Derek Morton is one of those happily unsung industry all-rounders who has tried a little of everything: from documentaries and children's TV to underground films, doing time as a cameraman, editor, writer, producer and director (from commercials and docos, to trucking drama Roche), as well as running his own production company.
Tim Woodhouse has cut some of New Zealand’s most celebrated documentaries since crossing from Australia in 1989. Although he won a Best Editing award for drama Staunch, Woodhouse has largely specialised in documentary. En route he has worked with director Leanne Pooley on Haunting Douglas, Topp Twins hit Untouchable Girls, Beyond The Edge (about Hillary on Everest), and animated film 25 April.
Alan Erson captured the everyday lives of New Zealanders in 1990s documentary series First Hand. His directing credits also include Heartland and Nuclear Reaction. Since 2004 Erson has built a successful career in Australia as Head of Documentary and Factual Programmes for the ABC, and General Manager at Essential Media and Entertainment. In 2016 he became Managing Director at WildBear Entertainment.
Since scrapping a career as a teacher in 1978, actor Desmond Kelly has appeared on screen in more than 40 roles. Often playing the straight-talking working class Kiwi bloke, Kelly has contributed memorable performances to Smash Palace (as Bruno's co-mechanic), The Scarecrow (as the hero's Dad), Springbok Tour telefeature Rage (as rugby union boss Ces Blazey) and as the swagman co-star in TV series Jocko.
Ruth Harley has been a leader and change agent across 30 years in the screen industry. She was commissioning editor at TVNZ, then the first Executive Director of NZ On Air. From 1997 she spent a decade as CEO of the NZ Film Commission, then crossed the Tasman to head the newly created Screen Australia for five years. In 1997 Harley was awarded an OBE, and in 2006 was named a CNZM.
A journeyman actor for many years, Peter McCauley is a familiar face on both sides of the Tasman, with a long string of roles in film and television. His gruff, craggy image belies a capacity for sensitivity, and his rich sonorous voice has flattered many a script over the years.
One of NZ’s most experienced and prolific TV producers, Ross Jennings cut his teeth at Avalon in the late 1970s on dramas like Close to Home and Moynihan. After stints as Head of Drama at TVNZ and at Crawfords in Melbourne, he began a long association with Screentime Communicado where he created early reality TV series Middlemore, and Police 10-7. Jennings passed away on 25 March 2016.
Self-discipline has never been a problem for Joe Musaphia — he's written over 140 radio plays and dozens of full-length stage plays since 1960. His screen credits include pioneering Kiwi sketch show In View of the Circumstances, New Zealand's first musical Don't Let it Get You, sitcom Between the Lines and hosting childrens’ show Joe’s World. Musaphia has also worked as a columnist, cartoonist and actor.
Peter Feeney is a veritable Swiss Army knife of the screen, with credits as an actor, casting director and acting tutor. Feeney's 20 year plus acting CV ranges from drama (as Rose-Noelle skipper John Glennie, in TV movie Abandoned), kids TV (The Cul de Sac), comedy (Auckland Daze), New Zealand-shot US shows (Spartacus), and film. He won rave reviews as a mad scientist in movie hit Black Sheep.
Veteran actor Roy Billing has acted in so many films, TV shows and plays, his CV runs to more than 10 pages. Often cast as the straight-talking everyman, Billing has also provided award-winning screen portrayals of rugby-playing priests (Old Scores), drug barons (Underbelly), small-town mayors (The Dish) and avuncular judges (Rake).