Fiona Samuel is one of those talents who has worked prolifically across so many fields, she defies labels: she has worked variously as an actor on stage and screen (Stroke, Lemming Aid), playwright (The Wedding Party), director (TV movies Bliss, Home Movie), singer (musical revue Babes in the Mood) and scriptwriter (Consent, Outrageous Fortune).
Tracey Collins is a multi award-winning production and costume designer, who specialises in television and film work. Her career spans drama series (Maddigan's Quest), telemovies (Bliss) feature films (White Lies) and commercials, plus hundreds of original theatre works.
Michele Fantl has been producing acclaimed documentaries, telemovies and features since the 1990s, often through her production company MF Films. Along the way she has worked extensively with writer/directors Stewart Main (50 Ways of Saying Fabulous), Garth Maxwell (When Love Comes) and Fiona Samuel (Bliss).
A New Zealander of Lebanese descent, Steve La Hood joined TVNZ in the early 70s. He went on to direct on everything from Close to Home and Shortland Street, to an acclaimed documentary on Bruno Lawrence. He also produced The Marching Girls (1987), one of the first dramas to highlight contemporary women characters on NZ television. La Hood now creates museum exhibitions at company Story Inc.
Writer Rachel Lang, MNZM, has played a major hand in a host of New Zealand television dramas, including Outrageous Fortune, the iconic saga of a West Auckland family trying to go straight. Her CV also includes the long-running Go Girls, small town dramas Jackson's Wharf and Mercy Peak, plus Westside, The Almighty Johnsons, This is Not My Life, Filthy Rich and The Blue Rose.
Dorothy McKegg’s acting and singing talent took her from Palmerston North to London while she was still a teen. Back home, her acting career encompassed theatre work at Mercury, Downstage and Circa, and memorable screen roles in Carry Me Back, Middle Age Spread and Matrons of Honour.
Owen Hughes segued directly from university to a job at independent production company Pacific Films. Since establishing his own company Frame Up Films in 1977, Hughes has gone on to produce 40 plus documentaries and many dramas. Along the way he has nurtured the talents of a number of directors early in their careers, including Niki Caro, Fiona Samuel and Jessica Hobbs.
Since studying flute then completing a Bachelor of Music in composition, Michelle Scullion has composed for television, film, radio and stage. Her score for Bad Taste, the debut feature from Peter Jackson, was a vital component in the film’s armoury. Her screen work includes Flying Fox and a Freedom Tree, sci-fi thriller Eternity, and many short films, including four directed by Grant Lahood.
Since graduating from Toi Whakaari in 1989, Carol Smith has acted on stage, radio and screen, winning a Chapman Tripp award for play The Country along the way. Her CV includes short films, sketch show Away Laughing, and playing Margaret Pope on David Lange docudrama Fallout. In 1995 Fiona Samuel picked Smith for an extended solo turn as a conflicted hippie, in Samuel's directorial debut Face Value - A Real Dog.
Australian-raised Melanie Rodriga (née Read) moved to New Zealand in 1977, and worked as an editor. After adapting Keri Hulme story Hooks and Feelers, she wrote and directed feminist thriller Trial Run in 1983. In 1988 Rodriga was a best director finalist for pioneering TV drama The Marching Girls. Rodriga now lectures in film at Perth’s Murdoch University and continues to make and develop films.