Luke Nola is the creator of madcap children’s show Let’s Get Inventin’, which over seven seasons spawned awards, dozens of inventions — and 11 successful patents. The show screened in more than 30 countries. Nola began as a graphic designer, and the advertising world soon led him to television; he has also directed children’s shows Life on Ben and The Goober Brothers, in which he played one of the Goobers.
David Blyth cemented his place in the Kiwi filmmaking renaissance with two films that left social realism far behind: 1978 experimental feature Angel Mine, and 1984's Death Warmed Up, New Zealand's first homegrown horror movie. Since then Blyth's work has included family friendly vampire film Moonrise, a number of documentaries on war, and varied works exploring sexuality.
Former Spot On presenter Ian Taylor, CNZM, is the founder of computer graphics company Animation Research Limited. ARL made its name providing real-time sports graphics at the 1992 America's Cup, and has gone on to apply their technology to golf, cricket, tennis and Formula One car-racing around the globe.
Alison Holst (DNZM, CBE, QSM) has been a household face since the early days of New Zealand television, when her debut show, Here’s How: Alison Holst Cooks, was an instant hit. Her mission was to cook for ordinary people, use uncomplicated ingredients and stick to a budget. Rejecting her unliberated image, she aimed to get women out of the kitchen by making cooking simple.
Colin McKenzie joins Rudall Hayward and Ted Coubray as one of the earliest New Zealanders to make feature films on Kiwi soil. McKenzie was a technical innovator, responsible for a number of international filmmaking firsts. His unfinished epic Salome finally premiered in 1995, six decades after his death.
Reporter, musician and most importantly music fan, Dylan Taite can be fairly claimed as the man who brought some of the most left field musical talent to prime-time TV. Some of his interviews are legendary — others, like his sit-down with reggae legend Bob Marley, historically important. All were done with an eye for invention, a sharp turn of phrase and a touch of eccentricity that made his reports a must-see for music fans.
Filmmaker and artist Gaylene Barnes has used her grab bag of skills on film sets, in editing suites, and as a painter and multi-media artist. Nominated for awards as both a production designer and an editor, Barnes has also directed everything from Hunger for the Wild to documentaries and animated shorts.
Neil Stichbury trained as a photographer. After a short stint directing for TV3 and Communicado, he began a busy decade making commercials with Republic Films partner Simon Mark Brown. His partnership with director Luke Nola resulted in a run of kids shows, including Let’s Get Inventin’, whose escapades spawned multiple seasons and overseas sales. Stichbury is now developing further screen projects.
Geoff Steven's career spans documentary, experimental film and photography. In 1978, he directed acclaimed feature Skin Deep, the first major investment by the newly established NZ Film Commission. Steven followed it with Strata and a long run of documentaries, before time as a TV executive at both TV3 and TVNZ. He now heads the Our Place World Heritage Project.
Low-tech legend Chris Knox is an accomplished musician, animator, writer, cartoonist, and filmmaker. The former punk shaman has brought an energetic eclecticism to his work no matter what medium it forms in, and showcased his gift for DIY-style animation in many of the videos that accompany his music.