Dan Salmon is a multi award-winning director and producer of documentary (Made in Taiwan, Here to Stay) and drama (Licked, The Day Morris Left). His documentaries have screened on TVNZ, ABC, Al Jazeera and EBS in Korea, and at festivals in Tahiti, Canada and the United States.
Producer George Andrews has been making documentaries about New Zealand for more than 40 years, including legendary documentary series Landmarks. In 2002 he was made an officer of the New Zealand Order of Merit, for services to television.
From Newsnight to Fair Go, Alison Mau's appearances on Kiwi screens cover over 20 years. Australian-born, she began her television career in the UK, and flourished in Aotearoa. Mau has appeared on many news and current affairs slots, and presented on both Breakfast and primetime show Seven Sharp. In March 2018 she announced the launch of the #MeTooNZ campaign, investigating workplace harassment.
Nathan Rarere was voicing the midnight to dawn shift at Hastings radio station 93FM while he was still at high school. Television fame followed in the 1990s, as one of the trio of presenters on madcap youth show Ice TV. Since then, many of his screen appearances have been in tandem with Oscar Kightley — from a run of TV3 sports shows, to bro'Town (Rarere provided voices for 12 characters), to co-hosting origins documentary Made in Taiwan. In 2015 Rarere hosted Māori Television's satirical news show Brown Eye. The following year he produced Māori TV sports show Play, and joined the breakfast crew on Radio Sport.
Oscar Kightley, MNZM, is a man of many talents. After launching The Naked Samoans, he worked with the comedy troupe over five seasons of hit series bro’Town, NZ's first animated show to play in prime time. The group also featured in movie Sione’s Wedding and its 2012 sequel, both of which Kightley co-wrote. In 2013 he took on a serious role: starring as a Samoan-Kiwi detective in TV series Harry.
His name was synonymous with entertainment in New Zealand. Dubbed Ol' Brown Eyes — Māoridom's version of Frank Sinatra — Howard Morrison's voice and charisma carried him through decades of success both here and abroad. From the Howard Morrison Quartet to time as a solo performer, Morrison's take on songs like 'How Great Thou Art' ensured his waiata an enduring place at the top of local playlists.
When John Hyde first sought work in television he was advised to "get into the cutting room". His first job was as an editor at Television New Zealand, but Hyde soon made the jump to directing and producing. Today he reaches huge international audiences, helping command documentaries and reality series that focus on massive architectural structures, and showcase the wonders of the natural world.
Chris Burt is an Auckland-based sound designer. Coming from a background in music (as a drummer in the Techtones and Stridulators, and as a sound mixer) he began in the screen industry as an assistant on 1983 movie Trial Run, and later designed the sound for classic short film Kitchen Sink. Since setting up his own studio The Inside Track in 1992, Burt has worked on dozens of projects — and won awards for his sound work on everything from In My Father's Den to TV movies Siege and Jean.
Tim Woodhouse has cut some of New Zealand’s most celebrated documentaries since crossing from Australia in 1989. Although he won a Best Editing award for drama Staunch, Woodhouse has largely specialised in documentary. En route he has worked with director Leanne Pooley on Haunting Douglas, Topp Twins hit Untouchable Girls, Beyond The Edge (about Hillary on Everest), and animated film 25 April.
Rewa Harre's work as camera operator and cinematographer encompasses documentary, short films, commercials, and a long run of dramas for the big and small screen. Harre has worked extensively with director Sima Urale — shooting her acclaimed short film O Tamaiti, and winning a Qantas Award in 2009 for Urale's debut feature, Apron Strings. Harre made his own feature debut when he shot 1998 romp I'll Make You Happy, directed by Athina Tsoulis. He went on to shoot Geoff Murphy's final dramatic feature, Spooked (2004).