In a turbulent media landscape, director/producer Kay Ellmers feels that the long-form documentary is still powerful. Her screen CV includes acclaimed doco He Toki Huna: New Zealand in Afghanistan, and popular series like Marae Kai Masters and Mīharo. Ellmers is Managing Director of Tūmanako Productions, and a consultant on documentary and factual programming for Māori Television.
Kim Webby first began directing while working as a TVNZ reporter. Alongside stints on Fair Go and 60 Minutes, she has directed a range of documentaries for both TVNZ and Māori Television. October 15, her film on the 2007 police raids, was nominated for an Aotearoa Television Award; in 2015 she helmed feature-length companion piece The Price of Peace, which screened at the 2015 NZ Film Festival.
A passionate advocate for Māori creative control, director Merata Mita (1942 — 2010) chronicled landmark moments of protest and division in Aotearoa. Her work included Patu!, a documentary on the 1981 Springbok tour, and Mauri (1988), only the second feature to have a Māori woman as director. She features in documentaries Merata: How Mum Decolonised the Screen and Merata Mita - Making Waves.
Co-creator of anthology series Mataku, Bradford Haami is a producer, director and scriptwriter as well as an author, lecturer and Māori historian. His passion for storytelling and expertise in Māori culture has seen him work on television productions and act as a consultant to numerous local and international drama, documentary and features over the past two decades.
Director and editor Lala Rolls has made short films, music videos and documentaries (Tupaia's Endeavour, Children of the Migration). She has gone on location throughout the Pacific Islands, and had her work invited to festivals in New Zealand and overseas.
Stephen Stehlin has been involved with flagship Pacific show Tagata Pasifika for over 30 years. Alongside Ngaire Fuata and John Utanga, he launched SunPix in 2015. The company took over Tagata Pasifika after Television New Zealand outsourced its stable of Māori and Pacific programmes. Of Samoan descent, Stehlin has been honoured as both a Samoan matai chief, and as a Member of the NZ Order of Merit.
For more than 20 years, Haunui Royal has been driven by the desire to be part of a vibrant Māori voice in broadcasting. The director turned executive got his break at TVNZ in 1988, before directing everything from a long line of documentaries (The Truth about Māori), to entertainment (Havoc and Newsboy's Sellout Tour). Later he spent seven years as General Manager of Programming at Māori Television.
A cameraman with over 50 years experience, Michael O’Connor joined the NZ Broadcasting Corporation as a trainee straight from high school. O'Connor went on to shoot some of New Zealand's most iconic dramas, from Under the Mountain to 1980s cop show Mortimer's Patch. His documentary work includes popular series Heartland and Epitaph, and directing Dalvanius, about singer Dalvanius Prime.
German-raised Alexander Behse has produced a run of documentaries exploring Māori subjects, from ta moko to te reo Shakespeare, to acclaimed Tūhoe HQ story Ever the Land. Behse got an MA in production from UTS Sydney, and has many TV credits as an editor. He made his directing debut with 2012 TV documentary Nazi Hunter, and was at the helm of award-winning TV series Radar Across the Pacific.
Kathleen Mantel began directing television documentaries in the late 90s. Since then she has won awards in the United States for Kiwi-made docos on problem gambling (It's Not a Game), teenage pregnancy (KIDS) and the Exclusive Brethren (Leaving the Exclusive Brethren). In 2012 her doco The Green Chain won the NZ Television Award for Best Popular Documentary.