Fed up with seeing animals unintentionally mishandled on set, former farm girl Caroline Girdlestone decided to do something about it. Now one of the most respected animal trainers in Australasia, she’s worked with almost any animal imaginable across more than 500 projects – ranging from the cute barnyard animals of Racing Stripes to the horrifying ovine creatures in Black Sheep.
Alongside her experience as a journalism tutor and media advisor, Allison Webber has worked on many television documentaries investigating social issues — including as driving force behind then controversial series Expressions of Sexuality.
Though Pamela Meekings-Stewart's work as a producer and director ranges widely, she has often been drawn to documentaries involving women and the arts. Her Feltex award-winning series Pioneer Women dramatised the lives of six women, from Princess Te Puea to Ettie Rout. These days she runs retreats from her farm in Pukerua Bay. Meekings-Stewart is sometimes credited as Pamela Jones.
After cutting his teeth commanding action scenes for Hercules: The Legendary Journeys, Charlie Haskell has gone on to direct a range of television dramas: from the American-funded Xena: Warrior Princess and Jack of All Trades, to local productions Tangiwai: A Love Story, The Almighty Johnsons, and the Moa-nominated Pirates of the Airwaves.
A pioneer of the commercial use of 16mm film in post-war New Zealand, Robert Steele is arguably a lost name in the local screen industry. A portrait photographer who was making amateur films in 1930, he spent several years in his native Australia before returning to NZ for good in 1937. Steele screened his films at workplaces and trade fairs, and was a major producer of commercials in the first decade of Kiwi television.
In a career spanning four decades, Alan Morris worked in radio and television in NZ, Australia, England and Europe. He turned his hand to announcing, copywriting, presenting and training, but at heart felt he was a producer and director. Morris was Director-General of TV One during the early days of two channel TV in NZ in the late 70s, and also held senior positions at the ABC and Associated-Rediffusion in the UK.
Throughout his 50 year career, John O’Shea was a pioneer and a champion of the independent New Zealand film industry. His name was synonymous with Pacific Film Productions, which he ran for over 20 years after Pacific founder Roger Mirams left for Australia. O’Shea was involved in the establishment of the New Zealand Film Commission, Ngā Taonga and the Wellington Film Society.
Writer and director Damon Fepulea'i trained as an editor before turning to directing. His credits include Dawn Raids and Life After Footy, two documentaries exploring Pacific Islanders experiences in New Zealand, and comedies Jono and Ben, Funny Girls and Mean Mums. His short film Watermark was invited to 20 international film festivals.
Dropping in on the Americans at the South Pole for afternoon tea, having driven there by tractor, was one of the most unusual events of Derek Wright's career as a National Film Unit cameraman. In his 40 years with the NFU he filled many other roles, from laboratory assistant to producer: but it is for his filming in the Antarctic that he is particularly remembered.
Leo Shelton started his television career in 1967 as a trainee cameraman at Wellington station WNTV-1. He worked his way up through the ranks to become a widely respected camera operator and cinematographer, on everything from news and current affairs to award-winning documentaries and drama. Shelton died on 9 May 2017.