Is the Sport of Kings headed for the knackers’ yard? As the racing industry attempts to combat declining numbers of punters, falling stake monies and increasing competition for the betting dollar, the Auckland Racing Club — New Zealand’s oldest — allows a TV crew behind-the-scenes access to its headquarters at the Ellerslie Race Course. This seven part series follows the asset-rich, cash-poor club’s new CEO, young and unproven in the racing industry, as he embarks on a mission to modernise its image and operations, and turn its fortunes around.
This series, made for use as a teaching resource in secondary schools by the NZ Music Industry Commission, was produced and directed by longtime Kiwi music champion Arthur Baysting. The full series featured 47 leading acts (including Don McGlashan, the Black Seeds, Nesian Mystik, Chris Knox and Fat Freddy's Drop) talking directly to the next generation of musicians about their music and careers. They offer intimate performances of classic songs, and heartfelt advice on subjects including songwriting, recording techniques, technology and the music industry.
Made at Auckland's Media Design School, these CGI short films combine the expertise of lecturer James Cunningham (director of award-winners Poppy and Infection) with the raw smarts and hard work of his 3D animation students. With established industry talents (e.g. writer Nick Ward and cameraman Simon Riera) helping guide the students, the results have won awards and selection to impressive international festivals, including SIGGRAPH. 2011's effort saw the screen debut of alien hunter Dr. Grordbort, originally created by Weta Workshop's Greg Broadmore.
The Ralston Group was an anarchic early 90s TV3 political chat show. Ringmaster Bill Ralston wrangled a caucus of political and media industry insiders, ranging from broadcaster Derek Fox and writer Jane Clifton to Peter Williams QC and PR man Richard Griffin. The irreverent show offered in the moment opinions on an especially heady era in NZ politics. A 2003 issue of The NZ Herald remembered it as “the best sort of dinner party: noisy and gossipy, the guests well informed, well lubricated with lots of opinions and zero inhibition.”
Town and Around was a nightly magazine show, covering everything from current affairs and studio interviews to slapstick to stunts; including a notorious spoof on a farmer who shod his turkeys in gumboots. A popular and wide-ranging regional series, it ran for five years from 1965, and was the training ground for a generation of industry professionals (Brian Edwards, David McPhail, and Des Monaghan amongst many others). Town and Around was made prior to a national network link, and editions came out of Auckland, Wellington, Christchurch and Dunedin.
In Moynihan, secretary of the carpenters’ union Leo Moynihan (Ian Mune) — with orange mini and leather jacket — has to navigate the shark-infested waters of 70s industrial relations. The first NZ-Australia co-production (with ABC) was devised by union organiser Earle Spencer and Jane Galletly (a rare credit in the then-male dominated industry). It was the first series made by TV One’s drama department; it won viewers as well as Feltex awards for best drama and Mune’s performance. The changing face of Wellington, including an under-construction Beehive, features.
When this popular TV One comedy-drama about misbehaving real estate agents debuted in 2013, it copped flak from real estate bosses for perpetuating negative stereotypes about the industry. Agent Anna follows Anna Kingston (played by Robyn Malcolm, who also came up with the series idea), whose husband has left her and their two teenage daughters. Needing work, Kingston turns to selling houses in Auckland's cutthroat market. The programme ran for two seasons. Theresa Healey (Shortland Street), Adam Gardiner (movie Hopeless) and Roy Billing (Old Scores) co-star.
Pioneering series Pukemanu (the NZBC’s first continuing drama) followed the goings-on of a North Island timber town. The series was conceived by former forester Julian Dickon (who quit the series and was replaced by Listener critic Hamish Keith as writer). Producing two seasons of six episodes was a key step in industry professionalisation, and many of the cast became stars (Ginette McDonald, Ian Mune). It offered an archetypal screen image that Kiwis could relate to: rural, bi-cultural, boozy and blokey; and reviews praised its Swannie-clad authenticity.
TVNZ’s Loose Enz was a series of 12 stand-alone dramas that canvassed a broad range of subjects. With a distinct NZ voice, the series’ 1982 9:30 scheduling allowed the array of writers to pen racier and more confrontational content. Funding exceeded the (mostly) meagre levels of the 70s, and talent pooled around the production: names such as Tony Isaac (who produced the series), Caterina De Nave, Billy T James, Merata Mita, John Toon, and Angela D’Audney, made up an illustrious cast and crew who had forged, or were yet to cut, vital paths in the screen industry.
A flagbearer for Māori storytelling on primetime television, E Tipu e Rea (Grow up tender young shoot) was a series of 30 minute dramas touching on a range of Māori experiences of the Pākehā world — from rural horse-back riding and eeling, to urban hostility and cultural estrangement. It marked the first anthology of Māori television plays, and the first TV production to use predominantly Māori personnel. E Tipu e Rea's mandate and achievement was to tell Māori stories in a Māori way.