Alison Maclean has brought an original vision to screen, whether it be in personal, expressionistic films: the Kiwi gothic duo of Kitchen Sink and her first feature, Crush, acclaimed junkie redemption song Jesus' Son, and her adaptation of Eleanor Catton novel The Rehearsal — or in high profile television series like Sex in the City and The Tudors.
Producer Bridget Ikin has made a habit of championing Antipodean women filmmakers with original visions, from Alison Maclean (Kitchen Sink) to Jane Campion (An Angel at My Table) and Australian Sarah Watt (Look Both Ways). Since leaving New Zealand in the early 1990s, Ikin has been influential in Australian television and film, including programming public broadcasting network SBS.
Cinematographer Stuart Dryburgh has helped create some of the most iconic images of New Zealand cinema: the girl with a mop of red hair, standing at the end of a country road in Angel at my Table; the piano on a deserted beach in The Piano, and the charged kitchen scenes of Once Were Warriors.
Chris Burt is an Auckland-based sound designer. Coming from a background in music (as a drummer in the Techtones and Stridulators, and as a sound mixer) he began in the screen industry as an assistant on 1983 movie Trial Run, and later designed the sound for classic short film Kitchen Sink. Since setting up his own studio The Inside Track in 1992, Burt has worked on dozens of projects — and won awards for his sound work on everything from In My Father's Den to TV movies Siege and Jean.
The versatile Peter Tait has shown an extremely keen eye over which short films to act in. His CV includes memorable roles in a run of offbeat classics: from legendary horror short Kitchen Sink (playing a very strange discovery) to The Singing Trophy (as an obsessed hunter), to Alison Maclean drama Talkback (an aggressive talkback caller) and satire Mon Desir (a boring husband). Tait has also created a number of his own projects — comical cricket short Bradman, postman tale Postscript, and two low-budget features: Back River Road, which was nominated for an NZ Film Award, and ensemble movie Not Set in Stone.
Theresa Healey first came to prominence in 1989, when her character found something strange in the plughole during celebrated short film Kitchen Sink. But Healey is probably best known for her five years as sassy nurse Carmen Roberts on Shortland Street. Her other television roles include Go Girls, Filthy Rich and teleplay Double Booking. On the big screen, she has acted in Jubilee, Savage Honeymoon and Vermilion. In 2007 Healey investigated her Irish heritage for Here to Stay. She has also competed on Dancing with the Stars, and provided the legendary "here's a house" voice-over on kids show Play School.
After boning up on set design at TVNZ and the BBC, Palmerston North-born Grant Major has gone on to design movies for Peter Jackson and Niki Caro. His work as a production designer on epics Lord of the Rings and King Kong resulted in a run of international accolades, including an Academy Award for Return of the King.
John McKay is a veteran sound editor, sound designer, and mixer. He abandoned an early focus on directing to build a diverse, respected career in post-production. His credits include significant contributions to iconic films The Quiet Earth, Footrot Flats, Kitchen Sink, and Lord of the Rings. McKay is notable for an approach which combines creativity with a high level of technical craft and organisational rigour.
Self-discipline has never been a problem for Joe Musaphia — he's written over 140 radio plays and dozens of full-length stage plays since 1960. His screen credits include pioneering Kiwi sketch show In View of the Circumstances, New Zealand's first musical Don't Let it Get You, sitcom Between the Lines and hosting childrens’ show Joe’s World. Musaphia has also worked as a columnist, cartoonist and actor.
Ant Timpson’s longtime love affair with movies — especially the wild and 'incredibly strange' end of the spectrum — has seen him launch long-running film festivals and New Zealand's biggest filmmaking contest, 48 Hours. He has been part of the producing team on a run of features, from Housebound to The ABCs of Death. In 2019 Timpson directed thriller Come to Daddy, starring Elijah Wood.