John McBeth's commentating career began after injuries put paid to his senior rugby playing days. He became Radio New Zealand's lead rugby commentator in 1985 and took that position at TVNZ in 1992. With his trademark sense of humour never far away, he has covered Olympic and Commonwealth Games and America's Cup yachting along with many other sports.
Musgrave is a producer, director and researcher with over 50 credits to her name, over 25 years in television. Musgrave’s research subjects have ranged from Gallipoli to Ivan Curry to the America’s Cup, and she has produced high profile current affairs reports on Māori leadership, the Peter Ellis creche case and beaten baby James Whakaruru. She is now senior lecturer in Communication Studies at AUT.
James Wallace, KNZM, is a patron of cinema, among other types of art. His CV as a producer of short films includes Accidents and Cannes success Planet Man. Wallace produced pioneering AIDS drama A Death in the Family and acclaimed feature Desperate Remedies. He was the Company Secretary and Solicitor for cinema chain Kerridge Odeon, and has spent time on the board of the NZ Film Commission.
Niki Caro's near wordless Sure to Rise was nominated for best short film at the 1994 Cannes Film Festival. Four years later her debut feature Memory and Desire was invited to Cannes. Caro followed it with Whale Rider, winner of more than 27 awards, and still one of New Zealand's most successful films abroad. Since then Caro has directed everywhere from vineyards in France to mining towns in Minnesota.
Simon Price grew up in Dunedin. Named most innovative graduate at Melbourne's VCA Film School, he worked in Australia for many years as a writer/director, editor and video artist before returning home to help edit King Kong. Price's feature editing credits have since included Blackspot, landmark Samoan drama The Orator, Cambodian-set fable Ruin, Pā Boys, and docos Last Men Standing and Antarctica: A Year On Ice.
John Day rolled film on a wide range of screen projects before establishing company Matte-Box Films in 1980. He went on to mix a busy trans-Tasman commercials career with directing gigs on a number of non-fiction titles (The Power of Music, The Hunt for the Pink and White Terraces), plus ghost movie The Returning. Day passed away on 7 January 2015.
Peter Montgomery’s colourful and vibrant commentaries made him “the voice of New Zealand yachting”. Through the 1980s and 1990s, Montgomery played a major part in the sport’s move to mass popularity and had a central role in radio and TV coverage of Team New Zealand’s America’s Cup campaigns. On dry land, he has covered many other sports, and made the Eden Park side-line his own over two decades of rugby commentaries.
Christopher Plummer went from playing punk music to cutting film, first at TVNZ editing documentaries, and then on a slate of award-winning films. They include the shorts Sure to Rise (Niki Caro), and Possum (Brad McGann); and feature films Channelling Baby, In My Father's Den, Black Sheep, No.2, Vincent Ward doco Rain of the Children, and Taika Waititi's breakout hit Boy.
An ideas man who campaigned for a Government film body, Stanhope Andrews would become the National Film Unit's first manager. Andrews commanded the Unit for a decade. Along the way he oversaw dramatic expansion, set up regular newsreel Weekly Review, and opened the door to filmmakers of both genders.
Director and editor Lala Rolls has made short films, music videos and documentaries (Tupaia's Endeavour, Children of the Migration). She has gone on location throughout the Pacific Islands, and had her work invited to festivals in New Zealand and overseas.