Christchurch-born Jonathan Ogilvie has made dozens of music videos including the iconic clip She Speeds, for the Straitjacket Fits song. Based in Australia since the 90s, the AFTRS graduate has since had two shorts in competition at Cannes — one of them a Tropfest winner — shot a feature on Super 8 film, and in 2008 released 1920s gangster romance The Tender Hook, starring Hugo Weaving and Rose Byrne.
Philadelphia-born, but long calling Aotearoa her home base, Robin Greenberg has directed films about Māori weaving, the Tibetan Government in exile, and educational videos for the United Nations — plus three documentaries inspired by her Christchurch t’ai chi teacher, Huloo. All three won a place in the NZ International Film Festival; the last, 2015's Return of the Free China Junk, continues the story of an old sailing junk which Huloo and friends sailed from Taiwan to the US. Inspired by Aotearoa's first Tibetan emigre, Greenberg's film Team Tibet - Home Away from Home was invited to the NZ Film Festival in 2017.
A journeyman actor for many years, Peter McCauley is a familiar face on both sides of the Tasman, with a long string of roles in film and television. His gruff, craggy image belies a capacity for sensitivity, and his rich sonorous voice has flattered many a script over the years.
Christchurch-raised Anna Cottrell is a prolific documentary maker, with a keen interest in the stories that people tell. Her work ranges widely, from documentaries on immigrants (An Immigrant Nation) and family (Other People's Children), to five seasons of the bite-sized Great War Stories. Cottrell launched her company AC Productions in 2001.
Barry Barclay — director of landmark TV series Tangata Whenua and feature film Ngati — was a longtime campaigner for the right of indigenous people to tell their own stories, to their own people. In 2004 he was made an Arts Foundation Laureate, and in 2007 a Member of the NZ Order of Merit. Barclay passed away on 19 February 2008, after publishing his acclaimed book Mana Tuturu.
After learning the ropes making short films and music videos, ex soldier Matthew Metcalfe has made films in Antarctica and Iraq, and produced movies and TV movies with partners in Canada (Nemesis Game), England (Dean Spanley) and France (Capital in the 21st Century). His projects range from tutus (Toa Fraser's 2013 ballet documentary Giselle) to war (Leanne Pooley's animated feature 25 April).
New Zealander Bill Gavin began his film career in the United Kingdom. After arranging finance for everything from The Killing Fields to Sid and Nancy, he returned home in the 90s to produce a number of features, including What Becomes of the Broken Hearted? and Jubilee. During two years as Head of Feature Films at South Pacific Pictures, he helped develop and finance 2002 hit Whale Rider.
For three decades, playwright and critic Bruce Mason played intelligent, impassioned witness to many key developments in Kiwi theatre and culture; a number of them his own. His play The Pohutukawa Tree has spawned more than 180 productions, and was watched by 20 million after being adapted for the BBC. The End of the Golden Weather is both a classic solo play, and movie.
Ngila Dickson, ONZM, has designed costumes for vampires, university professors, fertility cults, and wizards in pointy hats. And that's only counting the work she has done for Kiwi filmmakers. Since sharing an Academy Award and a BAFTA for The Lord of the Rings trilogy, Dickson has contributed her costume prowess to movies in Japan, Germany, South Africa and Los Angeles.
Kirsty Cameron started in short film and art installation, before costume designing the first of around 20 feature films — including the acclaimed Whale Rider, Slow West, and No. 2. Her list of awards also includes The Orator and TV movie Jean, about aviator Jean Batten. Cameron's third short as writer/ director, teen fable The Lethal Innocents, was invited to festivals in Sweden, Germany and the USA.