Fiona Samuel, MNZM, has worked prolifically across so many fields that she defies labels: aside from acting on stage and screen, she is a playwright (The Wedding Party), director (TV movies Bliss and Piece of My Heart), scriptwriter (Consent, Outrageous Fortune) and singer (musical revue Babes in the Mood).
Tracey Collins is a multi award-winning production and costume designer, who specialises in television and film work. Her career spans drama series (Maddigan's Quest), telemovies (Bliss) feature films (White Lies) and commercials, plus hundreds of original theatre works.
Michele Fantl has been producing acclaimed documentaries, telemovies and features since the 1990s, often through her production company MF Films. Along the way she has worked extensively with writer/directors Stewart Main (50 Ways of Saying Fabulous), Garth Maxwell (When Love Comes) and Fiona Samuel (Bliss).
A New Zealander of Lebanese descent, Steve La Hood joined TVNZ in the early 70s. He went on to direct on everything from Close to Home and Shortland Street, to an acclaimed documentary on Bruno Lawrence. He also produced The Marching Girls (1987), one of the first dramas to highlight contemporary women characters on NZ television. La Hood now creates museum exhibitions at company Story Inc.
Writer Rachel Lang, MNZM, has played a major hand in a host of New Zealand television dramas, including Outrageous Fortune, the iconic saga of a West Auckland family trying to go straight. Her CV also includes the long-running Go Girls, small town dramas Jackson's Wharf and Mercy Peak, plus Westside, The Almighty Johnsons, This is Not My Life, Filthy Rich and The Blue Rose.
Geraldine Brophy is one of our most loved and recognisable actors. She has a swag of awards for her work, which — she half-jokes — come in handy as doorstops. After beginning her screen career with walk-on parts in McPhail and Gadsby, she went on to iconic titles like Shortland Street and Second-Hand Wedding. Brophy has gone on to a second act in her career, writing for the theatre.
Owen Hughes segued directly from university to a job at independent production company Pacific Films. Since establishing his own company Frame Up Films in 1977, Hughes has gone on to produce 40 plus documentaries and many dramas. Along the way he has nurtured the talents of a number of directors early in their careers, including Niki Caro, Fiona Samuel and Jessica Hobbs.
Grant Lahood made his name with a trio of short films featuring speedy snails, troublesome mice and squabbling animal activists. After taking The Singing Trophy and Lemming Aid to success at the Cannes Film Festival, Lahood has gone on to direct documentaries, commercials and two feature films — one of which (Kombi Nation) features an all human cast.
Having already established herself as a playwright, Norelle Scott made the transition to screenwriting by co-writing early Alison Maclean short film Rud's Wife. She then began amassing a CV of screen credits, including Shortland Street, Marlin Bay and cop series Shark in the Park. Currently based in Los Angeles, the former actor and writing lecturer continues her work as a screenwriter, script consultant, and playwright.
Since graduating from Toi Whakaari in 1989, Carol Smith has acted on stage, radio and screen, winning a Chapman Tripp award for play The Country along the way. Her CV includes short films, sketch show Away Laughing, and playing Margaret Pope on David Lange docudrama Fallout. In 1995 Fiona Samuel picked Smith for an extended solo turn as a conflicted hippie, in Samuel's directorial debut Face Value - A Real Dog.