Lynton Diggle spent almost 25 years working as a director and cameraman for the government's National Film Unit, before launching his own company. Along the way, he filmed in Antarctica and the waters of Lake Taupō, captured major salvage operations at sea, and worked alongside legendary director David Lean (Lawrence of Arabia). Diggle passed away on 23 November 2018.
Self-discipline has never been a problem for Joe Musaphia — he's written over 140 radio plays and dozens of full-length stage plays since 1960. His screen credits include pioneering Kiwi sketch show In View of the Circumstances, New Zealand's first musical Don't Let it Get You, sitcom Between the Lines and hosting childrens’ show Joe’s World. Musaphia has also worked as a columnist, cartoonist and actor.
Alison Maclean has brought an original vision to screen, whether it be in personal, expressionistic films: the Kiwi gothic duo of Kitchen Sink and her first feature, Crush, acclaimed junkie redemption song Jesus' Son, and her adaptation of Eleanor Catton novel The Rehearsal — or in high profile television series like Sex in the City and The Tudors.
Producer Bridget Ikin has made a habit of championing Antipodean women filmmakers with original visions, from Alison Maclean (Kitchen Sink) to Jane Campion (An Angel at My Table) and Australian Sarah Watt (Look Both Ways). Since leaving New Zealand in the early 1990s, Ikin has been influential in Australian television and film, including programming public broadcasting network SBS.
The versatile Peter Tait has shown an extremely keen eye over which short films to act in. His CV includes memorable roles in a run of offbeat classics: from legendary horror short Kitchen Sink (playing a very strange discovery) to The Singing Trophy (as an obsessed hunter), to Alison Maclean drama Talkback (an aggressive talkback caller) and satire Mon Desir (a boring husband). Tait has also created a number of his own projects — comical cricket short Bradman, postman tale Postscript, and two low-budget features: Back River Road, which was nominated for an NZ Film Award, and ensemble movie Not Set in Stone.
Cinematographer Stuart Dryburgh has helped create some of the most iconic images of New Zealand cinema: the girl with a mop of red hair, standing at the end of a country road in Angel at my Table; the piano on a deserted beach in The Piano, and the charged kitchen scenes of Once Were Warriors.
John McKay is a veteran sound editor, sound designer, and mixer. He abandoned an early focus on directing to build a diverse, respected career in post-production. His credits include significant contributions to iconic films The Quiet Earth, Footrot Flats, Kitchen Sink, and Lord of the Rings. McKay is notable for an approach which combines creativity with a high level of technical craft and organisational rigour.
After boning up on set design at TVNZ and the BBC, Palmerston North-born Grant Major has gone on to design movies for Peter Jackson and Niki Caro. His work as a production designer on epics Lord of the Rings and King Kong resulted in a run of international accolades, including an Academy Award for Return of the King.
Ant Timpson’s longtime love affair with movies — especially the wild and 'incredibly strange' end of the spectrum — has seen him launch long-running film festivals and New Zealand's biggest filmmaking contest, 48 Hours. He has been part of the producing team on a run of features, from Housebound to The ABCs of Death. In 2019 Timpson directed thriller Come to Daddy, starring Elijah Wood.
David Coulson trained to be a director, but instead discovered a passion for editing. He joined TV One and worked on a range of programmes including Mortimer's Patch, before going freelance in the early 80s. Since then he has won awards for his work in feature films and commercials, and established an ongoing working relationship with Niki Caro, editing all her features from Whale Rider onwards.