For five seasons, TVNZ7's interview show was presented by journalist and columnist Finlay Macdonald, and produced by Colin Hogg (whose production company also made the digital channel's literary show The Good Word). Supported by an ornate set and title sequence, Macdonald was an affable host as he gently probed notable New Zealanders "not so much about what they do, as what makes them tick". Live music was an important part of each episode, with a rock, jazz, country or classical act (often chosen by the interview guest) playing live in the studio.
Created and directed by Brazilian-born Roberto Nascimento, this anthology web series looks at gay and queer dating life in the second decade of the 21st Century. In a series of stand-alone vignettes — some serious, some comical — urbanites of the digital age chase physical and emotional connection. The stories in Sui Generis were conceived in collaboration with "members and allies" of the LGBTQIA+ community. The first series of six episodes was set in Brazil, and won Best International Web Series at the 2018 Melbourne WebFest. The second set of six relocated to Auckland.
These six ‘webisodes’ are an online mockumentary series about a David vs Goliath legal battle won by the titular Tararua vale against BPC, a Belgian petrochemical giant. Sid (played by Byron Coll of “Nonu, Nonu, Nonu. Boom!” Mastercard ad fame) has received Woodville Arts Council funding to document the (fictional) landmark case; a scenario that provides fodder for the makers to poke the cow prod at contemporary Kiwi life and NIMBY concerns. Funded by NZ On Air’s digital media fund Ignite, Woodville was selected for indie film festival Raindance in 2013.
This vehicle for self-styled “failed teenage rappers” Mark Williams and Otis Frizzell (previously MC OJ & The Rhythm Slave) took its name from their initials. A TV extension of their long running radio show, it was inspired by hip-hop rather than being about it. The premise was simple: the pair were let loose with digital cameras — Frizzell learnt to operate his reading the manual during their first flight — to find exotic locations, Kiwi expats and international stars (at London's Pinewood Studios Lee Tamahori introduced them to Halle Berry and Pierce Brosnan).
"As dark as Twilight, as twisted as Twin Peaks, and as bitchy as Gossip Girl" is David Stubbs' summary of the series he co-created, produced and directed with Tom Robins for Krafthaus Films. Beautiful but doomed Beth Connolly (played by the coincidentally named Beth Chote) washes up in Kafkaesque suburban Porirua, where folks are understandably freaked out by her dead-on resemblance to missing schoolgirl Tara. The winner of an International Digital Emmy in 2010, the series originally screened in 2009 and has since been sold to Swedish channel SVT.
Attitude is a weekly series that addresses the issues and interests of people living with a disability. The high energy series launched in 2008, with a strong thread of advocacy journalism. Attitude has a number of team members who themselves have a disability, including all the onscreen researcher/reporters. Much of Attitude's content has been loaded onto online hub Attitude Live, which launched in 2013 and later beat 86 countries to win a World Summit Award in the 'inclusion and empowerment' category — plus praise for digital innovation.
It's Academic was an 80s general knowledge quiz show for high school students. Like its intermediate school sibling The W Three Show, It's Academic was hosted by Lockwood Smith. With his Cheshire cat's grin the future Speaker of the House pulled questions from the numbered pockets as students vied for brainiac supremacy and digital watches, encyclopedia sets and calculators. When Smith was elected to Parliament in 1984 he was replaced as presenter by John Hayden. The US format is the Guinness Book of Records-verified longest-running quiz show in TV history.
Stories behind 100 of more than 2 million pieces in Te Papa’s collections are investigated in this series of mini-documentaries commissioned by digital channel TVNZ6. Presenters Simon Morton and Riria Hotere talk to the museum’s curators and researchers about items ranging from the quirky to the nationally, and internationally, significant. Subjects include artworks by Colin McCahon and John Reynolds, a Fijian war club, a Samoan cricket bat, a “murder house” dental nurse’s equipment, the Playschool toys, an Egyptian mummy and the fate of the Huia.
Weekly media commentary show Media Take focuses on the week's news and new media developments. Frontman Russell Brown and a team of panellists analyse how certain issues are presented. In front of a live studio audience they cover traditional outlets (TV, radio and newspapers) and also look at the internet, advertising, PR and new technology. The show began life as Media7 on digital channel TVNZ 7; it shifted networks to TV3 after TVNZ 7's 2012 shut down, and was reborn on Māori Television in 2014 for four seasons as Media Take.
Aotearoa's wildlife and unique landscape provided the inspiration for Meet the Locals, a partnership between TVNZ and the Department of Conservation. The series ran for six seasons from 2007, most of them on digital channel TVNZ 6 (then on TVNZ 7 for its final season). The four-minute episodes saw DOC staff doing everything from visiting a range of animals and snorkelling in marine reserves, to tramping and taking kids out on trips to the great outdoors. Nicola Toki (née Vallance) presented the series until 2010; later James Reardon and Les Judd took the reins.