After a job in a honey factory and travels in India, Linda McLaughlan fell into a job as a production manager on series The Big OE, produced by Michelle Fantl. The gig begat a long collaboration with Fantl and director Stewart Main, from a documentary on young offenders (Make or Break) to 2005 movie 50 Ways of Saying Fabulous. Credits from McLaughlan's own extended OE include 2012 BBC2 documentary Family Guys? What Sitcoms Say about America Now. Paekakariki-based McLaughlan has also produced short films (The Freezer) and written fiction. She was formerly known by her maiden name, Linda Keown.
Globetrotting director Dean Cornish's credit reel ranges from Intrepid Journeys to bold buildings, Extreme Tribes to Rachel Hunter, sex trafficking to This Town. Trained at Christchurch's NZ Broadcasting School, Cornish has produced films in more than 90 countries and crafted a reputation as a go-to guy for travel stories. He shared a Best Director gong at the 2011 Aotearoa Film and TV Awards for Making Tracks.
Peter Read began his screen career in 1968 at the NZ Broadcasting Corporation, as a trainee editor in his hometown of Christchurch. He decided camera operators had more fun, so after an OE to London and a move to Wellington he became a camera operator. Read worked on a wide variety of shows from lifestyle (Country Calendar) to drama (Cuckoo Land) and commercials. Read passed away on 21 June 2018.
Ian Sinclair has reported from every corner of the globe. After experiencing dictatorship while studying flamenco guitar in Spain, Sinclair returned home to New Zealand, and eventually began working for TVNZ in 1986. Since then he has covered four major wars and been a mainstay as an investigative journalist, winning New Zealand’s Qantas Media Award for Best Investigation in 2009.
Award-winning documentary maker Peta Carey has framed subjects from a Kiwi buddha to Fiordland waterfalls, Pacific atolls to paragliders. She cut her teeth as a presenter on kids show Spot On, then began directing current affairs. Genetic research examination Lifting of the Makutu won her a 2006 NZ Screen Award. Carey runs Watershed Films, and has written feature stories for North & South and The Listener.
Charlotte Purdy’s CV ranges from reality TV to Antarctic disaster. After a television OE in the United Kingdom, she helmed documentaries and factual TV back home. Under her Rogue Productions banner she created reality format The Big Experiment, and made Reel Late with Kate. After a decade producing current affairs, she co-directed docudrama Erebus: Operation Overdue and rugby doco By the Balls.
Trained at Ilam School of Fine Arts, John McDonald cut his teeth directing at TVNZ in the 80s before producing sport for Sky TV. An OE producing at MTV Asia was followed by roles for Screentime. Since joining Mediaworks (TV3) in 2000, he has led an award-winning run of live coverage (Fight for Life, Rugby World Cup, the NZ Music Awards) and comedy. He is Head of In-House Production at Mediaworks.
Paul Oremland began directing a run of documentaries — and two feature films — during almost three decades based in London. Since returning home to New Zealand in 2009, he has continued to work as an editor and director, including on his 2017 autobiographical documentary 100 Men.
Michele Fantl has been producing acclaimed documentaries, telemovies and features since the 1990s, often through her production company MF Films. Along the way she has worked extensively with writer/directors Stewart Main (50 Ways of Saying Fabulous), Garth Maxwell (When Love Comes) and Fiona Samuel (Bliss).
The distinctive deep voice of veteran broadcaster Dick Weir, QSM, is known to generations of Kiwi kids as a longtime Radio New Zealand National presenter (The Dick Weir Sunday Show, Ears). On screen he has narrated everything from election campaigns to Erebus docudramas to Wild South. Weir was also the inaugural presenter of 80s after-school news programme The Video Dispatch.