arrange foreign finance for movies The Strength of Water and Under the Mountain. Fletcher is Managing Director of production company Libertine Pictures.
Ruth Harley has been a leader and change agent across 30 years in the screen industry. She was commissioning editor at TVNZ, then the first Executive Director of NZ On Air. From 1997 she spent a decade as CEO of the NZ Film Commission, then crossed the Tasman to head the newly created Screen Australia for five years. In 1997 Harley was awarded an OBE, and in 2006 was named a CNZM.
Robin Scholes is one of New Zealand’s most experienced and respected producers. Her credits range from feature films (Once Were Warriors, Mahana, Mr Pip) to iconic TV shows (Magic Kiwis) and documentaries (Colin McCahon: I Am). In 1997 she was made an OBE for services to the film and television industry.
Robin Laing began her long career as a producer with 1985's Mr Wrong, the first of many projects she has worked on with director Gaylene Preston. In 1993 Laing was awarded a Member of the British Empire (MBE) for services to the New Zealand film industry.
A key player behind the scenes, Gary Hannam’s ability to find and exploit mechanisms for financing movies was a key driver in the rapid growth of the NZ film industry during the 1980s.
Ainsley Gardiner, MNZM, has been a producer on a run of successful short films and hit movies. She worked with Taika Waititi and Cliff Curtis on Oscar-nominated short Tama Tu, and features Eagle vs Shark and Boy. Then Gardiner launched Miss Conception Films with fellow producer Georgina Conder. Their work includes hit comedy The Breaker Uppers and documentary She Shears.
Set to become Chief Executive of the NZ Film Commission in January 2018, Annabelle Sheehan has worked in executive roles at film funding organisations, talent agencies and film schools in her native Australia. She was a sound editor on almost 20 screen projects; as part of the post-production team on The Piano, she shared an Australian Film Institute award. Sheehan spent six years as Film and Television head at screen and radio school AFTRS, and nine leading Sydney talent agency RGM Artist Group. As chief of the South Australian Film Corporation, she worked to increase racial and gender diversity in film.
Kiwi Chris Dudman studied film at Ilam and London’s Royal College of Art; his graduation short was nominated for a student Oscar. After working on arts documentaries in the UK, Dudman returned to NZ in 1995. Since then he has directed drama shows (the high-rating Harry), documentaries (The Day that Changed My Life), attention-grabbing shorts (Choice Night), and a number of high profile ads for his company Robber’s Dog.
Elam graduate Paul Swadel showed his eye for the artistic and the eyecatching both in his own award-winning work as a director — short films, arts programmes (Colin McCahon: I Am), commercials — and as producer: through collaborations with animator James Cunningham and on digi-feature incubator Headstrong. Swadel died in March 2016.
If the measure of success for a casting director is the subsequent success of the actors they pluck from the crowd, then Diana Rowan has certainly done time at the top of her field. She is the casting director who helped Anna Paquin, Keisha Castle-Hughes, Kerry Fox and Lucy Lawless on their way to international careers, while developing her own talents as a writer and director of short films.