Fiordland is the jewel in the Te Wahipounamu South West New Zealand UNESCO World Heritage Site, a status underpinned by primeval scenery and a reputation as one of the world’s great wilderness areas. This film explores the symmetries of life above and below the fiords, where water cascades from mountain peaks and rainforest, into the black depths of ice age carved valleys. Award-winning photography reveals the mirror world: kea, mohua, fur seals, bottlenose dolphins, and an underwater phantasmagoria of starfish, ancient black coral forests and sea pens.
Man. Dog. Sheep. This was an unlikely formula for Kiwi TV gold. A Dog's Show was familiar as a homespun in its long-running Sunday slot. The show featured sheepdog trials from around the country, with commentary provided by the wise, bearded John Gordon. In the final from a 1981 series, four farmers wield sticks and whistles, and put their dogs through their paces to wrangle the "sticky sheep". It's 1981, but the only riots here are ovine. Trivia: the opening tune is a version of the song 'Flowers on the Wall', also used in the film Pulp Fiction.
This edition of the 60s magazine show is a portrait of Peter McIntyre. McIntyre was New Zealand’s official war artist, and his paintings became icons of the NZ war effort. This piece focuses on his later landscapes — then at the height of their popularity. Shots of McIntyre working in his studio and around Kākahi — where the “happy escapist” retreats from the hurly burly of Wellington — bolster the romantic image. He muses on ‘scenic decay’, trout fishing, the zen of the bush and pop art: “If they’re surrounded by cans of beans let them paint cans of beans!”.
This post-war film was made to showcase New Zealand to UK audiences. Directed by Michael Forlong, the NFU film is a booster’s catalogue of contemporary NZ life. The message is that NZ is a modern pastoral paradise: open for business but welfare aware. Nature is conquered via egalitarian effort; air and sea links overcome the tyranny of distance; and science informs primary industry. Māori are depicted assimilating into the Pākehā world. Sport, suburbia and scenic wonder are touted, and an NZSO performance shows that the soil can grow culture as well as clover.
Arthur Joplin was just 20 when he was awarded his wings and set off on active service to the UK. Joining Bomber Command, he was assigned to the famous 617 'Dambusters' Squadron. That was after the famous raids in Germany's Ruhr Valley, but Joplin took part in other special operations including the sinking of the German battleship Tirpitz. Joplin's war ended when he crash-landed while returning from a raid, killing two crew members. That’s something he’ll carry with him for the rest of his life, he says. Joplin broke both legs and never returned to flying.
This high-rating 1999 documentary follows Gary McCormick to Ireland to investigate "those strands which tie" Kiwis to the Emerald Isle, from Dublin to the north, where his forebears originated in the 1870s. He meets locals, (musicians, tinkers, playwrights, scuba divers) and Kiwi expats, and talks The Troubles, Celtic Tigers, and why Irish emigrated to Aotearoa. Irish Connection was another collaboration between McCormick and director Bruce Morrison (Heartland, Raglan by the Sea). Companion title The London Connection saw McCormick examining Kiwi links to London.
Stoney Burke reckons aviation fuel just about runs in his veins; fascinated by aircraft since childhood, joining the Royal New Zealand Air Force felt like a logical choice. Burke's long career as an engineer both on the ground and in the air included helping get supplies to Nepal for Sir Edmund Hillary’s school building projects, plus service in the Vietnam War. Flying into Saigon and some of the forward air bases in Vietnam could prove tricky, with planes taking small arms fire on their approach. Post Air Force, Stoney continued his career at Air New Zealand.
Using plenty of his own photographs to illustrate his story, Errol Schroder takes us back to the 50s, 60s and 70s to provide his memories of being a photographer with the New Zealand Air Force (Schroder also spent three years in the navy). His Air Force career saw him posted through the Pacific and South East Asia. In Vietnam, there are tales of nervous times on American bases, and a hair-raising patrol in an OV-10 Bronco aircraft. Even in retirement, action came Errol’s way — his home was wrecked in the September 2010 Christchurch earthquake.
Introduced to New Zealand in 1851, red deer soon became controversial residents: sport for hunters, but despised by farmers and conservationists for the damage they caused. First targeted by government cullers in the 1930s, by the 60s they were shot by commercial operators for venison export. Directed by Bruce Morrison and Keith Hunter, this award-winning documentary catches up with the hunt in the 70s, when deer for farming – dramatically caught alive, from helicopters – was a multi-million dollar gold rush. Different versions of the film were made for overseas markets.
Crime thriller The Last Saint puts Auckland’s underworld squarely in its sights. Beulah Koale (who played the killer in short film Manurewa) stars as teenager Minka, who gets caught up in drugs and romance while working for psychotic P-dealer (Joe Naufahu). The first movie directed by Shortland Street actor Rene Naufahu, this "searing local thriller" (Sunday Star-Times) was funded largely by private investors, as well as a Pledge Me campaign. Calvin Tuteao and Jared Turner are part of an impressive cast; the soundtrack includes contributions from P-Money, Six60 and Katchafire.